Pennies from Heaven (1981 film)
|Pennies from Heaven|
Theatrical release poster
|Directed by||Herbert Ross|
|Produced by||Rick McCallum
|Written by||Dennis Potter|
|Music by||Ralph Burns
|Edited by||Richard Marks|
Pennies from Heaven is a 1981 musical film adapted from a 1978 BBC television drama. Dennis Potter adapted his own screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression era Chicago and rural Illinois. Potter was nominated for the 1981 Academy Award for Writing Adapted Screenplay, but lost to On Golden Pond. The film starred Steve Martin, Bernadette Peters, Christopher Walken and Jessica Harper. The director was Herbert Ross and the choreographer was Danny Daniels.
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In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business is failing and Joan is not amorous enough for Arthur and refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it to a song and dance routine of "Yes! Yes!". In his travels, Arthur meets a shy, beautiful but plain school teacher, Eileen (Peters). Arthur expresses his instant attraction by lip-synching to the song "Did You Ever See a Dream Walking?", as Eileen, converted to a brighter version of herself, dances. He convinces her that he loves her and they embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies his affair, though Joan is sure he is lying, singing "It's a Sin to Tell a Lie".
Eileen is optimistic about her affair with Arthur, imagining leading her class in "Love Is Good for Anything That Ails You", but she becomes pregnant and is fired. With nowhere to go, she is then taken in by stylish pimp Tom (Walken). Eileen is attracted to Tom's "badness" (the same way she was attracted to Arthur), and fantasizes him singing "Let's Misbehave" to her. The attraction ends there, however, as it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again—as "Lulu"—she is now a prostitute and has adopted an aggressive manner. They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies From Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl is raped and killed by an accordion-playing hobo (Bagneris) that Arthur gave a ride to earlier in the film, and innocent Arthur (who crossed paths with the girl prior to the murder) is captured and convicted of the crime. At the gallows, he recites the lyrics from the song "Pennies from Heaven", as if trying to tell the audience not to take life for granted as he had. In one final fantasy, Arthur and Eileen wind up in a dream-happy ending set to "The Glory of Love", with Arthur saying, "We've worked too hard not to have a happy ending."
- Arthur Parker — Steve Martin
- Eileen (a.k.a. "Lulu") — Bernadette Peters
- Tom — Christopher Walken
- Joan Parker — Jessica Harper
- Accordion man — Vernel Bagneris
- Mr. Warner — John McMartin
- Detective — John Karlen
- Counterman — Duke Stroud
This was Steve Martin's first dramatic role in a film. Martin had watched the original miniseries and considered it "the greatest thing [he'd] ever seen". He trained for six months learning to tap dance. Christopher Walken trained as a dancer as a young man and he was able to use his dancing skills in the film.
According to a 1990 article in The Times, MGM had Dennis Potter rewrite the script 13 times and required him to buy back his copyright from the BBC, for which he paid BBC "something over $100,000". In addition, MGM prohibited broadcast of the BBC's original production for ten years. Around 1989, at the prompting of Alan Yentob, the controller of BBC2, producer Kenith Trodd was able to buy back the rights from MGM for "a very inconsiderable sum." In February 1990, the BBC rebroadcast the original Pennies from Heaven serial for the first time since 1978.
In the same Times article, Trodd stated that Bob Hoskins and Cheryl Campbell, the stars of the original series, "were terribly upset that they weren't considered for the film. I think they still blame Dennis and me in some way, but there was no way to argue the point with MGM."
The style of the movie balances the drab despair of the Depression era and the characters' sad lives with brightly colored dream-fantasy lavish musical sequences. The characters break into song and dance to express their emotions. For example, Eileen turns into a silver-gowned torch singer in her school-room, with her students lip-synching and dancing ("Love Is Good for Anything That Ails You"). Tom seduces Eileen with a tap dance/striptease routine on top of a bar ("Let's Misbehave"). Arthur and Eileen go to a movie (Follow the Fleet) and wind up dancing in formal wear, first with, then in, a Fred Astaire-Ginger Rogers musical number from the film, "Let's Face the Music and Dance". All the songs are lip-synched except Martin singing/speaking the title song at the end, but Arthur, Tom, and Eileen dance.
Four paintings are recreated as tableaux vivants in the film: Hudson Bay Fur Company and 20 Cent Movie by Reginald Marsh, and New York Movie and Nighthawks by Edward Hopper. Three of the four were painted after 1934, when the movie takes place, and all depict scenes in New York City rather than the Chicago setting of the movie.
The film grossed slightly more than $9 million at the box-office against a budget of $22 million.
When asked in Rolling Stone about the film's box-office failure, Martin said: "I'm disappointed that it didn't open as a blockbuster and I don't know what's to blame, other than it's me and not a comedy. I must say that the people who get the movie, in general, have been wise and intelligent; the people who don't get it are ignorant scum." It was Martin's second starring role in a film, following 1979's comedy hit The Jerk, and fans were confused to see Martin in a serious role. "You just can't do a movie like Pennies from Heaven after you have done The Jerk", Martin said in a BBC interview.
The film received good reviews, and currently has an 84% on Rotten Tomatoes with the consensus, 'A complicated little musical, Pennies from Heaven is a dazzling, tragic spectacle.' The film was given a rapturous review by Pauline Kael in The New Yorker: "Pennies from Heaven is the most emotional movie musical I've ever seen. It's a stylized mythology of the Depression which uses the popular songs of the period as expressions of people's deepest longings - for sex, for romance, for money, for a high good time...there was never a second when I wasn't fascinated by what was happening on the screen." Kael further noted that "The dance numbers are funny, amazing, and beautiful all at once; several of them are just about perfection." Peters won the Golden Globe Award as Best Motion Picture Actress in a Comedy or Musical for her role as Eileen Everson, a schoolteacher turned prostitute. A review of the DVD reissue asserted, "Peters brought a cocky attitude and a sexy exuberance to the musical numbers."
Fred Astaire, who was powerless to prevent the reuse of his old footage, detested the film: "I have never spent two more miserable hours in my life. Every scene was cheap and vulgar. They don't realize that the thirties were a very innocent age, and that [the film] should have been set in the eighties – it was just froth; it makes you cry it's so distasteful."
Awards and nominations
- Best Costume Design – Bob Mackie (nominated)
- Best Sound - Michael J. Kohut, Jay M. Harding, Richard Tyler and Al Overton, Jr. (nominated)
- Best Writing, Screenplay Based on Material from Another Medium –Dennis Potter (nominated)
- Best Cinematography – Gordon Willis (WON)
- Best Motion Picture Actress, Comedy/Musical – Bernadette Peters (WON)
- Best Motion Picture, Comedy/Musical (nominated)
- Best Motion Picture Actor, Comedy/Musical – Steve Martin (nominated)
- Best Cinematography – Gordon Willis (WON)
- Variety film review; December 9, 1981.
- Fong-Torres, Ben (February 18, 1982). "Steve Martin Sings: The Rolling Stone Interview". Rolling Stone. Archived from the original on 2008-05-08. Retrieved 2008-05-22.
- Business Data for Pennies from Heaven imdb.com
- Hatch, George. Pennies From Heaven. DVDverdict.com, accessed July 22, 2011
- Kael, Pauline. The New Yorker, December 21, 1981, reprinted in Taking It All In, pp. 272-278 ISBN 0-7145-2841-2
- Kael, Pauline. "'Pennie from Heaven (1981)'" 5001 Nights At the Movies, Macmillan, 1991, ISBN 0-8050-1367-9, p. 574
- "Bernadette Peters". The American Musical: Stars over Broadway, PBS.org
- DiLeo, John. "'Pennies From Heaven'". One Hundred Great Film Performances, Hal Leonard Corporation, 2002, ISBN 0-87910-972-6, p. 341
- Satchell, Tim (1987). Astaire, The Biography. London: Hutchinson. p. 251. ISBN 0-09-173736-2.
- "The 54th Academy Awards (1982) Nominees and Winners". oscars.org. Retrieved 2011-10-08.
- Pennies from Heaven (1981 film) at the Internet Movie Database
- Pennies from Heaven (1981 film) at AllMovie
- Pennies From Heaven at Rotten Tomatoes
- Turner Article