||This BLP includes a list of references, related reading or external links, but the sources of this BLP remain unclear because it lacks inline citations. (September 2008)|
|Origin||Vancouver, British Columbia, Canada|
|Genres||New wave, rock|
|Associated acts||Rock and Hyde|
Taylor Nelson Little
The Payolas (or Payola$) were part of Vancouver's new wave of bands and active in the Canadian music scene for a decade from the late 1970s, recording several albums and singles that were Canadian chart hits. They disbanded in 1988, but reformed again from 2003 to 2008, issuing a new EP in 2007.
The band's name is a reference to the payola scandal in the United States in the early 1960s. The group was based in Vancouver, British Columbia, and recorded mostly at Vancouver's Little Mountain Sound Studios. Through several lineup changes and name changes (the band also played as The Payola$, Paul Hyde and the Payolas and Rock and Hyde), the Payolas core members remained Paul Hyde and Bob Rock, who together wrote virtually all of the band's songs. As well, Rock engineered and mixed virtually every Payolas recording.
Although in the 1980s the Payolas always seemed poised for a big international breakthrough, the band never quite broke out despite their artistic growth and popular success in Canada. They were, however, one of the most prominent and successful platinum-selling Canadian bands of the early 1980s.
- 1 Band history
- 2 Discography
- 3 References
- 4 External links
Early years (1978–1981)
Vocalist Hyde, a British emigrant, met guitarist Rock (originally from Winnipeg) during high school in Langford, B.C. Shortly after they joined with drummer Ian Tiles and bass player Marty Higgs to form a pop-punk band. As the band got started, Bob Rock simultaneously started his career as a recording engineer at Little Mountain Sound Studios in Vancouver, B.C., allowing the Payola$ the time to record their first single, "China Boys" (1979). This single was sold at their gigs and in local music stores.
Higgs and Tiles left shortly after the single was recorded, and in the first of many personnel changes for the band, were replaced by drummer Taylor Nelson Little and sax/bass player Gary Middleclass (né Gary Bourgeois). Spotted by A&M Records, the band was given the budget to record four songs, which were issued as Introducing Payola$ in 1980. The major-label EP included a new version of their signature song “China Boys”, early versions of “Jukebox” and “Rose”, and the profanity-laden working class anthem “T.N.T.”
The EP garnered enough attention to warrant a full-length follow up album. Middleclass left to become a sales man at Anex (he later became a teacher at the Vancouver Film School sound design program), and was replaced by Lawrence Wilkins on bass. As well, Lee Kelsey (keyboards) was added. This quintet recorded 1981's In a Place Like This (produced by Rock), which was a critical success, but a commercial flop. It included a remake of “Jukebox” — and yet another remake of “China Boys” — as well as more proletarian laments like the title track and “Whiskey Boy”.
Mick Ronson era (1982–1984)
1982 saw drummer Chris Taylor added to the band lineup, replacing Taylor Little. Kelsey left the band and was not replaced. This line-up recorded the Mick Ronson-produced album No Stranger To Danger. Incorporating elements of reggae, pop, punk, and new wave, the LP included a bona fide hit (No. 4) in “Eyes of a Stranger”, which later earned the Juno for best single of the year. Junos were also given to Rock and Hyde for their songwriting, and to the band as a whole for Most Promising Group. Bob Rock’s recording work on the album also won him a Juno, and the LP also featured the moderately successful single “Romance”. Even the non-album B-side “Soldier” was a minor Canadian hit (No. 25). When the Payola$ toured the album in 1982, Ronson played keyboards as a guest performer.
Arguably, the band's high-water mark was reached in 1983. Wilkins left the band, and Barry Muir (later of Barney Bentall and the Legendary Hearts) was added to play bass for a North American tour, opening for headliners including The Go Go's. Muir never became a member of the group, but played as a sessioneer during some recording sessions. That year, the Payolas released Hammer on a Drum Bed tracks recorded at Keye studios (Victoria)and mixed at Little Mountain Sound in Vancouver (also produced by Ronson, with the Payolas) to great commercial and popular acclaim. The band now consisted of Rock (often doubling on guitar and bass), Hyde, Taylor and new keyboardist Christopher Livingston. The album they created was a little heavier on keyboard-based pop than before, and seamlessly mixed anthems of social conscience (such as the child abuse chronicle “Where Is This Love” and nuclear nightmare “No Prisoners”) with socialite navel gazing, exemplified by “I’ll Find Another” and “Wild West”.
Four notable singles were pulled from the LP: "Where Is This Love?" and "I'll Find Another"; a tongue-in-cheek duet with Carole Pope of Rough Trade called "Never Said I Loved You"; and the downcast "Christmas Is Coming", which has since been anthologized on Christmas releases. For touring purposes, Alex "A-Train" Boynton was added to the line-up as the group's official new bassist. Boynton is pictured as a member of Payolas on the 12" single release "Christmas Is Coming", although he did not play on the track.
Compromises, David Foster and "Tears Are Not Enough" (1985)
For the first several years of their existence, the Payolas unsuccessfully tried to break into the U.S. market while dealing with strong radio resistance to their name. The Payolas lack of State-side exposure was attributed in some quarters to the possibility that American radio programmers were refusing to play any Payolas music simply because the band's name would remind the public of one of the radio industry's greatest scandals (and its ongoing practices). Therefore, under a certain amount of record company pressure — but also because they legitimately wanted to crack the lucrative U.S. market — the band softened their formerly hard-edged tunes, and in 1985 altered their name to Paul Hyde and the Payolas. In this way, radio DJs could play Payolas music, but simply announce the artist as "Paul Hyde" if they wanted to avoid uttering the dreaded "p" word on-air.
Around this same time, the record label recruited top industry pop-music wiz, David Foster, to produce and also assist in writing the band's next recording. The label clearly wanted the next release to break the band into the US mainstream and a more pop-orientated direction was chosen. By this point, the band consisted of Hyde, Rock, drummer Chris Taylor, and bassist Alex "A-Train" Boynton. Keyboardist Livingston was no longer an official band member, but was hired to play keys during the album sessions (as was Foster). In spite of (or perhaps because of) the band's compromises, the resulting album, Here's the World for Ya, was an artistic and commercial dud.
Regardless, during the sessions, Foster received a phone call from Quincy Jones asking him to produce and contribute a Canadian all-star recording to the USA for Africa famine relief project. Using a song title supplied by Rock and Hyde, Foster helped assemble an all-star band called Northern Lights to record the No. 1 Canadian hit "Tears Are Not Enough". Rock and Hyde received co-writer credits on the song (along with Bryan Adams, Foster, Rachel Paiement and Jim Vallance). As well, Hyde is heard as one of 44 vocalists on the song, and Rock was one of the engineers.
Paul Hyde and the Payolas (1985–1986)
Later in 1985, when Paul Hyde and the Payolas' Here's the World for Ya LP was released, its singles included “You're the Only Love”, “It Must Be Love”, “Stuck in the Rain,” and “Here’s the World”. All these singles did moderately well in Canada, and “You're the Only Love”, actually also charted in the US, scraping into the Hot 100—the first Payolas single to do so.
However, critical and consumer reaction to Here's the World for Ya went the opposite way. The album was not the hit the record company was hoping for, especially considering Foster's previous track record of producing massive international hits for artists such as Chicago, John Parr and Barbra Streisand. Many found Foster's richly ornamented production style conflicted with the Payolas previous highly creative, eclectic works. Furthermore, the band lost many loyal fans who felt the Payolas had turned their backs on them with the commercial compromises. As a consequence of all these factors, within weeks of Here's the World for Ya's release (and relative commercial failure), the band was dropped by A&M.
Rock and Hyde (1987–1988)
In 1987, the band rebranded themselves as Rock and Hyde (although the core duo was still in fact working with Payolas Taylor and Boynton) and released Under the Volcano on Capitol/EMI. This album's credits included a rather pointed dig at former producer Foster by offering a "very special thanks" to new producer Bruce Fairbairn, who "did the decent thing and let us be ourselves (we can all look in the mirror in the morning now)."
Under the Volcano was critically well-received, and Rock and Hyde had two hits in Canada with “Dirty Water” and “I Will”. “Dirty Water” also charted on the US Hot 100.
A&M tried to piggyback on the duo's EMI success by immediately offering forth a greatest hits package called Between a Rock & a Hyde Place. This compilation included no Rock and Hyde recordings per se, only A&M-era recordings the band had released under the name Payolas (or Paul Hyde and the Payolas).
Long hiatus (1989–2003)
The duo of Rock and Hyde ceased to be a performing unit at the end of the 1980s, although at the time of Hyde's first solo release (1989's Turtle Island), Hyde was referring to the split simply as a hiatus. However, it took a long time for the hiatus to end; throughout the 1990s and early 2000s, Rock busied himself producing heavy metal bands like Mötley Crüe and Metallica. As well, along with ex-Payola Chris Taylor, he created the short-lived band, Rockhead.
Paul Hyde, meanwhile, pursued an on-again/off-again solo recording career, which included Rock as producer, guitarist and occasional co-writer on 2000's Living off the Radar. Ex-Payolas Chris Taylor and Alex 'A-Train' Boynton also guested on a few of this album's tracks.
Finally, in 2003, Rock and Hyde reteamed for a Vancouver gig. An EP called "Missing Links" was released for a charitable foundation, consisting of previously-unreleased Payolas songs and demos, a couple of which had surfaced earlier, in slightly different productions, on Paul Hyde's solo album Living off the Radar.
The following year, Rock and Hyde announced they were at long last going into the studio to record a new Payolas release. The band was now a duo, with Hyde singing and Rock playing multiple instruments in the studio, occasionally augmented by session musicians. In 2006, a track called "Bomb" was available at their website, followed by "At the Angel's Feet".
On July 17, 2007, the Payolas released a seven-song EP, Langford (Part One). They then played several live dates, reuniting the late 1980s band line-up of Rock, Hyde, and bassist Alex "A-Train" Boynton — a line-up that, ironically, performed as "Paul Hyde and The Payolas" and as "Rock and Hyde", but prior to this reunion, had never performed as the Payolas.
It was announced that there would be a full length follow-up to the Langford (Part One) EP, to be released in 2008 and possibly incorporating some of the EP's tracks. However, this release never materialized.
The band stopped performing live as of 2008, and the official Payolas' website shut down in 2009. As with the band's first break-up, no formal announcement was made that the Payolas were ceasing operations; however, later in 2009 Paul Hyde resumed his solo career, releasing his fifth studio album.
Since the band was most active in the mid-1980s as the change from LPs to CDs was occurring, most of their songs are, as yet, unavailable on CD. “Eyes of a Stranger” and “Christmas Is Coming” appear on various CD anthologies, usually with an 1980s, punk and/or holiday theme, such as The Edge of Christmas, on which "Christmas is Coming" appears.
|Release date||Artist Credit||Title||Chart Positions|
|Canada RPM 100||Australia ARIA Charts||US Hot 100||US Mainstream Rock|
|"I'm Sorry (I Only Did It for the Money)"|
|1982||"Eyes of a Stranger"||4||81||22|
|1983||Payolas with Carole Pope||"Never Said I Loved You"||8|
|Payolas||"Where Is This Love"|
|"Christmas Is Coming"/"I'll Find Another (Who Can Do It Right)"|
|1985||Paul Hyde and the Payolas||"You're the Only Love"||26||84||37|
|"Stuck in the Rain"||77|
|"Here's the World for Ya"||91|
|"It Must Be Love"||94|
|1987||Rock and Hyde||"Dirty Water"||20||61||6|
|"Talk to Me"|
|"At the Angel's Feet"|
EPs and albums
- Introducing Payola$, (four-song EP), Payolas, A&M, 1980
- In a Place Like This, Payolas, A&M, 1981
- No Stranger To Danger, Payolas, A&M, 1982
- Hammer on a Drum, Payolas, A&M, 1983
- Here's the World for Ya, Paul Hyde and the Payolas, A&M, 1985
- Under the Volcano, Rock and Hyde, Capitol/EMI, 1987
- Langford Part One, (seven-song EP), Payolas, EMI, July 17, 2007
- Between a Rock and a Hyde Place: The Best of Payola$, Payolas (greatest hits), A&M, 1987
- The Best of the Payola$, 20th Century Masters, The Millennium Collection, Payolas (+ one Rock and Hyde track) (greatest hits), Universal Music, 2002
- Missing Links, Payolas (rarities, demos and unreleased tracks), (2003)
- Payolas at The Canadian Encyclopedia
- Payolas at Canadian Bands
- Payolas at Jam! Canadian Pop Encyclopedia
- Bob Rock at EMI Music
- Payolas at ChartAttack