Pavane pour une infante défunte
Pavane pour une infante défunte (Pavane for a Dead Infanta) is a well-known piece written for solo piano by the French composer Maurice Ravel in 1899 when he was studying composition at the Conservatoire de Paris under Gabriel Fauré. Ravel also published an orchestrated version of the Pavane in 1910; it is scored for two flutes, oboe, two clarinets (in B-flat), two bassoons, two horns, harp, and strings. A typical performance of the piece lasts between six and seven minutes. It is widely considered a masterpiece.
Ravel described the piece as "an evocation of a pavane that a little princess [infanta] might, in former times, have danced at the Spanish court". The pavane was a slow processional dance that enjoyed great popularity in the courts of Europe during the sixteenth and seventeenth centuries.
This antique miniature is not meant to pay tribute to any particular princess from history, but rather expresses a nostalgic enthusiasm for Spanish customs and sensibilities, which Ravel shared with many of his contemporaries (most notably Debussy and Albéniz) and which is evident in some of his other works such as the Rapsodie espagnole and the Boléro.
Ravel dedicated the Pavane to his patron, the Princesse de Polignac, and he probably performed the work at the princess's home on at least several occasions. It was first published by E. Demets in 1900, but it attracted little attention until the Spanish pianist Ricardo Viñes gave the first performance on 5 April 1902. The work soon became very popular, although Ravel came to think of it as "poor in form" and unduly influenced by the music of Chabrier.
Ravel intended the piece to be played extremely slowly – more slowly than almost any modern interpretation, according to his biographer Benjamin Ivry. The critic Émile Vuillermoz complained that Ravel's playing of the work was "unutterably slow." However, the composer was not impressed by interpretations that plodded. After a performance by Charles Oulmont, Ravel mentioned to him that the piece was called "Pavane for a dead princess", not "dead pavane for a princess". When asked by the composer-conductor Manoah Leide-Tedesco how he arrived at the title Pavane pour une infante défunte, Ravel smiled coyly and replied, "Do not be surprised, that title has nothing to do with the composition. I simply liked the sound of those words and I put them there, c'est tout". But Ravel also stated that the piece depicted a pavane as it would be danced by an infanta found in a painting by Diego Velazquez.
Performed by Thérèse Dussaut, 1976
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When Ravel published his orchestrated version of the Pavane in 1910, he gave the lead melody to the horn, and specified a non-generic instrument: the score calls for "2 Cors simples en sol" (two hand-horns in G). The teaching of the valveless hand-horn had persisted longer in the Paris Conservatory than in other European centers; only in 1903 had the valve horn replaced it as the official horn of primary instruction. The orchestral score was published in 1910. The premiere was given on 27 February 1911 in Manchester, England, conducted by Sir Henry Wood. Reviewing the concert, the critic Samuel Langford called the work "most beautiful" and added, "The piece is hardly representative of the composer, with whom elusive harmonies woven in rapid figuration are the usual medium of expression. In the Pavane we get normal, almost archaic harmonies, subdued expression, and a somewhat remote beauty of melody."
The first gramophone recording of the Pavane was made in 1921 in Paris. A later recording, made in Paris in 1932 is sometimes thought to have been conducted by the composer, but was actually conducted by Pedro de Freitas-Branco, under the supervision of Ravel, who was present at rehearsal and the recording session.
Ravel himself made a piano roll recording of the piece in 1922. (His performance is approximately five minutes and forty seconds in length.)
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In addition to numerous recorded performances within the classical repertoire, the Pavane maintains a significant presence in popular music. In particular, the song "The Lamp Is Low" was adapted from it. More recently, the Pavane appears in dozens of popular albums under both French and English forms of its title. For example, it is included in Deodato 2 (1973) by the Brazilian musician Eumir Deodato, and in Arturo Sandoval's A Time for Love (2010), which features Chris Botti.
It was recorded by Pedro Aznar on his homonymous album (1982), in which he made use of synthesizers instead of acoustic instruments. Some unusual interpretations include another electronic versions by William Orbit in Pieces in a Modern Style (2000) and by Isao Tomita (1979), Edgar Meyer recorded a version for double bass and piano on his CD "Work in Progress" (1990),  a solo bass guitar version by Jimmy Earl (1995), and Hayley Westenra's vocal adaptation "Never Say Goodbye", which appears in her album Pure (2004). A music box version of this piece, arranged by Japanese composer Yoshino Aoki, was also used in the soundtrack for the PlayStation Role-Playing Game Breath of Fire IV. A piano/orchestrated arrangement was also used in the PlayStation 3 Game Gran Turismo 5. An orchestrated Pavane can be heard in the 2012 film, The Dark Knight Rises. Hip-Hop artist, Nujabes, sampled the piece for his work, "Aruarian Dance". A version of Pavane is played by a lutenist in Shinichirō Watanabe's 2014 anime Space Dandy in the episode "A World with No Sadness, Baby". Japanese experimental composer KASHIWA Daisuke arranged to jazz version in his "Re:" album. Jazz-arranged version have name "Jazz pour une infante défunte". Organist Keith Chapman has performed the work on the Wanamaker organ. The piece was in the anime "Your Lie in April" when Kousei is coping with the fact that his newfound love is terminally ill.
- "Who Was Ravel?".
- Andres, Robert. "An introduction to the solo piano music of Debussy and Ravel", BBC Radio 3, accessed 17 November 2011
- Brown, Alan.  Grove Music Online, Oxford Music Online, accessed 15 November 2011 (subscription required)
- Larner, pp. 60 and 227
- Simpson, p. 2
- Ivry, p. 23
- Orenstein, p. 312
- Oulmont quoted in Nichols, p. 84
- Rocky Mountain News (Sunday, 8 March 1970)
- "The Gentlemen's Concerts", The Manchester Guardian, 28 February 1911, p. 6
- Orenstein, p. 536
- "Allmusic listing of classical albums containing Pavane pour une Infante Defunte". Allmusic data base. Retrieved 2011-04-12.
- Orenstein, p. 599
- "Allmusic listing of popular albums containing Pavane pour une Infante Defunte". Allmusic data base. Retrieved 2011-04-12.
- "Allmusic listing of popular albums containing "Pavane for a Dead Princess"". Allmusic data base. Retrieved 2011-04-12.
- Stevenson, Joseph (1979). "Biography of Isao Tomita". Allmusic data base. Retrieved 2012-04-27.
- "Allmusic listing of album Pure". Allmusic data base. Retrieved 2011-06-08.
- Ivry, Benjamin (2000). Maurice Ravel – A Life. New York: Welcome Rain. ISBN 1-56649-152-5.
- Larner, Gerald (1996). Maurice Ravel. London: Phaidon. ISBN 0-7148-3270-7.
- Nichols, Roger (1987). Ravel Remembered. London: Faber and Faber. ISBN 0-571-14986-3.
- Orenstein, Arbie (2003). A Ravel Reader. Mineola: Dover. ISBN 0-486-43078-2.
- Simpson, Carl (ed) (2004). Pavane pour une infante défunte Study Score. Boca Raton: Kalmus. OCLC 181658212.
- Heninger, Barbara (2001-11-23). Maurice Ravel: Pavane for a Dead Princess (program notes). Eric Kujawsky, Peter Stahl, Wyatt Doug (eds.). Redwood Symphony. Retrieved 2008-08-17.