Japanese theatrical release poster
|Directed by||Satoshi Kon|
|Screenplay by||Sadayuki Murai|
|Based on||Perfect Blue: Complete Metamorphosis|
by Yoshikazu Takeuchi
|Music by||Masahiro Ikumi|
|Edited by||Harutoshi Ogata|
|Distributed by||Rex Entertainment|
|Budget||¥90 million (US$830,442)|
|Box office||$768,050 (US & UK only)|
Perfect Blue (Japanese: パーフェクトブルー, Hepburn: Pāfekuto Burū) is a 1997 Japanese animated psychological thriller film directed by Satoshi Kon and written by Sadayuki Murai. It is based on the novel Perfect Blue: Complete Metamorphosis (パーフェクト・ブルー 完全変態, Pāfekuto Burū: Kanzen Hentai) by Yoshikazu Takeuchi. The film features the voices of Junko Iwao, Rica Matsumoto, Shiho Niiyama, Masaaki Okura, Shinpachi Tsuji and Emiko Furukawa.
The film follows Mima Kirigoe, a member of a Japanese idol group, who retires from music to pursue an acting career. As she becomes a victim of stalking, gruesome murders begin to occur, and Mima starts to lose her grip on reality. Like much of Kon's later work, such as Paprika, the film deals with the blurring of the lines between fantasy and reality in contemporary Japan.
Mima Kirigoe, a member of a mildly-successful J-pop group named "CHAM!", decides to leave the group to become a full-time actress. She is joined by her long-time manager and former pop-idol Rumi Hidaka, and her agent Tadokoro. Mima's first job is a minor role in a television detective drama called "Double Bind". Some of her fans are upset by her change in career and persona from a squeaky-clean and innocent teen girl, including a terrifying-looking male stalker who goes by the alias "Me-Mania". Mima receives an anonymous fax calling her a traitor, and even a letter bomb that injures Tadokoro. Following directions from a fan letter, Mima discovers a website called "Mima's Room" containing public diary entries written from her perspective, and which accurately discuss her daily life and thoughts in intimate and exacting detail. Mima confides in Rumi about the site, but is advised to ignore it.
Tadokoro lobbies the producers of Double Bind, and succeeds in securing Mima a larger part; however, this involves her character being raped in a strip club. Rumi is distressed by the scene and warns Mima that it will irreversibly change her public image, but Mima accepts the role despite her own misgivings. Though it is apparent that Mima tries her best and is treated professionally, the atmosphere and experience of filming the rape scene is traumatic. Between the ongoing stresses of filming Double Bind, her lingering regret over leaving CHAM!, her paranoia of being stalked, and her increasing obsession with "Mima's Room", Mima begins to suffer from psychosis: in particular, struggling to distinguish real life from her work in show business.
Several people who had been involved in the so-called "tarnishing" of Mima's reputation are murdered. Mima finds evidence which makes her appear to be the prime suspect, and her mental instability makes her doubt her own memories and innocence. Mima manages to finish shooting Double Bind, the final scene of which reveals that her character killed and assumed the identity of her beloved sister due to trauma-induced Dissociative identity disorder. After the rest of the filming staff have left the studio, Me-Mania attempts to kill her under emailed instructions from "the real Mima" to "eliminate the impostor", but Mima knocks him unconscious with a hammer in self-defense and flees. Me-Mania is murdered soon afterwards; Tadokoro is also killed.
Mima is found backstage by Rumi and taken back to Rumi's home, only to discover that Rumi was the culprit behind "Mima's Room", the serial murders, and the folie à deux that manipulated and scapegoated Me-Mania. Sometime in the past, Rumi developed a second personality who vicariously believed herself to be the "real Mima" (her pure-hearted and forever-young idol persona), using information from Mima's confiding in her as the basis for "Mima's Room". Rumi's "Mima" personality attempts to murder Mima to preserve "her" pristine image forever, and following a chase through the city, Mima incapacitates Rumi in self-defense and saves her from being killed by an oncoming truck.
Much later, Mima has become a well-known actress following the critical success of her performance in Double Bind. She visits Rumi, who is alive but lives in a psychiatric hospital with her "Mima" personality dominant. Due to her fame, Mima is mistaken as a lookalike by two nurses; however, Mima confidentially proclaims to herself that she is "the real thing".
|Mima Kirigoe (霧越 未麻, Kirigoe Mima)||Junko Iwao||Ruby Marlowe|
|Rumi (ルミ)||Rica Matsumoto||Wendee Lee|
|Tadokoro (田所)||Shinpachi Tsuji||Gil Starberry|
|Mamoru Uchida (Me-Mania) (内田 守, Uchida Mamoru)||Masaaki Ōkura||Bob Marx|
|Tejima (手嶋)||Yōsuke Akimoto||Steve Bulen|
|Takao Shibuya (渋谷 貴雄, Shibuya Takao)||Yoku Shioya||Jimmy Theodore|
|Sakuragi (桜木)||Hideyuki Hori||Sparky Thornton|
|Eri Ochiai (落合 恵理, Ochiai Eri)||Emi Shinohara||Lia Sargent|
|Murano (村野)||Masashi Ebara||Jamieson Price|
|Director (監督, Kantoku)||Kiyoyuki Yanada||Richard Plantagenet|
|Yada (矢田)||Tōru Furusawa||–|
|Yukiko (雪子)||Emiko Furukawa||Bambi Darro|
|Rei (レイ)||Shiho Niiyama||Melissa Williamson|
|Tadashi Doi (土居 正, Doi Tadashi)||Akio Suyama||–|
|Cham Manager||–||Dylan Tully|
The following actors in the English adaptation are listed in the credits without specification to their respective roles: James Lyon, Frank Buck, David Lucas, Elliot Reynolds, Kermit Beachwood, Sam Strong, Carol Stanzione, Ty Webb, Billy Regan, Dari Mackenzie, George C. Cole, Syd Fontana, Sven Nosgard, Bob Marx, Devon Michaels, Robert Wicks and Mattie Rando.
Originally, the film was supposed to be a live action direct to video series, but after the Kobe earthquake of 1995 damaged the production studio, the budget for the film was reduced to an original video animation. Katsuhiro Otomo was credited as "Special Supervisor" to help the film sell abroad, and as a result, the film was screened in many film festivals around the world. While touring the world it received a fair amount of acclaim, jump-starting Kon's career as a filmmaker.
Kon and Murai did not think that the original novel would make a good film and asked if they could change the contents. This change was approved so long as they kept a few of the original concepts from the novel. A live-action film adaptation of the novel, Perfect Blue: Yume Nara Samete, was later made and released in 2002. This version was directed by Toshiki Satō from a screenplay by Shinji Imaoka and Masahiro Kobayashi.
Themes and analysis
Susan Napier uses her experience to analyze the film, stating that "Perfect Blue announces its preoccupation with perception, identity, voyeurism, and performance – especially in relation to the female – right from its opening sequence. The perception of reality cannot be trusted, with the visual set up only to not be reality, especially as the psychodrama heights towards the climax." Napier also sees themes related to pop idols and their performances as impacting the gaze and the issue of their roles. Mima's madness results from her own subjectivity and attacks on her identity. The ties to Alfred Hitchcock's work is broken with the murder of her male controllers. Otaku described the film as "critique of the consumer society of contemporary Japan."[Note 1]
The film was also released on UMD by Anchor Bay Entertainment on December 6, 2005. It featured the film in widescreen, leaving the film kept within black bars on the PSP's 16:9 screen. This release also contains no special features and only the English audio track. The film was released on Blu-ray and DVD in Region B by Anime Limited in 2013. In the U.S., Perfect Blue aired on the Encore cable television network and was featured by the Sci Fi Channel on December 10, 2007, as part of its Ani-Monday block. In Australia, Perfect Blue aired on the SBS Television Network on April 12, 2008, and previously sometime in mid 2007 in a similar timeslot.
The film had a theatrical re-release in the United States by GKIDS on September 6 and 10, 2018, with both English dubbed and subtitled screenings. GKIDS and Shout! Factory released the film on Blu-ray Disc in North America on March 26, 2019.
Critical response in the United States upon its theatrical release was also positive. The film holds a 78% approval rating on Rotten Tomatoes based on 40 reviews, with the consensus stating, "Perfect Blue is overstylized, but its core mystery is always compelling, as are the visual theatrics." Time included the film on its Top 5 Anime film list, and Terry Gilliam, of whom Kon was a fan included it in his list of the Top 50 animated films. Total Film ranked Perfect Blue twenty-fifth on their list of greatest animated films, and /Film named it the scariest animated film ever. It also made the list for Entertainment Weekly's best movies never seen from 1991–2011..
Dennis Harvey of Variety wrote that while the film "ultimately disappoints with its just-middling tension and underdeveloped scenario, it still holds attention by trying something different for the genre". Hoai-Tran Bui of /Film called Perfect Blue "deeply violent, both physically and emotionally", writing that "This is a film that will leave you with profound psychological scars, and the feeling that you want to take a long, long shower". Tim Henderson from Anime News Network, described the movie as "a dark, sophisticated psychological thriller" with its effect of "over-obsession funneled through early Internet culture" and produces a "reminder of how much celebrity fandom has evolved in only a decade".
American filmmaker Darren Aronofsky acknowledged the similarities in his 2010 film Black Swan, but denied that Black Swan was inspired by Perfect Blue; his previous film Requiem for a Dream features a remake of a scene from Perfect Blue. A re-issued blog entry mentioned Aronofsky's film Requiem for a Dream as being among Kon's list of films he viewed for 2010. In addition, Kon blogged about his meeting with Aronofsky in 2001.
Seven Seas Entertainment has licensed the English-language publication rights for the original Perfect Blue stories Perfect Blue: Complete Metamorphosis and Perfect Blue: Awaken from a Dream for release in 2017 and 2018, respectively.
- Reference to the quote is provided by Napier as: Jay, "Satoshi Kon", Otaku (May/June 2003):22
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- Clements & McCarthy 2012 – entry: Urotsukidoji
- Cinquemani, Sal (September 10, 2001). "Madonna: Drowned World Tour Review". Slant Magazine. Archived from the original on March 20, 2007. Retrieved August 29, 2015.
Though her Cowgirl image is easily her least significant incarnation to date, Drowned World proves that Madonna is still unmatched in her ability to lift cultural iconography into the mainstream. The Geisha cycle is epilogued with hard techno beats and violent imagery taken from the groundbreaking Japanese anime film, Perfect Blue. The story's main character, Mima, a former pop star haunted by ghosts from her past, dreams of becoming an actress but resorts to porn gigs in her search for success.
- Denney, Alex (August 27, 2015). "The cult Japanese filmmaker that inspired Darren Aronofsky". Dazed. Archived from the original on November 12, 2018. Retrieved November 12, 2018.
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- Book references
- Clements, Jonathan; McCarthy, Helen (2012). The Anime Encyclopedia, Revised & Expanded Edition: A Guide to Japanese Animation Since 1917. Stone Bridge Press. 867pp. ISBN 9781611725155.
- Official Manga Entertainment website at the Wayback Machine (archived March 9, 2012)
- Official Geneon Entertainment website (in Japanese)
- Official Madhouse Animation website (in Japanese)
- Official Rex Entertainment website at the Wayback Machine (archived February 25, 1999) (in Japanese)
- Perfect Blue (anime) at Anime News Network's encyclopedia
- Perfect Blue on IMDb
- Perfect Blue at Rotten Tomatoes
- Perfect Blue at Box Office Mojo