August 22, 1979 |
|Education||Royal Winnipeg Ballet School|
|Notable work||“In Tandem”|
|Awards||Clifford E. Lee Award|
Early life and education
Quanz, born in Kitchener, Ontario. He became interested in choreography as a child after his parents, both school teachers, enrolled him in ballet classes. Quanz attended the Integrated Arts Program at Eastwood Collegiate Institute for three years, before attending the Royal Winnipeg Ballet School, from which he graduated in 1999. During his time in Winnipeg, Quanz was mentored by Arnold Spohr. Upon graduation, Quanz was awarded the Judy and Henny Jurriëns Choreographic Fellowship which afforded him a period to study ballet repertory, observing choreographers and companies in Europe.
Quanz began his choreographic career by creating pieces for young choreographers’ evenings, such as Fast Forward (Royal Winnipeg Ballet), Noverre (Stuttgart Ballet), the New York Choreographic Institute (New York City Ballet), and Cascades (National Ballet of Canada). Quanz’s pieces in these workshops attracted considerable attention from critics and helping Quanz launch his career.
In 2003, Quanz created SpringScape for the American Ballet Theatre Studio Company. Two years later, in March 2005, Quanz premiered his first full-length ballet, Charlie’s Cruise, for Ballett Chemnitz, which drew positive reviews. Later that year, Quanz was the recipient of the Clifford E. Lee Award, for which he created Quantz by Quanz, a piece that was reconceived in 2009 for the Royal Winnipeg Ballet. He also created Kaleidoscope for the American Ballet Theatre, Quanz’s first tutu ballet. This piece was reworked for Les Grands Ballets Canadiens in 2008. On July 7, 2007 Quanz created Aria Suspended for the Kirov Ballet of the Mariinsky Theatre. The following year, Quanz was commissioned by Pennsylvania Ballet, creating Jupiter Symphony.
In 2009 a group of dancers from the Royal Winnipeg Ballet, working under Quanz'a direction, performed his piece In Tandem, a work set to Steve Reich’s Pulitzer Prize-winning score Double Sextet. In Tandem was commissioned by the Guggenheim Museum, Works & Process workshop. The success of this piece led Quanz to the form the ensemble Q Dance / Quanz Danse, which was launched in the spring of 2010. Q Dance has performed at a number of dance festivals.
Quanz continued the style he had used in In Tandem with his next piece Luminous, commissioned by Hong Kong Ballet and research and developed during Quanz’s time with the National Choreographers Initiative. Quanz returned to his classical roots for the creation of Le Papillon, for the National Ballet of Cuba. It was a 90th birthday gift for Alicia Alonso.
In 2016, Quantz collaborated with Toronto choreographer Lucy Rupert to create dead reckoning, a three-part dance piece Ernest Shackleton’s Antarctic expedition. That year he was also the choreographer of the dance-drama The Red Crane, a production of the Wuxi Song and Dance Theatre from China which also features Tristan Dobrowney of the Royal Winnipeg Ballet. 
- Leslie Chew; Dwight DeReiter; Cathy Doheny and Colin Gilbert (1 September 2010). The Daily Book of Classical Music: 365 Readings that Teach, Inspire & Entertain. Walter Foster Publishing. pp. 196–. ISBN 978-1-60058-201-1.
- Pawlick, Catherine. (2007-06) "Interview with Peter Quanz: A Canadian at the Mariinsky." Ballet Dance Magazine.
- Marcia B. Siegel (1 March 2011). Mirrors and Scrims: The Life and Afterlife of Ballet. Wesleyan University Press. pp. 277–. ISBN 978-0-8195-7113-7.
- Encyclopaedia Britannica, Inc. (1 May 2008). Britannica Book of the Year 2008. Encyclopaedia Britannica, Inc. pp. 278–. ISBN 978-1-59339-494-3.
- "dead reckoning: Dance collaboration takes a precarious exploration of space". Martha Schabas. The Globe and Mail, Jan. 15, 2016
- "Red-Crowned Crane a ballet bird of a different feather". Toronto Star, November 17, 2016. page E1. Michael Crabb.