Paul Smith (comics)

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Paul Smith
Born (1953-09-04) September 4, 1953 (age 64)
Kansas City, Missouri
Nationality American
Area(s) Penciller, Inker

Paul Smith (born September 4, 1953) is an American comic book artist, known for his work on The Uncanny X-Men, X-Factor, American Flagg!, Nexus, GrimJack and his creator-owned book, Leave It to Chance.

During his 1983 run on The Uncanny X-Men, Smith's work on issue 173 of that series would prove influential in two ways: It featured the debut of the punk look for the X-Men leader Storm,[1][2] and Smith's cover of that issue would influence both a latter comic book cover and a best-selling poster and retailer standee by artist Arthur Adams.[3][4][5]

Early life[edit]

Smith was born in Kansas City, Missouri, but only lived there three days. His father was a U.S. Naval aviator, and the family moved several times during his childhood. As a young comics fan, Smith particularly admired the work of Steve Ditko on The Amazing Spider-Man and Neal Adams on Batman.[citation needed]

Career[edit]

Smith had no formal art training aside from some courses in airbrushing.[citation needed] He first came to attention at Marvel Comics in the early 1980s, where he filled in on a variety of Marvel titles, including Marvel Fanfare #4, cover dated September 1982, doing the final chapter of an X-Men story, and Doctor Strange #56, cover dated December 1982, pencilling a re-telling of his origin.

Marvel subsequently entered into an agreement with Smith for him to take over the art duties from Dave Cockrum on The Uncanny X-Men, then the biggest selling US comics series, for one year. Smith had emigrated to the East Coast with dreams of drawing Spider-Man and Conan, and realized that his performance on X-Men would determine the future of his career. During his run on the series, which lasted from issue #165 - #175, he designed the punk look, complete with black leather outfit and mohawk haircut, for the X-Men leader Storm that debuted in Uncanny X-Men #173 (October 1983). The change in appearance was inspired by the decision of colleague Walt Simonson to shave off his beard and mustache while on vacation with his wife, X-Men editor Louise Simonson. Upon their return, Simonson's daughter, Julie, upset at her father's new appearance, ran from the room, a reaction that would be mirrored in X-Man Kitty Pryde's reaction to Storm's new appearance.[1] When the book's editors decided to change Storm's appearance, Smith submitted a number of designs to them, explaining in a 2008 interview:

"I did a number of portraits, all quite lovely and feminine. As a joke, I included a shot of her as Mr. T. You know, the kind of shot where they HAVE to go the other way. Weezie [X-Men editor Louise Simonson]'s response? 'They’re going to hang us whichever way we go. Let's commit the murder.' I argued it was a joke and a monstrously bad idea but, given my departure following 175 was set prior to beginning my run, my vote didn’t count. So I did what I could with what I had left... So we went with the Mohawk ...But once you get into the whole leather and stud thing it was a bad joke that got way out of hand."[2]

Smith's cover for issue #173 would prove influential. When editing the 1985 anthology book Heroes for Hope, which was intended to benefit famine relief in Africa, editor Ann Nocenti asked artist Arthur Adams to pattern his cover of that book after Smith's illustration. This in turn prompted Bob Budiansky to have Adams produce a Wolverine poster with the same type of pose. The image, inked by Terry Austin, became not only a bestselling poster, but an iconic life-size standee for comics shops.[3][4][5]

A few months after leaving The Uncanny X-Men, Smith returned as the regular artist on Doctor Strange. He worked on that series from #65 to #73, drawing seven of those issues. Smith's brief run on X-Men left a large impact, and most of it was later reprinted in the From The Ashes trade paperback. Eventually his entire X-Men run was reprinted in Essential X-Men Vol. 4. He bookended the Marvel Fanfare series, pencilling a short Daredevil story in issue #1, and writing, drawing and lettering a sequel to that Daredevil tale in #60, the final issue of the book. Smith would briefly revisit the X-Men, drawing the X-Men / Alpha Flight limited series as well as a brief stint on the X-Men spin-off X-Factor. Over the subsequent years Smith would return numerous times to work on various books of the X-Men franchise.

Perhaps his best-known work outside of the X-Men are The Golden Age and the young adults comic Leave It to Chance, both collaborations with writer James Robinson. Smith has also contributed art to a number of First Comics titles including American Flagg!, Nexus, and GrimJack.

In 2005 Smith drew the Kitty Pryde: Shadow and Flame limited series written by Akira Yoshida.

Selected interior comics work[edit]

References[edit]

General references[edit]

Thompson, Kim (June 1982). "Maidens, Mutants, and Mages: Paul Smith Climbs the Stairway to Stardom . . . Ten Steps at a Time!" Amazing Heroes #12

Inline citations[edit]

  1. ^ a b Cronin, Brian (March 3, 2017). "Comic Legends: How a Shaved Simonson Gave Us Mohawk Storm!". CBR.com.
  2. ^ a b Cronin, Brian (October 28, 2011). "Comic Book Legends Revealed #338". CBR.com.
  3. ^ a b Cooke, Jon B. (January 2002). "The Art of Arthur Adams". Comic Book Artist. TwoMorrows Publishing (17). Archived from the original on November 3, 2013. 
  4. ^ a b Khoury, George; Nolen-Weathington, Eric (2006). Modern Masters Volume 6: Arthur Adams. TwoMorrows Publishing. ISBN 978-1-893905-54-2. 
  5. ^ a b Kraft, David Anthony (1987). Comics Interview #46 (1987). Fictioneer Books. pp. 16–27.

External links[edit]

Preceded by
Dave Cockrum
Uncanny X-Men artist
1982–1983
Succeeded by
John Romita, Jr.