Patricia Brooks (November 7, 1937 – January 22, 1993), was a lyric soprano, actress, and opera singer, who performed primarily with the New York City Opera. She was known for her acting ability as much as for her voice.
Brooks was born in Manhattan and attended the High School of Music and Art, studying dance with Martha Graham. Following a knee injury, she turned to theatrical performance, studied singing with Margaret Harshaw and Daniel Ferro, and studied acting with Uta Hagen.
In 1960, she was performing as a member of the chorus in the Broadway musical The Sound of Music and left to make her debut at the New York City Opera on October 12 as Marianne in Der Rosenkavalier.
Brooks performed 29 roles with the New York City Opera in the 1960s and 1970s. Peter G. Davis of the New York Times called her performance as the title character of Massenet's Manon "extraordinary," writing that she "sang splendidly" and "captured all the multiple facets of this intriguing character with a variety of dramatic nuance." With the Opera Society of Washington, she performed the finale to Act I of Mozart's The Magic Flute at a White House state dinner during the Kennedy presidency. She performed arias from La sonnambula and Lucia di Lammermoor at the reopening of Ford's Theatre in Washington, D.C. on January 30, 1968.
She also appeared throughout the United States and at the Royal Opera at London's Covent Garden. She sang with Plácido Domingo in Verdi's La traviata in 1966 in a new production directed by Frank Corsaro and later sang in the same opera on the occasion of Domingo's U.S. conducting debut in 1973. She received outstanding reviews for many of her performances in such operas as Tales of Hoffmann, La Boheme, and Rigoletto. Her repertoire also included modern works. In her first season with the New York City Opera she performed in Werner Egk's The Inspector General. She appeared in the world premières of Robert Ward's The Crucible in 1961, Douglas Moore's Carry Nation in 1966, and Lee Hoiby's Natalia Petrovna in 1964. She sang the title role in Alban Berg's Lulu in 1974 at the Santa Fe Opera.
She retired in 1977 due to the effect of multiple sclerosis on her breathing, but continued to teach for several years and to direct productions as an associate professor at the State University of New York at Purchase. In her later years she spent time painting in oils and watercolor.
- Louise Mooney Collins, Lorna Mpho Mabunda (1994). The Annual Obituary 1993. St. James Press. ISBN 978-1-55862-320-0. Retrieved 2010-05-30.
- Aryeh Oron (May 2008). "Patricia Brooks (Soprano)". Bach Cantatas website. Retrieved 2010-05-30.
- "Soprano to Quit Chorus of a Musical for Opera". The New York Times. 25 August 1960. Retrieved 2010-05-31.
- Hershenson, Roberta (2 November 2008). "CD Documents City Opera Star's 1971 Recital Debut". The New York Times. Retrieved 2010-05-31.
- Davis, Peter G. (6 April 1968). "Manon Role Taken by Patricia Brooks". The New York Times. Retrieved 2010-05-31.
- Hunter, Marjorie (3 June 1963). "Kennedy Command Performance Is an Heir to London's". The New York Times. Retrieved 2010-05-30.
- Theodore Mann, Journeys in the Night: Creating a New American Theatre with Circle in the Square (NY: Applause Theatre and Cinema Books, 2007), 234-5
- Lambert, Bruce (24 January 1993). "Patricia Brooks, 59, a Soprano Known for Acting Talent, Dies". The New York Times. Retrieved 2010-05-30.
- Henahan, Donald (9 October 1973). "Opera: Tenor Successful as Conductor". The New York Times. Retrieved 2010-05-31.
- Strongin, Theodore (30 April 1966). "Opera by Moore Bows in Kansas". The New York Times. Retrieved 2010-05-31.
- Schonberg, Harold C. (9 October 1964). "Opera: 'Natalia Petrovna'". The New York Times. Retrieved 2010-05-31.
- Ericson, Raymond (20 January 1974). "'Lulu' Will Take a Trip to Santa Fe". The New York Times. Retrieved 2010-05-31.
- Blau, Eleanor (12 January 1979). "Students at Purchase Have a Go at 'Figaro'". The New York Times. Retrieved 2010-05-31.
- "Patricia Brooks – Biography". 2008-04-15. Retrieved 2010-05-30.