Persepolis (comics)

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Covers of the English version of Persepolis Books 1 and 2
Date 2000
Publisher L'Association
Creative team
Creators Marjane Satrapi
Original publication
Date of publication 2000
ISBN 2844140580
Publisher Pantheon Books
Date 2003, 2004, 2005
ISBN 0-224-08039-3

Persepolis is a graphic autobiography by Marjane Satrapi that depicts her childhood up to her early adult years in Iran during and after the Islamic Revolution. The title is a reference to the ancient capital of the Persian Empire, Persepolis. Newsweek ranked the book #5 on its list of the ten best non-fiction books of the decade.[1] Originally published in French, it has been translated into several languages including English.

French comics publisher L'Association published the original work in four volumes between 2000 and 2003. Pantheon Books (North America) and Jonathan Cape (United Kingdom) published the English translations in two volumes – one in 2003 and the other in 2004. Omnibus editions in French and English followed in 2007, coinciding with the theatrical release of the film adaptation.

Satrapi and comic artist Vincent Paronnaud co-directed the animated movie, also titled Persepolis. Although the film emulates Satrapi's visual style of high-contrast inking, a present-day frame story is rendered in color. In the United States, Persepolis was nominated for Best Animated Feature at the 2007 Academy Awards.


Persepolis depicts Satrapi's childhood in Iran during the Islamic Revolution, while Persepolis 2 depicts her high school years in Vienna, Austria, including her subsequent return to Iran where she attends college, marries, and later divorces before moving to France. Hence, the series is not only a memoir, but a Bildungsroman.

Persepolis has won numerous awards, including one for its text at the Angoulême International Comics Festival Prize for Scenario in Angoulême, France, and another for its criticism of authoritarianism in Vitoria, Spain. The film version has also received high honors; in 2007, it was named the Official French Selection for the Best Foreign Language Film.[2] The graphic novel has been translated from French to English, Spanish, Catalan, Portuguese, Italian, Greek, Swedish, Georgian, and other languages, and has sold 1,500,000 copies overall.

Sectional summary[edit]

Persepolis 1: The Story of a Childhood[edit]

The Veil

Introduction to Marji and a child's view of the Islamic revolution: Marji is ten years old in 1980, the year after the Islamic Revolution, when girls were obliged to wear the veil, schools were segregated by gender (whereas she previously attended co-ed), and secular education was abolished.

The Bicycle
Marji observes the oppression by the Shah while learning about revolutions and socialism. Her favourite comic book "Dialectic Materialism" inspires her anti-authoritarian/patriarchy attitude and behaviour but she is barred from attending protests due to her age.

The Water Cell
Marji discovers her family background in contrast to the propaganda she learns at school. She learns that 50 years ago (1925), the father of the current king was Reza Shah, a low-ranking and illiterate, but ambitious young officer who was influenced and supported by the British to organize a coup d'état to overthrow the Qajar emperor, who also happens to be her great-grandfather. Under the empire of the Shah, her grandfather's family had everything confiscated and her Western-educated grandfather was appointed as prime minister, but became a communist and was imprisoned, where he was forced to sit in a cell filled with water for hours.

Marji's grandmother visits, and Marji learns more about the hardship her family endured, specifically under Reza Shah’s son, Mohammad Reza who was even worse. Marji realises how much she doesn't understand about the Revolution during the conversation and vows to read everything she can.

The Letter
Marji describes reading Kurdish author Ali Ashraf Darvishian (an Iranian Charles Dickens) who makes her more aware of class structures in her society, even within her own home. Her nursemaid, Mehri was taken in by her family at the age of eight as a housekeeper and was only ten when she was born (1972). By the age of sixteen, she was madly in love with the neighbour's boy but once he discovered that she was the maid, his interest ceased, which of course broke Mehri's heart. Marji did not understand why, as her father explained, "their love was impossible" since one must stay in one's own social class. Marji sees this as unfair, so she convinces Mehri to attend anti-Shah demonstrations with her on Black Friday (1978), a day when many demonstrators were shot and killed by the Shah's armed forces.

The Party
The massacre of Black Friday was only the beginning of a long period of violence, which led to the decline and exile of the Shah in Egypt. His departure prompted the biggest celebration in the history of Iran. Marji becomes more aware of politics and the fickleness of human nature as she observes former supporters of the Shah now touting pro-revolution propaganda and support.

The Heroes
3,000 political prisoners were released (March, 1979), and Marji's family knew two of them who were imprisoned for communist revolutionary acts. When they came to visit, their family is shocked by their tales of enduring horrific torture and the deaths of many of their comrades. Marji experiences shame that her father is not a ‘hero' of the revolution. Now that the revolution is complete, she abandons her “Dialectical Materialism” comics and seeks solace in her faith.

Marji is overjoyed by the visit of one of her father's five brothers, her uncle Anoosh, who was imprisoned for nine years as a communist revolutionary and hero of the revolution. He tells her how her grandfather was loyal to the Shah, but him and his uncle Fereydoon were devoted to ideals of justice and democracy so he had gone along with a group of his friends and attempted to bring about independence from the Shah. Fereydoon was arrested and executed, but his girlfriend escaped to Switzerland with their son. Anoosh was able to escape to the USSR where he became a Marxist–Leninist scholar. His attempt to return to Iran to see his family resulted in him being discovered and imprisoned. He encourages Marji to remember his story, even if she has difficulty understanding it, because it is their "family memory" and it must not be lost.

The Sheep
In discussion with Marji's father, her uncle Anoosh points out that since half of Iran's population is illiterate, the people cannot be united around Marxist ideals, so only nationalism or a religious ethic would work. Marji's world is altered forever by the creation of the republic, as many friends and family leave Iran for the United States and Europe. Marji’s family soon discovers that their communist-revolutionary friends who had just been released from prison are either dead or fled (one of them is found drowned in his bathtub; the other had to cross the border with his wife and daughter hidden among a flock of sheep) and Anoosh is arrested and executed as a Russian spy. This leaves Marji in tears; she rejects her faith, lost and without bearing in the universe unable to think of anything worse – then bombs fell on Iran.

The Trip
Fundamentalist students were reported in the news as taking over the US embassy – eliminating any future hope for Marji's family getting a visa to join friends and family there. Marji's family observe their neighbours once again changing their behaviour to suit the new regime as if they had always adhered to fundamentalist ways. Marji is encouraged to produce similar fabrications to safeguard her family and at the same time her family demonstrates for women's rights, although this is brought to an abrupt end when demonstrators are violently attacked (1980). Marji's family goes on an abrupt vacation for three weeks to Spain and Italy, only to return home to the announcement of war with Iraq – the second Arab invasion in 1400 years.

The F-14s
The sight of F-14s, not knowing if they are Iranian or not, frightens Marji and her family. Marji's father is doubtful about Iran's ability to defend itself since all the pilots were either jailed or executed after a failed coup d'état, an attitude that Marji interprets as defeatist and unpatriotic. The Iranians fought back and bombed Baghdad, but it cost them heavily. Marji discovers that one of her friends at school lost her father in the air raid and is stunned that her attempt to console the girl with praises of heroism for her father was rebuked with "I wish he were alive and in jail rather than dead and a hero". The F-14s becomes a symbol of hope for a better future.

The Jewels
The war brings strife to Marji's neighbourhood as fearful people quickly buy-out store shelves in order to overstock their homes to provide for their families. The roads become overburdened with cars and a limited amount of fuel is available due to the Iraqi bombings of oil refineries. Marji's mother becomes worried for an old childhood friend upon hearing the news of these bombs, but she unexpectedly arrives on her doorstep seeking refuge for herself and her family with nothing but the clothes on their back and a handful of jewels to pawn for their survival.

The Key
Although the Iraqi army had more modern weaponry, Iran had a greater number of young soldiers. Marji notices the number of ‘martyrs' reported in the daily news and the twice-daily funeral marches with self-flagellation sessions at her school. She feels that Persians are too resigned to the idea of martyrs and wars. Marji and her mother discover that young army recruits from the poorer areas are given plastic keys painted gold and told that if they go to war for Iran and are lucky enough to die, the key will open the door to heaven for them. It was in this way that Iran convinced thousands of young men to meet their death on the battlefield.

The Wine
After the border towns, Tehran itself became a target, and the basement of Marji's building was turned into a bomb shelter. They lived in fear of being caught and punished for indulging in decadent (Western) behavior, like playing cards, or chess, listening to music or watching videos and drinking alcohol. Nonetheless, having weekly parties or card games with wine expertly and secretly made by Marji's uncle, was their only way to alleviate the stress of their new lives and a way to privately revolt against the new regime. On their way home from a celebration, Marji's family is stopped by some very young Guardians of the Revolution, at one of their random check points. The Guardians threaten to punish Marji's father (suspected of drinking and for wearing a necktie – symbol of Western decadence), but her parents successfully convince them to forget the idea with a few sympathetic words and a small bribe. Unfortunately, Marji and her grandmother end up dumping the family's entire stash of wine down the toilet, unaware that Marji's parents successfully bribed the Guardians, leaving her father disgruntled.

The Cigarette
After two years of war, at the early age of twelve (1982), Marji is very astute and begins to explore her rebellious side by skipping classes and obsessing over boys. Marji learns that the Iranian army had successfully pushed the Iraqi army back to the borders. Everyone thought the war would end. Instead, they plunged even deeper into war as the Iranian regime now sought to expand their Islamic Revolution, sacrificing another million to their cause. The fundamentalist regime used the war as an excuse to exterminate all internal enemies as well and became even more oppressive.

The Passport
Marji’s uncle sends his oldest son to Holland for protection and becomes deeply depressed, both by this long distance relationship, his inability to join his son, and the slaughter of Iranian youth. He dies the day his passport arrives. While at the hospital visiting her uncle, Marji's family learns of the further despicable realities of the war in that Germany sells chemical weapons to Iraq to use on Iranians who are sent to Germany for treatment.

Kim Wilde
Marji’s parent go alone on a holiday to Turkey once the borders are reopened in 1983 and smuggle many banned gifts back to Iran for Marji. With her mother's permission, Marji ventures out to connect with the black market that has grown around the shortages caused by war and repression. After purchasing two illegal audiotapes, she is stopped by members of the new woman's branch of the Guardians of the Revolution who are unimpressed with her new symbols of decadence, improperly worn head scarf and too-tight jeans and threaten to bring her in front of their HQ committee where she would likely be physically punished in some way and or detained without consent. Somehow, she manages to convince them to let her go.

The Shabbat
On one fatal Saturday, the Jewish Sabbath, Marji rushes home when she discovers a long-range ballistic missile has hit her street. Although she is happily reunited with her mother, she is saddened by the realization that her Jewish neighbours home has been destroyed. While hoping they were not at home, she unexpectedly sees the partial remains of her neighbor's daughter, who she had been friends with. After succumbing to her own sadness after being traumatized by the personal discovery of her friend's body, Marji is suddenly, and understandably, overcome with rage.

The Dowry
In response to the death of her neighbour's daughter, at the age of fourteen, Marji becomes a fearless rebel and is expelled from school after punching the principal. Her mother is gripped with fear by her rebelliousness, explaining that she risks execution, which is even worse for young women because it is against the law to kill a virgin. To circumvent this law, a Guardian of the Revolution will marry a condemned virgin, take her virginity, execute her, then send a meagre dowry (and message) to her family. In order to save Marji from such a fate, her family decides to send her to Austria to attend French school.

Persepolis 2: The Story of a Return[edit]

The Soup
When Marji arrives in Vienna, she leaves Zozo’s home and starts her new life at a boarding house run by nuns. There, she goes shopping by herself for the first time and enjoys her newfound freedom. When she returns, she meets her roommate, Lucia. Lucia speaks German, so Marji doesn't understand her, but they quickly learn to communicate by drawing pictures. The section ends with both girls watching a movie in the TV room.

Marji starts to become popular at school after she gets the highest grade on a math test and her unflattering portraits of teachers spark new friendships. She and her new friends talk about what they will do over Christmas break, which makes Marji feel left out because she doesn't celebrate Christmas, but rather the Iranian New Year, which isn't until March. After expressing her sadness to Lucia, Lucia offers to take her home to meet her parents over the holiday. Marji agrees and ends up going to evening mass and having dinner with them.

The next break, Marji listens to her friends' plans and comes up with her own excuse for what she is going to do: read. She spends her break reading and eating pasta. One evening she makes a big potful of spaghetti and goes down to eat it in the public TV room at her boarding house. One of the nuns tells her off for eating out of a pot, and then insults her for being an uneducated Iranian. Marji bites back, which gets her kicked out of the boarding house. She says goodbye to Lucia and leaves to stay with her friend Julie and her mother.

The Pill
Marji starts living with Julie and is disturbed by how disrespectful she is to her mother, whom Marji respects. Marji and Julie have a talk before bed, and Julie tells Marji about her sexual endeavors. Marji is shocked because sexual topics were very taboo in Iran. Julie's mother goes on a business trip and Julie has a party, but it is not what Marji expects. Instead of eating and dancing, people are lying around and smoking. Later that night, Marji is appalled upon hearing that Julie and her boyfriend are having sex. Marji would later call this her first step towards assimilating into Western culture.

The Vegetable
Marji discusses her changing physical appearance. She starts cutting her own hair, and even selling haircuts to the hall monitors at her school. Marji’s friends, who think the hall monitors are conformists, are displeased. Her friends begin to use drugs and she only pretends to participate. She begins to feel like she is betraying her Iranian heritage. Finally, she overhears some people in a café talking about how she has made up her past, and defends herself, which makes her feel as if she has redeemed herself.

The Horse
Julie leaves Vienna and Marji moves to a communal apartment with eight homosexual men. Her mother surprises her by calling to say she is coming to visit, and arrives soon after. Marji spends time with her mother and, because the apartment is only hers for a limited amount of time, finds a new place to stay – a room in the house of Frau Dr. Heller.

Hide and Seek
Marji starts having problems with Frau Dr. Heller’s untidy dog. Marji 's boyfriend Enrique invites her to a party, and, although it is not what she expects, she has fun. She meets Enrique's friend Ingrid, and when she wakes up in the morning without Enrique beside her, jumps to the conclusion that he is in love with Ingrid. However, later that day, Enrique reveals to Marji that he is gay. Marji is confused, and has a long talk with her physics teacher. She decides that she wants a physical relationship, and, after failing miserably with the boy she likes, turns to drugs. She soon meets Markus, a student at her school, and falls in love with him, but neither Markus's mother nor Frau Dr. Heller approves of their relationship. Marji procures some drugs for Markus, and gains a reputation as a drug dealer; Marji feels ashamed.

The Croissant
Marji is having trouble on her exams, so she calls and asks her mother to pray for her. In need of money, she ends up getting a job at a cafe. When the school year starts, the principal subtly chastises her for drug dealing. She stops, but ends up taking more of them herself – so many that her boyfriend Markus gets fed up and it begins affecting her health. She gets involved with some of Markus' friends and protests the new Austrian president, Kurt Waldheim, a former Nazi. Marji prepares to go away to spend her birthday with a friend and is distressed by Markus's nonchalant reaction. However, when she ends up missing her train, she goes to Markus's house to celebrate her birthday with him, only to discover that he is cheating on her.

The Veil
Marji falls apart after her breakup with Markus. When she is accused of stealing Frau Dr. Heller's brooch, she decides to leave, spending the day on a park bench, where she reflects upon how cruel Markus was to her. She discovers that she has nowhere to go and ends up having to live on the street for over two months. During this time, she contracts severe bronchitis and ends up in the hospital. When she recovers, she remembers her mother telling her that a friend in Vienna owes her some money. She goes to pick it up, and discovers that her parents have been desperately trying to contact her for the two months she spent on the streets. She arranges with her parents to go back to Iran.

The Return
After living in Vienna for 4 years, Marji finally returns to Tehran. She can feel the oppression in the air, now more so than ever. At the airport, she recognizes her parents instantly, observing that the war has aged them. Marji has changed so much, her parents don't even recognize her until she approaches them herself. On the way home, she sits in silence as she tries to take in being back on Iranian soil. The next morning, she takes notice of the things around her room that were remnants of her younger "punk" years. She sponges off a punk she had drawn on her wall as a symbolic move into the future. A few hours later, she decides to go out. Donning her veil once more, she takes in the 65-foot murals of martyrs, rebel slogans, and the streets renamed after the dead and then hurries home. When her father arrives, there is slight awkwardness until he starts to tell Marji the story of the war. He tells her of the horrors and they talk deep into the night. After hearing what her parents had gone through while she was away in Vienna, she resolves never to tell them of her time there.

The Joke
Despite her opposition, Marji’s entire family and later, her friends, come to visit. Marji feels awkward because all her friends "looked like American TV heroines.” A few days later, she tells her Mom the only friend she would like to see is Kia, whom she discovers was required to do military service and is now disabled. Marji phones him and is relieved to hear that he still sounds perfectly normal. The next day, she drives to his home and is taken aback when she sees him in a wheelchair. At his home, Kia tells Marji the story of an injured veteran with an unfortunate ending, yet Kia makes a joke and they share a long laugh about it.

Several weeks after moving back to Tehran, Marji falls into a depression. In an effort to help, her friends suggest a ski trip. Marji reluctantly accepts the invitation. On the trip, she is criticized for admitting that she has had multiple sexual experiences. She returns home even more depressed. She decides to visit a therapist, but is still unsatisfied, so she visits two more until the last one simply puts her on medication. When her parents leave for a ten-day vacation, she drinks half a bottle of vodka and tries to slit her wrists. When that fails, she decides to swallow all her anti-depressant pills, but wakes up three days later, taking this as a sign that she shouldn't die. As a result, she begins a self-transformation that includes hair-removal, a new wardrobe, a perm, makeup, and exercise, which leads to her new job as an aerobics instructor.

The Exam
Marji goes to a party hosted by a new friend of hers named Roxana. There she meets a young man named Reza, who she is warned is a "lady's man." and someone to watch out for. After a while, Marji realizes that the rumors about Reza are false and ill-intentioned. Marji and Reza completely hit it off, and become a couple. They decide to move out of the country to have a better future for themselves. They both decide to study hard for the National Exam in order to enter University, so as not to feel like they have wasted their lives. Both Marji and Reza pass. Marji is admitted for Graphic Arts and when she goes home to tell her parents, they tell her that she has a few more things to learn. Marji prays for the strength to get her over the last hurdle.

The Makeup
When on the street, Marji sees a bus and car full of guards, which she knows indicates a raid. Marji is wearing lipstick, which is illegal in Iran, and has to prevent herself from getting caught. To evade capture, she informs the guards that an innocent man spoke indecently to her. The guards arrest the man. Later, she meets up with Reza and they are confronted by guards because it is not socially acceptable for her to be with a man to whom she isn’t married. They are forced to pay a fine to evade torture. Afterwards, Marji tells the story of the innocent man to her grandma and is scolded for her selfishness.

The Convocation
Because they are not married, Marji and Reza have to hide their love from the general public. At the University the students are still divided by sex, but that doesn't stop any of them from flirting with one another. Marji makes friends with two other women from the University; Niyoosha and Shouka. There is a meeting in the amphitheater with the administrators of the University to lecture the students on how they need to dress more modestly. Marji speaks out against their hypocrisy for not showing the same treatment toward men. She claims that as an art student she needs to work more freely without the constraints of her headscarf. Marji is then summoned by the Islamic Commission, where she receives a warning. Her grandmother tells her that she is very proud of her for sticking up for herself and other citizens.

The Socks
Marji continues to take art classes, but they are becoming quite difficult for various reasons. Despite everything, Marji, Reza and their friends try to live a normal life as possible. They hold secret parties at each other's houses until one day, a group of Guardians of the Revolution catch them through the apartment window, arresting the women and some of the men. Farzad, who tries to escape by roof-jumping, falls to his death. Those arrested get bailed out of jail by their parents and meet up to grieve over the loss of their friend.

The Wedding
In 1991 Reza proposes marriage to Marji, and after some contemplation, she accepts. Shortly after, with their parents’ blessings (Marji's mother takes some convincing), they have a big wedding. During the wedding celebration, Marji senses her mother is unhappy, and talks to her in the restroom. Taji admits she is disappointed that Marji wants to get married so young. Marji reassures her that this is what she wants, but as soon as the wedding ends, she realizes she feels trapped in the role of a permanent wife. Married life for Marji and Reza spirals out of control.

The Satellite
The war between Iraq and Kuwait has begun and panic is starting to spread throughout Europe. Many Iranians, however, are simply happy to no longer be at war. Later on a friend of Marji's named Fariborz invites them over to see the new satellite antenna he has had installed. They spend hours at his house watching anything they could, since the Islamic regime no longer had control over what they could watch. Although, they still had to keep the satellite under wraps, so as not to draw the attention of the Guardians. Meanwhile, Ebi senses that Marji is not happy in her marriage and tries to talk to her about it, but Marji storms off. She prefers to spend her time these days conversing with older intellectuals about politics.

The End
In 1994 Marji and Reza decide to put aside their differences and work together on a project for their end of the year University assignment before graduation. They are assigned to create a theme park based on their mythological heroes. They have to present their project to a panel of judges for their dissertation. They receive a twenty out of twenty mark and are praised for their hard work. The main judge mentions that they should propose their project to the mayor of Tehran. Marji goes to the mayor with the work and shows him one of her drawings of Gord Afarid. The mayor is impressed with the work but comments that it would ultimately be unacceptable, as many of the female characters are without veils. Marji leaves disappointed.

Later on, Marji confides in Farnaz that she no longer loves Reza and wants a divorce. But Farnaz tells her that divorced women would be forever scorned and that she would be better off staying with Reza. So Marji confides in her grandmother about it, and her grandmother tells her that if she wants a divorce then she has every right to have one, admitting that she had been divorced herself. After much contemplation, including a few incidents at her new job as an illustrator for an economics magazine, Marji decides it's time to talk with Reza about separating. He tells her that he still wants to try to make it work and that he is still in love with her, but Marji insists that this is for the best, and that if they stay together any longer, the love will eventually dissipate and then they will truly feel trapped. Marji goes to her parents and tells them about her and Reza's divorce. Her father finally admits that he knew it would happen eventually, but never said anything because he wanted Marji to learn from her own mistakes. Her parents tell her that despite everything, they are still very proud of her and admire her growing maturity over the years. Her parents suggest that she should leave Iran permanently and live a better life back in Europe.

In late 1994 before her departure for Europe, Marji takes a trip to the countryside outside of Tehran to get one last taste of the Iranian scenery. She also goes to the Caspian Sea with her grandmother. She visits the grave of her grandfather and goes behind the prison building where her uncle Anoosh is buried as well. She spends the rest of the summer with her parents and has many wonderful moments with them. Finally in the autumn, Marji along with her parents and grandmother go to Mehrabad Airport for their final goodbye as she heads off to live in Paris. After many tears, Marji's mother tells her, "This time, you're leaving for good. You are a free woman. The Iran of today is not for you. I forbid you to come back!" Marji agrees. Marji gets behind the gate ready to board the plane and turns around one final time to wave goodbye to her family. The last time Marji sees her grandmother is during the Iranian New Year of 1995, as she dies in 1996. The book ends with the final quote, "Freedom had a price."

Publication history[edit]

The original French series was published by L'Association in four volumes, one volume per year, from 2000 to 2003. Persepolis, tome 1 ends at the outbreak of war; Persepolis, tome 2 ends with Marji boarding a plane for Austria; Persepolis, tome 3 ends with Marji putting on a veil to return to Iran; Persepolis, tome 4 concludes the work. When the series gained critical acclaim, it was translated into many different languages. In 2003, Pantheon Books published parts 1 and 2 in a single volume English translation (with new cover art) under the title Persepolis which was translated by Blake Ferris and Mattias Ripa, Satrapi's husband; parts 3 and 4 (also with new cover art) followed in 2004 as Persepolis 2, translated by Anjali Singh. In October 2007, Pantheon repackaged the two English language volumes in a single volume (with film tie-in cover art) under the title The Complete Persepolis.

Character list[edit]

  • Marjane (main character): Marji (short for Marjane) is a strong girl, who follows in her parents' footsteps. Marji's view of the world changes as she grows to womanhood, but she is always a fighter. Sometimes her rebellious actions get her into trouble.
  • Mrs. Satrapi or Taji (Marji's mother): Taji is a passionate woman, who is upset with the way things are going in Iran, including the elimination of personal freedoms, and violent attacks on innocent people. She actively takes part in her local government by attending many protests.
  • Mr. Satrapi, Ebi, or Eby (Marji's father): He also takes part in many political protests with Taji. He takes photographs of riots, which was illegal and very dangerous, if caught.
  • Marji's Grandmother: Marji's Grandmother develops a close relationship with Marji. She helps comfort Marjane when her father doesn't return from a riot. She enjoys telling Marji stories of her past, and Marjane's Grandfather.
  • Uncle Anoosh is Marjane's father's brother. Idealistic from an early age, eighteen-year-old Anoosh joined his paternal uncle Fereydoon (Marjane's paternal grandfather's brother) who established an entity within Iranian Azerbaijan, proclaiming independence from Shah's Iran. The response of the Shah's regime was swift and brutal, forcing Anoosh to flee Iran over the border to the Soviet Union where he first went to Leningrad and eventually settled in Moscow. There he obtained a PhD in Marxism–Leninism, married a Russian woman, had two daughters with her before later getting divorced. Hit hard by the divorce and living alone, in 1970 he decided to go back to Iran in disguise despite being a wanted man there. He quickly got arrested and thrown into prison where he would end up spending nine years. Young Marjane met him for the first time after he was let out of prison following Shah's overthrow. Anoosh, seen as hero in Marjane's eyes, develops a close relationship with his young niece, but is rounded up again, this time by the new Islamic revolutionary authorities, and executed.
  • Zozo: Marjane's mother's friend from Iran who left the country following the Islamic Revolution with her husband Houshang and their daughter Shirin to live in Vienna. In 1984, as part of the decision to send their 14-year-old daughter Marjane outside of the country to Vienna, Ebi and Taji arranged for her to be picked up by Zozo at the airport as well as to stay with Zozo's family at their apartment. The stay proved short, however, as Zozo, unhappy with her own family's living situation in Vienna, quickly made it clear to Marjane that she won't be able to continue living with them. Instead, after conferring with Taji back in Iran over the phone, Zozo arranged for Marjane to move to a Catholic boarding facility in Vienna.
  • Lucia: Marjane's roommate at the Catholic boarding facility in Vienna.
  • Julie: A teenage friend and schoolmate of Marjane's who takes her in when she is kicked out of the Catholic boarding facility in Vienna. Raised by a single mother, Julie is four years older than Marjane and the two become close friends despite the age difference. Julie is already sexually active with different men and very open, blunt, and direct about sex, unlike teenage Marjane who is sexually timid and still a virgin.
  • Kia: One of Marjane's childhood friends who eventually left for America.
  • Siamak and Mohsen: Marjane's parents' family friends who were imprisoned by Shah Reza Pahlavi's regime for their activity in Marxist and communist political organizations within Iran. Mohsen got jailed in April 1971 while Siamak met the same fate in July 1973. During her husband's incarceration, Siamak's wife regularly socializes with Ebi and Taji, while her and Siamak's little daughter Laly plays with Marji. Both Siamak and Mohsen were beaten and tortured in prison. In March 1979, following the Shah's overthrow, both got released. However, once the Islamic fundamentalist regime took power in Iran following the revolution, Mohsen is found drowned in his bathtub (believed to be murder, seeing as only his head is underwater) while Siamak, his wife, and their daughter managed to escape Iran, crossing the border hidden among a flock of sheep.
  • Mehridia: The maid of Marjane's house. She became friends with Marjane during her childhood. She had a secret relationship with the neighbor boy. She was illiterate, so she had Marjane write love letters to the neighbor boy for her.
  • Mali: Marji's mother's childhood friend whose family house in Abadan got destroyed during the Iraqi forces' bombing of the city. Along with her husband and their two adolescent sons, she fled Abadan and arrived to Teheran where they stayed with the Satrapis for a week.
  • Uncle Taher: Marjane's uncle through marriage, having married her maternal aunt. Emotionally worn out after parting with his adolescent son whom he and his wife sent to Holland immediately following the Islamic Revolution, Taher's fragile health has been in rapid decline ever since. His worsening heart condition culminated in July 1982, amidst Iraqi bombing raids of Tehran and internal door-to-door persecution by Iran's Islamic authorities of individuals suspected of counter-revolutionary activity, with a massive heart attack requiring open heart surgery that couldn't be performed in the country. Needing a passport for her severely ill husband to travel abroad for surgery, Taher's wife, Marji's aunt, tried official legal channels in order to obtain the travel documents, but quickly realized the process would be slow, difficult, and uncertain. To that end, Marji's father Ebi decided to pay a visit to Khosro, an old acquaintance who recently began making forged documents, in order to see if getting a fake passport would be possible.
  • Khosro: Communist sympathizer whose activist brother was imprisoned together with Anoosh during the reign of the Shah. While his brother was jailed, Khosro owned a publishing company, however, after the Islamic authorities shut it down following the Islamic Revolution, he took to creating fake passports for people who wanted to leave Iran during the 1980-1983 closed borders period in the early years of the Iran-Iraq War when obtaining travel documents legally was extremely difficult. He even created one for his own brother who having been released from Shah's prison got harassed regularly by the new Islamic authorities for his counter-revolutionary activity; with the fake passport, Khosro's brother was able to safely flee to Sweden. Prior to that, Khosro's wife and their daughter Mandana left Iran right after the Revolution. Khosro also harboured communists on the run from the Islamic regime such as eighteen-year-old Niloufar whose brother used to be his messenger boy.
  • Reza: Marji's husband of 2 years


Upon its release, the graphic novel received high praise, but was also met with criticism and calls for censorship.TIME included Persepolis in its "Best Comics of 2003" list.[3] Andrew Arnold of TIME described Persepolis as "sometimes funny and sometimes sad but always sincere and revealing."[4] Kristin Anderson of The Oxonian Review of Books of Balliol College, University of Oxford said "While Persepolis’ feistiness and creativity pay tribute as much to Satrapi herself as to contemporary Iran, if her aim is to humanise her homeland, this amiable, sardonic and very candid memoir couldn’t do a better job."[5]

Despite the positive reviews, Persepolis faced some attempts at censorship in school districts across the country. In March 2013, the Chicago Public Schools controversially ordered copies of Persepolis to be removed from seventh-grade classrooms, after Chicago Public Schools CEO Barbara Byrd-Bennett determined that the book "contains graphic language and images that are not appropriate for general use."[6][7][8] Upon hearing about the proposed ban, upperclassmen at Lane Tech High School in Chicago flocked to the library to check out Persepolis and organized demonstrations in protest. Such action resulted in CPS reinstituting the book in their school libraries and classrooms.[9]

In 2014, the book faced three different challenges across the country, which led to its placement as #2 on the ACLA’s list of “Top Ten Most Challenged Books of 2014.”[10] The first of these challenges occurred in Oregon’s Three Rivers School District, where a parent insisted on the removal of the book from its’ high school libraries due to the “coarse language and scenes of torture.”[11] The book ultimately remained in libraries without any restriction after school board meetings to discuss this challenge. Another case of censorship arose in central Illinois’ Ball-Chatham School District, where the parent of a senior English student stated that the book was inappropriate for the age group assigned. He also “questioned why a book about Muslims was assigned on September 11.”[12] Despite this opposition, the school board voted unanimously to retain the book both in the school and within the curriculum. The third case arose in Smithville, Texas, where parents and members of the school community challenged the book being taught in Smithville High School’s World Geography Class. They voiced concerns “about the newly-introduced Islamic literature available to students.” The school board met to discuss this issue at a meeting on February 17, 2014 after Charles King filed a formal complaint against Persepolis. The board voted 5-1 to retain the novel.[13]

In 2015, Crafton Hills College in Yucaipa, California also witnessed a challenge to the incorporation of Persepolis in its’ English course on graphic novels. After her completion of the class, Tara Shultz described Persepolis as “pornography” and “garbage.” Crafton Hills administrators released a statement, voicing strong support of academic freedom and the novel was ultimately retained.[14]


Marjane Satrapi at the premiere of the film version of Persepolis

Persepolis has been adapted into an animated film, by Sony Pictures Classics. The film is voiced by Catherine Deneuve, Chiara Mastroianni, Danielle Darrieux and Simon Abkarian, among others. It debuted at the 2007 Cannes Film Festival, where it won the Jury Prize. The film drew complaints from the Iranian government even before its debut at the festival.[15][16] The film was nominated for an Academy Award in 2007 for best animated feature.

Persepolis 2.0[edit]

Persepolis 2.0 is an "updated" version of Satrapi's story, combining her illustrations with new text about the 2009 Iranian presidential election. Only ten pages long, Persepolis 2.0 recounts the re-election of President Mahmoud Ahmadinejad on June 12, 2009. Done with Satrapi’s permission, the authors of the comic are two Iranian-born artists who live in Shanghai and who give their names only as Payman and Sina.[17] The authors used Satrapi's original drawings, changing the text where appropriate and inserting one new drawing, which has Marjane telling her parents to stop reading the newspaper and instead turn their attention to the internet and Twitter during the protests.

Persepolis 2.0 was published online, originally on a website called "Spread Persepolis"; an archived version is available at the Wayback Machine.

See also[edit]


  1. ^ Jones, Malcolm. "'Persepolis', by Marjane Satrapi - Best Fictional Books - Newsweek 2010". Archived from the original on 2012-09-19. Retrieved 2012-10-15. 
  2. ^ Nehl, Katie. "Graphic novels, more than just superheroes". The Prospector. Daily Dish Pro. Retrieved 5 December 2017. 
  3. ^ Arnold, Andrew. "2003 Best and Worst: Comics." TIME. Retrieved on 15 November 2008.
  4. ^ Arnold, Andrew. "An Iranian Girlhood. TIME. Friday 16 May 2008.
  5. ^ Anderson, Kristin. "From Prophesy to Punk Archived 2008-12-26 at the Wayback Machine.." Hilary 2005. Volume 4, Issue 2.
  6. ^ Wetli, Patty. "'Persepolis' Memoir Isn't Appropriate For Seventh-Graders, CPS Boss Says". DNAinfo. Archived from the original on 14 April 2015. Retrieved 25 April 2015. 
  7. ^ Ahmed-Ullah, Noreen; Bowean, Lolly (15 March 2013). "CPS tells schools to disregard order to pull graphic novel". Chicago Tribune. Retrieved 25 April 2015. 
  8. ^ Gomez, Betsy. "Furor Continues Over PERSEPOLIS Removal". Comic Book Legal Defense Fund. Retrieved 25 April 2015. 
  9. ^ "Libraries and Schools". Newsletter on Intellectual Freedom. 62 (3): 103–104. 2013. Retrieved December 5, 2015. 
  10. ^ "Top Ten Most Challenged Books Lists". Banned and Challenged Books. American Library Association. Retrieved December 5, 2017. 
  11. ^ "Case Study: Persepolis". Comic Book Legal Defense Fund. Comic Book Legal Defense Fund. Retrieved December 5, 2017. 
  12. ^ "Case Study: Persepolis". Comic Book Legal Defense Fund. Comic Book Legal Defense Fund. Retrieved December 5, 2017. 
  13. ^ "Case Study: Persepolis". Comic Book Legal Defense Fund. Comic Book Legal Defense Fund. Retrieved December 5, 2017. 
  14. ^ "Case Study: Persepolis". Comic Book Legal Defense Fund. Comic Book Legal Defense Fund. Retrieved December 5, 2017. 
  15. ^ Iran Slams Screening off Persepolis at Cannes Film Festival,
  16. ^ Jaafar, Ali. "Iran decries 'Persepolis' jury prize ." May 29, 2007
  17. ^ Itzkoff, Dave. "‘Persepolis’ Updated to Protest Election," The New York Times, published 21 August 2009, retrieved 28 August 2009.


Further reading[edit]