Peter Saville (graphic designer)

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Peter Saville
Peter Saville at i realize 2009, Turin.jpg
Born (1955-10-09) 9 October 1955 (age 61)
Manchester, Lancashire, England
Nationality English
Occupation Art director, graphic designer
Known for Design of record sleeves and CD covers.

Peter Saville (born 9 October 1955) is an English art director and graphic designer. He came to fame for the many record sleeves he designed for Factory Records, of which he was a director.[1]

Early life[edit]

Peter Saville was born in Manchester, Lancashire,[2] and attended St Ambrose College. He studied graphic design at Manchester Polytechnic from 1975 to 1978.

Saville entered the music scene after meeting Tony Wilson, the journalist and television presenter, whom he approached at a Patti Smith show in 1978. The meeting resulted in Wilson commissioning the first Factory Records poster (FAC 1). Saville became a partner in Factory Records along with Wilson, Martin Hannett, Rob Gretton and Alan Erasmus.

Factory Records[edit]

Peter Saville designed many record sleeves for Factory Records artists, most notably for Joy Division and New Order.

Influenced by fellow student Malcolm Garrett, who had begun designing for the Manchester punk group, Buzzcocks and by Herbert Spencer's Pioneers of Modern Typography, Saville was inspired by Jan Tschichold, chief propagandist for the New Typography. According to Saville: "Malcolm had a copy of Herbert Spencer's Pioneers of Modern Typography. The one chapter that he hadn't reinterpreted in his own work was the cool, disciplined "New Typography" of Tschichold and its subtlety appealed to me. I found a parallel in it for the New Wave that was evolving out of Punk."[1][3]

Saville's album design for Joy Division's last album, Closer, released shortly after Ian Curtis' suicide in May 1980, was controversial[4] in its depiction of Christ's body entombed. However, the design pre-dated Curtis's death, a fact which rock magazine New Musical Express was able to confirm, since it had been displaying proofs of the artwork in its offices for several months.[4]

Saville's output from this period included re-appropriation from art and design. Design critic Alice Twemlow wrote: "... in the 1980s ... he would directly and irreverently "lift" an image from one genre—art history for example—and recontextualise it in another. A Fantin-Latour "Roses" painting in combination with a colour-coded alphabet became the seminal album cover for New Order's Power, Corruption & Lies (1983), for example."[5]

In the 2002 film 24 Hour Party People, which is based on Tony Wilson and the history of Factory Records, Saville is portrayed by actor Enzo Cilenti.[6] His reputation for missing deadlines[7] is comically highlighted in the film.

Non-Factory work[edit]

In 1979 Saville moved from Manchester to London and became art director of the Virgin offshoot, Dindisc. He subsequently created a body of work which furthered his refined take on Modernism, producing work for artists such as King Crimson, Roxy Music, Duran Duran, Wham!, Orchestral Manoeuvres in the Dark, Ultravox and Peter Gabriel. He was paid more to design Gabriel's 1986 album So than for any other record sleeve in his career; he received £20,000.[8] Saville founded the design agency Peter Saville Associates (still designing primarily for musical artists and record labels), which included Brett Wickens, before he was invited to close his office in 1990 to join the partner-owned Pentagram. Saville collaborated with Transport for Greater Manchester in 2008 for the re-branding of the Metrolink tram system with its now synonymous yellow and silver polka-dot scheme after a period of significance expansion on the network.[9]

Work after Factory Records[edit]

In 1993 Saville left London and moved to Los Angeles, to join ad agency Frankfurt Balkind with Brett Wickens. Saville soon returned to London, however, where he asked designer Howard Wakefield to restart the design studio. For three years they became known as "The Apartment" for the German advertising agency Meiré & Meiré, and worked from Saville's modernist apartment in Mayfair that also doubled as the London studio. (The same apartment is depicted in the record sleeve of Pulp's album This Is Hardcore). The Apartment produced works for clients such as Mandarina Duck and Smart Car. In 1999 Saville moved to offices in Clerkenwell, later renaming the studio in 2002 as Saville Associates. In 2005 it was renamed again as Saville Parris Wakefield.

Saville grew in demand as a younger generation of people in advertising and fashion had grown up with his work for Factory Records. He reached a creative and a commercial peak with design consultancy clients such as Selfridges, EMI and Pringle. Other significant commissions came from the field of fashion. Saville's fashion clients have included Jil Sander, John Galliano, Yohji Yamamoto, Christian Dior, Stella McCartney and Cacharel.[10] Saville often worked in collaboration with longtime friend, fashion photographer Nick Knight. The two launched an art and fashion website SHOWstudio in November 2000. Belgian fashion designer Raf Simons was granted full access to the archives of Saville's vintage Factory projects and made a personal selection of Saville-designed works to integrate them into Raf Simon's "Closer" Autumn/Winter 2003-04 collection.

In 2004 Saville became Creative Director of the City of Manchester, as a consultant.[11]

In 2010 Saville designed the England football team home shirt.[12]

In 2012 Saville collaborated with Dovecot Studios, Edinburgh in celebration of their centenary to create a large scale tapestry of his work After, After Monarch of the Glen. This new tapestry commission is Dovecot Studios re appropriation of Peter Saville's appropriation of Sir Peter Blake's appropriation of Sir Edwin Landseer's 1851 painting Monarch of the Glen.

Exhibition, book and soundtrack[edit]

Saville's reclaimed status and contribution to graphic design were firmly established when London's Design Museum exhibited his body of work in 2003. The exhibition, The Peter Saville Show, was open from 23 May through 14 September 2003.[13] A book by Rick Poynor, Designed by Peter Saville, accompanied the exhibition. The Peter Saville Show Soundtrack for the exhibition was performed and recorded by New Order, and was available to early visitors to the exhibition.

Selected record and CD covers by Saville[edit]

See also[edit]


  1. ^ a b Peter Saville / Designing Modern Britain - Design Museum Exhibition : Design/Designer Information
  2. ^ Peter Saville biography]
  3. ^ Eye, Number 17, Volume 5, Summer 1995
  4. ^ a b Johnson, Mark: "An Ideal For Living: An History of Joy Division", page 64. Proteus Books, 1984
  5. ^ The Dark Prince, Alice Twemlow
  6. ^ Peter Saville at the Internet Movie Database
  7. ^ Peter Saville, Icon Magazine, July/August 2003
  8. ^ "Peter Saville Talk - Assembly Rooms, Edinburgh, 25 April 2005". Cerysmatic Factory. Retrieved 13 June 2012. 
  9. ^ "Metrolink identity and livery by Hemisphere, 2008". The Guardian. 9 September 2013. Retrieved 2015-04-09. 
  10. ^ Craven, Jo (11 May 2011). "Who's Who: Clements Ribeiro". Vogue. Retrieved 2 July 2014. 
  11. ^ Peter Saville in Manchester American Institute of Graphic Arts
  12. ^ "Factory Records designer Peter Saville creates new England football shirt". NME. 
  13. ^ Previous Exhibitions

External links[edit]