1974 LP album cover, by Edgar Froese
|Studio album by Tangerine Dream|
|Released||20 February 1974|
|Recorded||November 1973The Manor, Shipton-on-Cherwell,|
|Genre||Electronic music, Ambient, Berlin School, Progressive Rock |
|Tangerine Dream chronology|
|"Mysterious Semblance at the Strand of Nightmares"|
|Single by Tangerine Dream|
|A-side||"Mysterious Semblance at the Strand of Nightmares" (excerpt) – 4:30|
|B-side||"Phaedra" (excerpt) – 2:02|
|Format||7" vinyl Promo|
This is the first Tangerine Dream album to feature their now classic sequencer-driven sound, which launched the Berlin School genre. This album marked the beginning of the group's international success and was their first album released on the British Virgin records label. It achieved six-figure sales in the UK, reaching No 15 in the charts in a 15-week run, with virtually no airplay, only by strong word of mouth. It also earned the group a gold disc in seven countries, and yet in their native Germany it sold barely 6,000 units.
Background and recording details
On hearing a set of recordings Edgar Froese and Christopher Franke had made earlier in the year at Skyline Studios in Berlin, Virgin Records' Richard Branson offered the group a five-year contract and was keen for them to record in UK. A huge modular Moog synthesizer was bought with the advance and the trio arrived at The Manor, in Shipton-on-Cherwell, Oxfordshire in the winter of 1973.
The entire album was recorded in less than six weeks, with the first recording session taking place on 20 November 1973. Some of the music was recorded with the help of Froese's wife, Monique. Interviewed by Mark J. Prendergast, Froese recalled:
Phaedra was the first album in which many things had to be structured. The reason was that we were using the Moog sequencer (all driving bass notes) for the first time. Just tuning the instrument took several hours each day, because at the time there were no pre-sets or memory banks. We worked each day from 11 o'clock in the morning to 2 o'clock at night. By the 11th day we barely had 6 minutes of music on tape. Technically everything that could go wrong did go wrong. The tape machine broke down, there were repeated mixing console failures and the speakers were damaged because of the unusually low frequencies of the bass notes. After 12 days of this we were completely knackered. Fortunately, after a two day break in the countryside a new start brought a breakthrough. 'Mysterious Semblance' was recorded on Dec 4th. Pete and Chris were asleep after a long day's recording session so I invited my wife, Monique, into the studio. I called in the studio engineer and recorded it in one take on a double-keyboarded Mellotron while Monique turned the knobs on a phasing device. This piece is on the record exactly as it was recorded that day. And this practice was to continue for the rest of the session.
The title track was originally based on an improvisation recorded in the studio, and unintentionally exhibits one of the limitations of the analog equipment used at the time. As the equipment warmed up, some of the oscillators began to detune (they were highly temperature-sensitive), which was responsible for some of the changes in the music towards the end of the piece.
Both the title track and "Movements of a Visionary" rely on Franke's use of the Moog analog sequencer as a substitute for bass guitar. "Mysterious Semblance at the Strand of Nightmares" features Froese soloing on a Mellotron which is treated to slowly sweeping filter effects. "Sequent C'" is a short but memorable piece by Peter Baumann on flute, with tape echo.
Style and reception
The All Music Guide to Electronica describes the album as a milestone for the band as "one of the most important, artistic, and exciting works in the history of electronic music". Phaedra is commonly cited as one of Tangerine Dream's best albums and is listed in 1001 Albums You Must Hear Before You Die. In the Q and Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album also came in at 38 in its list of "40 Cosmic Rock Albums".
Writing in his 2000 Ambient Century, Mark J. Prendergast describes the title track: "At over 17 minutes it conveyed feelings of the cosmos, of giant suns exploding, of huge ocean movements , of mythological lands, of eddies and drifts. Layer upon layer of futuristic sounds piled one on top of the other until the whole thing climaxes in some interstellar void."
In 2013, music aficionado website Digital Dream Door ranked Phaedra the eighth greatest electronic music album of all time.
The sleeve design and cover painting are by Froese.
|1.||"Phaedra" (Froese, Franke, Baumann)||17:39|
|2.||"Mysterious Semblance at the Strand of Nightmares" (Froese)||9:55|
|3.||"Movements of a Visionary" (Froese, Franke, Baumann)||7:56|
|4.||"Sequent C′ " (Baumann)||2:13|
Note: Some CD releases from 1995 and 2005 have slightly different lengths
- Edgar Froese – production, mellotron, guitar, bass, VCS 3 synthesizer, organ, cover painting
- Peter Baumann – organ, electric piano, VCS 3 synthesizer, flute
- Christopher Franke – moog synthesizer, VCS 3 synthesizer
|UK Albums Chart||15|
|US Billboard 200||196|
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