Pelican performing at Sant Feliu Fest in 2004
|Origin||Des Plaines, Illinois, United States|
|Labels||Hydra Head, Southern Lord, The Mylene Sheath|
|Associated acts||Tusk, Isis, Russian Circles|
|Website||Hydra Head Records site|
Trevor Shelley de Brauw|
|Past members||Laurent Schroeder-Lebec|
Pelican is a post-metal quartet from Chicago, Illinois. Established in 2000, the band is known for their atmospheric and almost entirely instrumental style. They have released five studio albums and four EPs.
History and style
The band is known for dense combinations of different melodies and extended track lengths. It may be classified as stoner rock, doom metal, or post-rock. Larry Herweg, Trevor de Brauw, and Laurent Schroeder-Lebec are also three members of the band Tusk.
Pelican previously signed to Hydra Head Records but is currently signed with Southern Lord Records roster. Pelican toured with Wolves in the Throne Room to support their first EP for Southern Lord, Ephemeral, released on June 6, 2009. What We All Come to Need was released on October 27, 2009. Greg Anderson and Aaron Turner both appeared on the album. In celebration of the new album, the "Pelican Burger" was served at Kuma's Corner for one night.
In 2012 Pelican announced a new EP, Ataraxia/Taraxis. In April 2012, they began a European tour, playing in England, Italy, Germany, Finland, the Dunk Festival in Belgium and the Roadburn Festival in the Netherlands. The support bands for this tour included Bo Ningen and Tacoma Narrows Bridge Disaster in the UK, and Tombs in continental Europe.
In June 2012, the band announced an amicable split with guitarist and founding member Laurent Schroeder-Lebec. Schroeder-Lebec had not been touring with the band for the prior two years, with Dallas Thomas of The Swan King performing live in his stead, but not participating in the writing process. On October 15, 2013, Pelican released its fifth studio album and first without Schroeder-Lebec, Forever Becoming.
Regarding the band's genre, de Brauw said, "I think people use genres and tags to serve a purpose – it gives people a frame of reference to understand music by – but I don’t think any artist feels comfortable being tagged as anything. I have an affinity for metal, but I don’t think of Pelican as a metal band. So when people call us ‘instrumetal’, or post-metal, or metalcore or whatever, I can see why they say that, but it’s not something that I feel a close connection with. I feel we’re part of a community with some bands – Mono are good friends of ours, but I don’t feel that we’re that similar musically. Their music is more similar to classical music, whereas I feel ours has more in common with punk and hardcore. I feel like we’re part of a trajectory of Midwest bands that kind of blend aggression with a pop sensibility, so while it’s easy to classify us with instrumental bands, we’re not instrumental by design. We just didn’t know how to put vocals in our music and for it to sound right. When you start a band, you don’t have it in mind to be an instrumental band – these things are afterthoughts when your music’s out there."
Speaking on the plethora of labels used to describe Pelican's genre, bassist Bryan Herweg states that "it's flattering, really", and that "I take that as nobody being able to classify what we're doing. I really don't want to be fixed in one genre."
As for the instrumental nature of the band, Herweg states that "I think there are limitations that come with having a vocalist. If we had some big burly man in front screaming, we'd be classified as metal. If we had some scrawny guy we'd be emo. As it is, no one can pin us down."
Touring has evolved the band's style from "drawn-out... slow-building" to "more direct and faster, and straight to the point" material to provide more energy on stage.
- Trevor de Brauw – guitar (2001–present)
- Bryan Herweg – bass (2001–present)
- Larry Herweg – drums (2001–present)
- Dallas Thomas – guitar (2012–present)
- Laurent Schroeder-Lebec – guitars (2001–2012)
- Studio albums
- Australasia (2003)
- The Fire in Our Throats Will Beckon the Thaw (2005)
- City of Echoes (2007)
- What We All Come to Need (2009)
- Forever Becoming (2013)
- Pelican (2001)
- March into the Sea (2005)
- Pink Mammoth (2007)
- Ephemeral (2009)
- Ataraxia/Taraxis (2012)
- The Cliff (2015)
- Pelican / Scissorfight / The Austerity Program (2003)
- Pelican / Playing Enemy (2005)
- Pelican / Mono (2005)
- These Arms Are Snakes / Pelican (2008)
- Young Widows / Pelican (2009)
- Live albums
- Singles and music videos
- "Autumn Into Summer" (2005)
- "Dead Between the Walls" (2007)
- "Lost in the Headlights" (2008)
- "Final Breath" (2010)
- "Lathe Biosas" (2012)
- "Deny the Absolute" (2013)
- Live in Chicago 06/11/03 (2005)
- Multi-format sets
- After the Ceiling Cracked (2008)
- Other appearances
- "Pelican joins Southern Lord, plans new EP". idiomag. 2009-02-12. Retrieved 2009-02-13.
- "Pelican announce "Ephemeral" EP". Punknews.org. 2009-04-23. Retrieved 2009-05-03.
- "PELICAN Completes Work On New Album". Blabbermouth.net. 4 August 2009. Retrieved 6 January 2018.
- "PELICAN Announce In-Store Performances; Pelican Burger Unveiled; CD Pre-order with exclusive content begins Tuesday". Southern Lord. 2009-10-09. Retrieved 2009-10-11.
- "PELICAN's LAURENT SCHROEDER-LEBEC Taking Indefinite Hiatus From Band". Blabbermouth.net. Roadrunner Records. 26 June 2012. Retrieved 2 April 2013.
- Heaney, Gregory. "Forever Becoming - Leican : Songs, Reviews, Credits, Awards : AllMusic". Allmusic. Retrieved October 12, 2013.
- Mike Diver (2007-03-27). "Pelican: "We're neither trend setters nor trend followers"". Drowned in Sound. Retrieved 2007-03-29.
- Allan Wigley (2006-06-14). "Pelican's music tough to categorize". Ottawa Sun. Archived from the original on 2012-07-09. Retrieved 2007-08-02.