|Studio album by Panda Bear|
|Released||March 20, 2007|
|Genre||Experimental pop, psychedelia, avant-garde, plunderphonics|
|Panda Bear chronology|
|Singles from Person Pitch|
Person Pitch is the third album released by American recording artist Panda Bear (Noah Lennox), released on March 20, 2007. The album was recorded by Lennox and mixed by Rusty Santos. Largely composed using a pair of Roland SP-303 samplers, Person Pitch was a stylistic leap from Lennox's previous album, the primarily acoustic Young Prayer (2004).
The album was met with universal critical acclaim, and later ranked among the top 10 albums of the 2000s in lists by Pitchfork, Tiny Mix Tapes, Stereogum, and Gorilla vs. Bear. Margaret Reyes of AllMusic noted its influence on a wide range of subsequent indie music.
Five of the seven tracks on the album were released prior to the album, some of them with different mixing and/or lengths. "I'm Not" and "Comfy in Nautica" were released together as a double A-side single in 2005. "Bros" was released as a single on Fat Cat Records in late 2006. "Good Girl / Carrots" was released in early 2007 on a split 12" with the band Excepter via Animal Collective's own label Paw Tracks (on the single, the song is called, simply, "Carrots"). "Search for Delicious" was featured in 2005 on Volume 14 of music magazine Comes With a Smile's CD compilations. Finally, "Take Pills" was released as a 7" single on June 19, 2007. Despite Lennox's initial assertion that Person Pitch would be issued only on CD, it was announced shortly after its release that it would in fact be pressed on vinyl; the double LP was released on June 19.
Person Pitch exhibits a much brighter sound from Lennox's previous album, Young Prayer, with Lennox himself describing the songs in advance as "super dubby and old sounding, like Motown or Buddy Holly just a little bit." Dusted Magazine attributed to his move to Portugal. Seeing this connection and the change of atmosphere in his music; Lennox says:
A lot of the songs on Person Pitch are kind of sugary. [...] It's really mellow and sunny here [in Portugal] and I feel like the album really sounds like that to me. Also the stuff that's happened to me in the past two years, like getting married and having a kid and all that, has had a pretty profound impact on the kind of music I play and the kind of subjects I address. My approach to being a musician has drastically changed from having a kid and being a provider. It was kind of terrifying at first, I won't lie to you. It's made me feel like I don't want to fuck up, and I want to make sure I cover all my bases. And that's not to say that I suddenly want to make music that's going to sell a whole lot of copies cause I don't really think I could do that. But I want to make sure that whatever I'm doing, I'm doing it to the fullest extent that I can.
Initially, Lennox wanted to name it Perfect Pitch before settling on Person Pitch – "pitch being sound and person being a person with person pitch being a sound of a person."
The artwork for Person Pitch and all of the related singles were done by Agnes Montgomery . Included in the artwork was a long list of artists who Lennox credited with influencing him. About the decision to put this list in the booklet and the making of the artwork, Lennox said:
|“||Initially I knew I wanted to do something that was really symmetrical. The album is kind of symmetrical in terms of how long the songs are, and I wanted the album art to reflect that. I knew I wanted to do a lot of personal thank yous and I knew I wanted to have the artwork from all the singles on there in a symmetrical fashion. So I needed another text panel, and I also thought that since I was sampling so many different people I thought it was appropriate to give thanks to other musicians. I'd never really done that before, and I also always had trouble when people were like "who are your influences, what do you feel influenced the music on this album." I was always like, "I don't really know." I don't listen to music at home a whole lot and the stuff that I do hear is usually because of the other guys in the band, or the stuff I would hear at Other [Music, a New York City record store where Noah once worked] every day. I don't have a record player or own a whole lot of CDs or anything like that, so it was always kind of a difficult question for me to answer. So this time I was like, I'll really try to think about what I feel led me to make this kind of music and give respect to those people.||”|
- Basic Channel
- Wolfgang Voigt
- Cat Stevens
- The Police
- Scott Walker
- Daft Punk
- The Tornados
- The Zombies
- Erik Satie
- Jonathan Richman
- Roy Orbison
- King Tubby
- Caetano Veloso
- Black Dice
- Sam Cooke
- Pink Floyd
- The Beach Boys
- Everything but the Girl
- The Orb
- Basement Jaxx
- Vashti Bunyan
- S.E. Rogie
- Jay Dee
- Ariel Pink
- Robert Hood
- Aphex Twin
- Arthur Russell
- Tom Jobim
- The Beatles
- Michael Jackson
- Benjamin Diamond
- Syd Barrett
- Talk Talk
- Black Flag
- Hall and Oates
- Lee Perry
- Bjorn Olsson
- Chris Bell
- Kylie Minogue
- Ricardo Villalobos
- Ennio Morricone
- Louvin Brothers
- Wu-Tang Clan
- Spacemen 3
- Cyndi Lauper
- Nina Simone
- The Clientele
- Markus Guentner
- Pete Rock
- The Strokes
- Dr. Dre
- Carsten Jost
- Notorious B.I.G.
- Duran Duran
- The Chills
- Echo and the Bunnymen
- Everly Brothers
- The Free Design
- Skip Spence
- Eric B. & Rakim
- The Kinks
- George Michael
- Bob Marley
- Ghostface Killah
- Grateful Dead
- Horace Andy
- Incredible String Band
- The Equals
- Joni Mitchell
- Linda Perhacs
- Maria Callas
- Antonio Variacoes
- Harry Mudie
- Black Sabbath
- Phil Collins
- Gang Starr
- The Stooges
- New Order
|The A.V. Club||A−|
Person Pitch was met with almost unanimously positive reviews from music critics, receiving an average of score of 87, indicating "universal acclaim", on Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics. Mark Richardson of Pitchfork felt that Noah Lennox's use of pop melodies gives Person Pitch "an appeal that extends beyond just Animal Collective fans", drawing comparisons to Brian Wilson and The Beach Boys, but that the incorporation of sampled loops and instruments in the production gives the album's songs an "unusual twist". Leah Greenblatt of Entertainment Weekly also noted influences from the "sunny California sound of the Beach Boys/Mamas and the Papas era" and described the album as a "lovely, trippy kaleidoscope of sound." Slant Magazine's Jonathan Keefe praised Person Pitch as "a striking, ambitious take on pop music".
Drowned in Sound writer Richard MacFarlane complimented Lennox's "masterful" production on Person Pitch, while Simon Reynolds, writing in The Observer, felt that Lennox successfully "pulls off the trick of being simultaneously poppy and abstract". Kevin O'Donnell of Rolling Stone felt that with the album, Panda Bear "proves he's a first-rate solo artist." Phillip Buchan of PopMatters called the album the "most sonically satisfying statement to emerge yet from the Collective", though he was less complimentary towards its lyrics, which he felt lacked a "representational capacity" to "show us anything outside our selves." Retrospectively, Fred Thomas of AllMusic credits Person Pitch as the album where "the wildly different places Lennox would take his experiments truly found a voice of their own", standing as "a perfectly executed statement for Lennox, and in at least some circles of indie rock, a musical revelation."
Person Pitch was named the top album of 2007 by publications such as Pitchfork Media and Tiny Mix Tapes. The album also placed at number 13 on The Village Voice's Pazz & Jop year-end critics' poll. It also garnered praise and recognition from musicians such as Bradford Cox, The Tough Alliance, Diplo, St. Vincent, Black Dice, Christopher Bear of Grizzly Bear, Vampire Weekend, Yeasayer and Dan Snaith, all of whom ranked Person Pitch as one of the best albums of 2007 in a Pitchfork Media year-end survey. Pitchfork would later name Person Pitch the ninth best album of the decade.
All songs written and composed by Noah Lennox.
|1.||"Comfy in Nautica"||4:04|
|6.||"Search for Delicious"||4:53|
|Vinyl LP track listing|
- Paper Mag
- Rolling Stone
- Dot Music
- "Reviews for Person Pitch by Panda Bear". Metacritic. Retrieved August 17, 2015.
- "Staff Lists: The Top 200 Albums of the 2000s: 20–1". Pitchfork Media. October 2, 2009. Retrieved March 5, 2012.
- "Favorite 100 Albums of 2000-2009: 20–01". Tiny Mix Tapes. January 20, 2009. Retrieved March 5, 2012.
- BN Staff. "Best Album of the '00s". Stereogum. Retrieved 23 May 2016.
- "albums of the decade | 2000-2009". Gorilla Vs. Bear. 2009-08-14. Retrieved 2012-03-05.
- Interview, The Milk Factory, April 2005
- Hatch-Miller, R. "Dusted Feature: Panda Bear," Dusted Magazine.
- Interview, Má Fama radio, January 8, 2007
- Lennox, Noah (2007). Person Pitch (CD Liner). Panda Bear. Paw Tracks.
- Thomas, Fred. "Person Pitch – Panda Bear". AllMusic. Retrieved August 17, 2015.
- Murray, Noel (May 8, 2007). "Music in Brief". The A.V. Club. Archived from the original on October 12, 2007. Retrieved August 17, 2015.
- Greenblatt, Leah (April 6, 2007). "Person Pitch". Entertainment Weekly. Retrieved August 17, 2015.
- Rogers, Jude (April 6, 2007). "Panda Bear, Person Pitch". The Guardian (London). Retrieved March 5, 2012.
- Reynolds, Simon (March 18, 2007). "Panda Bear, Person Pitch". The Observer (London). Retrieved March 5, 2012.
- Richardson, Mark (March 22, 2007). "Panda Bear: Person Pitch". Pitchfork Media. Retrieved March 5, 2012.
- "Panda Bear: Person Pitch". Q (250): 127. May 2007.
- O'Donnell, Kevin (April 17, 2007). "Panda Bear: Person Pitch". Rolling Stone. Archived from the original on October 13, 2007. Retrieved August 17, 2015.
- Keefe, Jonathan (December 14, 2007). "Panda Bear: Person Pitch". Slant Magazine. Retrieved May 31, 2016.
- Zimmerman, Shannon (April 2007). "Panda Bear: Person Pitch". Spin 23 (4): 93. Retrieved August 17, 2015.
- MacFarlane, Richard (December 23, 2007). "Album Review: Panda Bear – Person Pitch". Drowned in Sound. Retrieved August 17, 2015.
- Buchan, Phillip (March 25, 2007). "Panda Bear: Person Pitch". PopMatters. Retrieved January 16, 2016.
- "Staff Lists: Top 50 Albums of 2007". Pitchfork Media. December 18, 2007. Retrieved March 5, 2012.
- "Tiny Mix Tapes Favorite Albums of 2007". Tiny Mix Tapes. Archived from the original on December 30, 2007. Retrieved January 4, 2008.
- "The 2007 Pazz & Jop Critics Poll". The Village Voice. February 6, 2007. Retrieved January 16, 2016.
- "Guest Lists: Best of 2007". Pitchfork Media. December 14, 2007. Retrieved March 5, 2012.
- "Internet Archive Wayback Machine". Web.archive.org. 2007-12-30. Archived from the original on 2007-12-30. Retrieved 2012-03-05.
- "Best Albums of 2007: #30 to #21". Obscure Sound. 2007-12-19. Retrieved 2012-10-26.
- "Top 20 Albums of 2007". About.com. 2007-12-25. Retrieved 2012-03-15.
- "RA Poll: Top 100 albums of the '00s". Residentadvisor.net. 2010-01-25. Retrieved 2012-03-05.
- http://www.stylusmagazine.com/articles/pop_playground/top-50-al0. Retrieved December 19, 2011. Missing or empty
- "Staff Lists: Top 100 Tracks of 2007 | Features". Pitchfork. 2007-12-17. Retrieved 2012-03-05.
- "Staff Lists: The Top 500 Tracks of the 2000s: 50-21 | Features". Pitchfork. 2009-08-20. Retrieved 2012-03-05.
- "News". Rolling Stone. Retrieved 2012-03-05.