In the fields of philosophy and aesthetics, the derogatory term philistinism describes the "manners, habits and character" of a person whose anti-intellectual social attitude undervalues and despises art and beauty, spirituality and intellect. A philistine person is of smugly narrow mind, and of conventional morality whose materialistic views and tastes indicate a lack of and an indifference to cultural and æsthetic values.
Since the 19th century, the contemporary denotation of philistinism, as the behaviour of "ignorant, ill-behaved persons lacking in culture or artistic appreciation, and only concerned with materialistic values" derives from Matthew Arnold's adaptation to English of the German word Philister – as applied by university students in their antagonistic relations with the townspeople of Jena, Germany, where a row resulted in several deaths, in 1689. The German word derived from a sermon by Georg Heinrich Götze, the ecclesiastical superintendent who addressed the hostilities between students and townspeople.
In the aftermath, the cleric Götze addressed the town-vs-gown matter with an admonishing sermon "The Philistines Be Upon Thee", drawn from the Book of Judges (Chapt. 16, "Samson vs the Philistines"), from the Christian Old Testament. In Word Research and Word History, the philologist Friedrich Kluge said that the word philistine originally had a positive meaning that identified a tall and strong man, such as Goliath; later the meaning changed to identify the "guards of the city".
In German usage, university students applied the term Philister (Philistine) to describe a person who was not trained at university; in the German social context, the term identified the man (Philister) and the woman (Philisterin) who was not of the university social set.
In English usage, as a descriptor of anti-intellectualism, the term philistine—a person deficient in the culture of the liberal arts—was common British usage by the decade of 1820, which described the bourgeois, merchant middle class of the Victorian Era (1837–1901), whose wealth rendered them indifferent to culture. In Culture and Anarchy: An Essay in Political and Social Criticism (1869), Matthew Arnold said:
Now, the use of culture is that it helps us, by means of its spiritual standard of perfection, to regard wealth as but machinery, and not only to say as a matter of words that we regard wealth as but machinery, but really to perceive and feel that it is so. If it were not for this purging effect wrought upon our minds by culture, the whole world, the future, as well as the present, would inevitably belong to the Philistines. The people who believe most that our greatness and welfare are proved by our being very rich, and who most give their lives and thoughts to becoming rich, are just the people whom we call the Philistines. Culture says: “Consider these people, then, their way of life, their habits, their manners, the very tones of their voices; look at them attentively; observe the literature they read, the things which give them pleasure, the words which come forth out of their mouths, the thoughts which make the furniture of their minds; would any amount of wealth be worth having with the condition that one was to become just like these people by having it?”— Culture and Anarchy (1869) pp. 28–29.
The denotations and connotations of the terms philistinism and philistine have evolved to consistently describe the uncouth person who is hostile to art, culture, and the life of the mind, who, in their stead, prefers the life of economic materialism and conspicuous consumption as paramount human activities.
- 17th century
- 18th century
What is a philistine? A hollow gut, full of fear and hope that God will have mercy!
Goethe further described such men and women, by noting that:
. . . the Philistine not only ignores all conditions of life which are not his own, but also demands that the rest of mankind should fashion its mode of existence after his own.
- 19th century
The philosopher Friedrich Nietzsche (1844–1900) identified the philistine as a person who, for a lack of true unity, could only define style in the negative.
- 20th century
- In the novel Der Ewige Spießer (The Eternal Philistine, 1930), the Austro–Hungarian writer Ödön von Horváth (1901–38) derided the cultural coarseness of the philistine man and his limited view of the world. The eponymous philistine is a failed businessman, a salesman of used cars, who aspires to the high-life of wealth; to realise that aspiration, he seeks to meet a rich woman who will support him, and so embarks upon a rail journey from Munich to Barcelona to seek her at the World's Fair.
- In the Lectures on Russian Literature (1981), in the essay 'Philistines and Philistinism' the writer Vladimir Nabokov (1899–1977) describes the philistine man and woman as:
A full-grown person whose interests are of a material and commonplace nature, and whose mentality is formed of the stock ideas and conventional ideals of his or her group and time. I have said “full-grown” person because the child or the adolescent who may look like a small philistine is only a small parrot mimicking the ways of confirmed vulgarians, and it is easier to be a parrot than to be a white heron. “Vulgarian” is more or less synonymous with “philistine”: the stress in a vulgarian is not so much on the conventionalism of a philistine, as on the vulgarity of some of his conventional notions. I may also use the terms “genteel” and “bourgeois”. Genteel implies the lace-curtain refined vulgarity, which is worse than simple coarseness. To burp in company may be rude, but to say “excuse me” after a burp is genteel, and thus worse than vulgar. The term bourgeois I use following Flaubert, not Marx. Bourgeois, in Flaubert's sense, is a state of mind, not a state of pocket. A bourgeois is a smug philistine, a dignified vulgarian . . . generally speaking, philistinism presupposes a certain advanced state of civilization, where, throughout the ages, certain traditions have accumulated in a heap and have started to stink.
- In the Lectures on Literature (1982), in speaking of the novel Madame Bovary (1856), about the bourgeois wife of a country doctor, Nabokov said that philistinism is manifest in the prudish attitude demonstrated by the man or the woman who accuses a work of art of being obscene.
- Webster's New Twentieth Century Dictionary of the English Language – Unabridged (1951) p. 1260
- College Edition: Webster's New World Dictionary of the American Language (1962) p. 1099
- Christian August Vulpius (1818). Curiositäten der physisch- literarisch- artistisch- historischen Vor- und Mitwelt: zur angenehmen Unterhaltung für gebildete Leser. Im Verlage des Landes-Industrie-Comptoirs. p. 188.
In Jena, vor dem Lobedaer Thore, befindet sich ein Gasthof, genannt zum gelben Engel. Hier gab es im L.1693. Händel, und ein Student wurde in denselben so geschlagen, daß er todt auf dem Plaze blieb. Den Sonntag darauf, predigte der Superintendent Götz heftig gegen diese That, und sagte: Es sey bei diesem Mordhandel hergegangen, wie dort stehe geschrieben: Philister über dir, Simson! Was geschieht? Kaum wurde es Abend, als es auf allen Gassen ertönte: Philister-über dir, Simson! Von dieser Stunde an, hießen die Jenaischen Bürger, Philister. Die Studenten brachten diese Benennung mit auf andere Akademien und endlich kam sie so ziemlich, in's ganze bürgerli che Leben. Die nicht Studenten waren, sollten Philister seyn. Das amusrte. In Jena, war damals das Balgen an der Tagesordnung.
- Friedrich Kluge (4 June 2012). Deutsche Studentensprache. Walter de Gruyter. pp. 57–. ISBN 978-3-11-148858-5.
- Benét's Reader's Encyclopedia Third Edition (1987) p. 759
- Notes and Queries. Oxford University Press. 1872. pp. 393–.
- Friedrich Kluge, Wortforschung und Wortgeschichte
- The New Shorter Oxford English Dictionary (1993), Lesley Brown, Ed., p. 2,186
- Kierkegaard, Soren (1980). The Sickness Unto Death. Princeton, NJ: Princeton University Press. pp. 41-42. ISBN 0691020280.
- Nabokov, Lectures on Russian Literature, essay Philistines and Philistinism
- Nabokov, Lectures on Literature, lecture on Madame Bovary
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