Percussion section

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A percussion section with tuned percussion (tubular bells, background), auxiliary percussion (clash cymbals, suspended cymbal, snare drum and bass drum) and timpani (foreground) in use
Tuned percussion: A glockenspiel and a set of crotales in use.
Auxiliary percussion section of the Civic Orchestra of Chicago
A standard set of four timpani

The percussion section is one of the main divisions of the orchestra and the concert band. It includes most percussion instruments and all unpitched instruments.

The percussion section is itself divided into three subsections:

These three subsections reflect the three main skill areas that a percussionist studies.

Percussion sections, consisting of similar instruments, may also be found in stage bands and other musical ensembles.[1]

Tuned percussion[edit]

See also untuned percussion

This subsection is traditionally called tuned percussion,[2] however the corresponding term untuned percussion is avoided in modern organology in favour of the term unpitched percussion, so the instruments of this subsection are similarly termed pitched percussion. All instruments of this subsection are pitched, and with the exception of the tympani, all pitched instruments of the percussion section are in this subsection.

They include:

Despite the name, keyboard percussion instruments do not have keyboards as such. Keyboard instruments such as the celesta and keyboard glockenspiel are not included in the percussion section owing to the very different skills required to play them, but instead are grouped in the keyboard section with instruments that require similar skills. Similarly, the timpani, although they are pitched percussion and are tuned by the player, are not included in the tuned percussion subsection owing to the particular skills expected of the player.

Auxiliary percussion[edit]

All unpitched percussion instruments are grouped into the auxiliary percussion subsection, which includes an enormous variety of instruments, including drums, cymbals, bells, shakers, whistles and even found objects.

Players are expected to be accomplished on the snare drum, bass drum, clash cymbals and other hand percussion, and to be able to adapt these skills to playing other instruments and even objects, for example the typewriter.

Timpani[edit]

The timpanist is traditionally regarded as the principal of the percussion section. A high level of the skills unique to this instrument is expected.

While players of tuned and auxiliary percussion often play many instruments from both subsections during a performance or piece, the timpanist is normally dedicated to that instrument.

See also[edit]

References[edit]

  1. ^ The Book of Music, Editor Gill Rowley, ISBN 0 906286 34 4
  2. ^ http://andrewhugill.com/manuals/percussion.html retrieved 22 March 2012