Peter Finch (poet)

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Peter Finch (born 1947) is a Welsh author, psychogeographer and poet living in Cardiff, Wales.

Early life[edit]

Finch was born in Cardiff, Wales, in March 1947, son of Stanley and Marjorie Finch, a post office worker and a telephonist. He attended school in the city and took up his first job as a trainee local government accountant at Glamorgan County Council in 1963.

He began reading and writing poetry after hearing a recording of Allen Ginsberg reading Howl[1] and then buying a copy of the City Lights Edition of this work at Cardiff's SPCK (Society for the Promotion of Christian Knowledge) Bookshop in the Friary. His early work appeared in small magazines such as Poet's Platform, Breakthru and Viewpoints. In 1964 he heard Howlin' Wolf and other performers at the American Negro Blues Festival at Colston Hall, Bristol. There he met the bass player and performer Willie Dixon and tried to interest him in his home grown south Wales blues lyrics. He failed.[2]

Second Aeon[edit]

In 1966 he founded the literary magazine, Second Aeon[3] which ran for 21 issues until 1974. The magazine grew in both content and stature to become the leading alternative lit magazine of the day. Peter Barry called it "The most prominent and best established avant-garde poetry magazine of the period".[4] The magazine generated its own publication series which ran to 80 titles and included works by Peter Redgrove, Kent Taylor, Geraint Jarman, William Wantling, Bob Cobbing, Doug Blazek, D M Thomas and John Tripp. In 1968 Finch founded No Walls, a weekly poetry reading series which ran until 1970. Eighteen issues of the reading series' magazine The No Walls Broadsheet were published.[5] In 1976 at the height of the Poetry Wars he was offered the editorship of the London Poetry Society's The Poetry Review, a post he did not accept.

1970s and experimental poetry[edit]

During the 1970s with Second Aeon magazine at its height Finch became deeply involved with experimental, concrete, sound and visual poetry. He'd met Bob Cobbing in London and had been drawn to the innovative often anarchic styles practised in the capital. He became treasurer of the Association of Little Presses (ALP), the Welsh representative of Poet's Conference, the poets trade union, and a council member of the Poetry Society in Earl's Court.

In Wales he had been elected a member of the English Section of Yr Academi Gymreig, the Welsh Academy, the august association of writers, and was regarded by some as its an enfant terrible.

His work, often in the form of extended sound poetry innovations, was performed at venues throughout the UK. His visual poetry was exhibited in the company of that of Peter Mayer, dsh, Cobbing and others both in the UK and further afield. He was awarded a Welsh Arts Council bursary for visual poetry. The University of California exhibited both his concrete poetry and Second Aeon magazine artefacts.

Richard Kostelanetz called him "the principal innovator in Welsh poetry... Finch has favored a variety of tight sober structures, including parodies of other poets, visual poems, sound poems, and verbal imitations of Philip Glass' music... Finch deserves a Welsh knighthood".[6]

The Oriel bookshop – 1973–1998[edit]

Following his appointment in 1973 Finch managed the Welsh Arts Council's Oriel bookshop,[7] a specialist bilingual (English and Welsh) arts and poetry retailer for twenty-five years. This included the original first floor operation in Charles Street, Cardiff until 1989, the more commercial shop on the ground floor at The Friary until 1997 and, briefly, as manager of the HMSO Oriel take-over until 1998. The shop became a centre for writers, small publishers, innovators, poets and performers. It was a home to Welsh-language culture in the capital as well as a venue for numerous poetry readings and other literary events. Everyone from R. S. Thomas to Lawrence Ferlinghetti, Jackson Mac Low to Simon Armitage and Margaret Atwood to Derek Walcott read at the premises. The ALP mounted bookfairs. Writers groups gathered.

How to get published[edit]

Informed by his experience as a magazine editor, a performing and published poet and then a bookseller Finch wrote and published a number of highly successful guides. His Getting Your Poetry Published, first brought out by the Association of Little Presses in 1973, ran to 15 editions with many thousands of copies in print. His How to Publish Your Poetry (Allison & Busby, 1985), How to Publish Yourself (Allison & Busby, 1987)[8] and The Poetry Business (Seren, 1994) all ran to multiple editions. Between 1989 and 2007 he compiled the poetry section for Macmillan's trade guidebook The Writer's Handbook. Between 1990 and 2018 he compiled the self publishing section for A&C Black's Artists' and Writers' Yearbook.

1980s and performance poetry[edit]

During the 1980s, and with a background in sonic innovation and the stretching of the poetry voice, Finch was at the forefront of the emerging performance poetry scene. Following on from the founding work of poet Chris Torrance he joined Cabaret 246[9] and then, with poets Topher Mills and Ifor Thomas, the trio Horses Mouth. The work here involved innovative use of props and owed as much to theatre as it did to traditional literary performance. The need to entertain became a driver.

Academi and Literature Wales[edit]

In 1998 he left the Oriel Bookshop to head Academi, the new Welsh National Literature Promotion Agency and Society of Writers developed from the old Welsh Academy (Yr Academi Gymreig) and funded by the Welsh Government. This organisation had the job of promoting and developing literature throughout the country. Finch considerably expanded bursary provision, visits of writers to schools, prisons, and deprived communities, literary tours, readings, festivals and other provisions. At the Wales Millennium Centre he created the Glyn Jones Centre. This was a writer's library and drop-in advice centre developed with a legacy from the great Anglo-Welsh writer. He put the annual Wales Book of the Year prize onto a visible and celebratory footing; created the role of Welsh National Poet; and helped smooth the way for innovations such as the poet Gwyneth Lewis' bilingual words built across the frontage of the Wales Millennium Centre. In 2001 he guest edited a Welsh edition of the US magazine Slope[10] which provided a bi-lingual snapshot of just what was happening in poetry in Wales at the turn of the Millennium.

Later life and work[edit]

In the new millennium Finch worked on psychogeographies and alternative guides to his native city of Cardiff. His first book of this genre, Real Cardiff,[11] which appeared in 2002 was successful enough to generate three follow ups and a whole series of Real books covering mainly conurbations throughout the UK. These are written by a range of authors (including Grahame Davies and Patrick McGuinness). There are 25 in the series to date. Finch acts as series editor. Finch has also written on popular music (The Roots of Rock – 2016), the Severn Estuary (Edging the Estuary – 2013) and has produced innovative walking guides to both Cardiff and its valleys with the photographer John Briggs.

In 2022 with the assistance of editor Andrew Taylor he published two volumes comprising 1,000 pages of his Collected Poems.[12] These books have been well received.[13] He has recently published a new chapbook of 14 poems, Just When You Think It's Over – It Starts Again with the small diy, punk, handmade publisher in New Jersey, Between Shadows Press.[14]

Work in the public realm[edit]

Finch has four pieces associated with public artworks on show in the built environment of Cardiff. These include Ysbwriel (2002) as part of Jeroen Van Western's Breathing In Time Out across the top of the Lamby Way landfill site; sections of R S Thomas Information[15] (2003) which have been incorporated onto the exterior and interior of the BT Internet Data Centre in Cardiff Bay; L'Alliance (2010) as part of Jean-Bernard Metais[16] public artwork in The Hayes, Cardiff; and The Ballast Bank (2011) as part of Renn & Thacker's[17] The Blue Light outside Butetown Police Station in Cardiff Bay.


No. Name Published Publisher Notes
1 Wanted for Writing Poetry 1968 Second Aeon with Stephen Morris
2 An Alteration in the Way I Breathe 1969 Quickest Way Out
3 Pieces of the Universe 1969 Second Aeon
4 Beyond the Silence 1970 Vertigo
5 Circle of the Suns 1970 Art Living
6 The Edge of Tomorrow 1971 BB Books with Jeanne Rushton
7 The End of the Vision 1971 John Jones Ltd
8 Blats 1972 Second Aeon
9 Typewriter Poems 1972 Something Else Press editor
10 Whitesung 1972 Aquila
11 Antarktika 1973 Writers Forum
12 Getting Your Poetry Published 1973 Association of Little Presses
13 Trowch Eich Radio 'Mlaen 1977 Writers Forum
14 Green Horse 1978 Christopher Davies co-edited with Meic Stephens
15 How to Learn Welsh 1978 Christopher Davies editor
16 Connecting Tubes 1980 Writers Forum
17 Blues and Heartbreakers 1981 Galloping Dogs
18 The O Poems 1981 Writers Forum
19 Visual Texts 1970–1980 1981 Pyrofiche microfiche edition
20 Between 35 and 42 1982 Alun Books
21 On Criticism 1984 Writers Forum
22 Some Music and a Little War 1984 Rivelin Grapheme
23 How to Publish Your Poetry 1985 Allison & Busby re-issued 1998
24 Reds in the Bed 1985 Galloping Dog
25 How to Publish Yourself 1987 Allison & Busby re-issued 1997
26 Selected Poems 1987 Poetry Wales Press
27 Cheng Man Ch'ing Variations 1990 Writers Forum
28 Make 1990 Galloping Dog
29 Publishing Yourself, Not Too Difficult After All 1990 Association of Little Presses
30 Poems for Ghosts 1991 Seren
31 Five Hundred Cobbings 1994 Writers Forum
32 The Poetry Business 1994 Seren
33 The Spe ell 1995 Writers Forum
34 Small Presses & Little Magazines of the UK and Ireland, An Address List 1996 Oriel Bookshop compiler
35 Antibodies 1997 Stride
36 Dauber 1997 Writers Forum
37 Useful 1997 Seren
38 Food 2001 Seren
39 Real Cardiff 2002 Seren
40 Vizet – Water 2003 Konkret Konyvek
41 Real Cardiff 2 2004 Seren
42 The Big Book of Cardiff 2005 Seren co-edited with Grahame Davies
43 Welsh Poems 2006 Shearsman
44 Selected Later Poems' 2007 Seren
45 Real Wales 2008 Seren
46 Real Cardiff 3 2009 Seren
47 The Insufficiency of Christian Teaching on the Subject of Common Emotional Problems 2011 Smallminded Books
48 hammer lieder helicopter speak 2012 unit4art
49 Edging the Estuary 2013 Seren
50 The Roots of Rock From Cardiff To Mississippi And Back 2016 Seren
51 Real Cardiff 4 – The Flourishing City 2018 Seren
52 Walking Cardiff 2019 Seren with John Briggs
53 The Machineries of Joy 2020 Seren
54 Collected Poems Volume 1 2022 Seren edited by Andrew Taylor
55 Collected Poems Volume 2 2022 Seren edited by Andrew Taylor
56 Just When You Think It's Over – It Starts Again 2022 Between Shadows Press edited by Tohm Bakelas


  1. ^ Allen Ginsberg – Howl And Other Poems, retrieved 30 July 2022
  2. ^ Finch, Peter (2022). Collected Poems : Volume One 1968–1997. SEREN. ISBN 1-78172-670-1. OCLC 1292975179.
  3. ^ "Second Aeon – The Literary Magazine". Retrieved 25 July 2022.
  4. ^ Barry, Peter (2006). Poetry Wars. Salt. ISBN 978-1-84471-247-2. OCLC 1158444423.
  5. ^ "Second Aeon Bibliography". Retrieved 25 July 2022.
  6. ^ Richard Kostelanetz (2018). A Dictionary of the Avant-Gardes (3rd ed.). Routledge. ISBN 9781138577305.
  7. ^ "Oriel: The Bookshop". Retrieved 26 July 2022.
  8. ^ Finch, Peter (1987). How to publish yourself : a practical guide. London : Allison & Busby. ISBN 978-0-85031-777-0 – via Internet Archive.
  9. ^ "Peter Finch Photo Archive – photographs of Peter Finch – Cabaret 246". Retrieved 26 July 2022.
  10. ^ "slope 8 /this issue". Retrieved 7 August 2022.
  11. ^ "Real Cardiff – Peter Finch". Retrieved 26 July 2022.
  12. ^ "Hay Festival: Jon Gower talks to prolific poet Peter Finch about his work and inspiration". Nation.Cymru. 29 May 2022. Retrieved 12 July 2022.
  13. ^ Blayney, Mark (13 July 2022). "Things Fall Together | On Peter Finch's Collected Poems". Wales Arts Review. Retrieved 28 July 2022.
  14. ^ "Between Shadows Press Releases". Tohm Bakelas. 10 February 2022. Retrieved 20 July 2022.
  15. ^ "R.S.Thomas Information". Retrieved 30 August 2022.
  16. ^ "Jean Bernard Metais". Retrieved 30 August 2022.
  17. ^ "Landmarks « Renn Associates". Retrieved 30 August 2022.