Phoebe Anna Traquair

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Phoebe Anna Traquair
Phoebe Traquair by Peter Induni, SNPG.JPG
Peter Induni, Phoebe Traquair, 1927
Born Phoebe Anna Moss
(1852-05-24)May 24, 1852
Kilternan, County Dublin
Died August 4, 1936(1936-08-04) (aged 84)
Education School of Design of the Royal Dublin Society
Known for murals, embroidery, jewellery and book illuminations
Spouse(s) Ramsay Heatley Traquair
Salvation of Mankind (detail) by Phoebe Anna Traquair 1886 to 1893

Phoebe Anna Traquair (/trəˈkwɛər/; 24 May 1852 – 4 August 1936) was an Irish-born artist, who achieved international recognition for her role in the Arts and Crafts movement in Scotland, as an illustrator, painter and embroiderer. Her works included large-scale murals, embroidery, enamel jewellery and book illuminations. In 1920 she became the first woman elected to the Royal Scottish Academy.[1]

Family life[edit]

Phoebe Traquair was born Phoebe Anna Moss on 24 May 1852 in Kilternan, County Dublin. Her parents were surgeon William Moss and Teresa (née Richardson) Moss. Phoebe was the sixth of their seven children. Traquair studied art at the School of Design of the Royal Dublin Society between 1869 and 1872.[2] She married the Scottish palaeontologist Ramsay Heatley Traquair on 5 June 1873.[3][4] The couple moved to Edinburgh in Spring 1874.[5][6] Some of her work was palaeontological drawings related to her husband's research.[3] Their children were Ramsay, Henry (Harry) Moss and Hilda.[7]

Phoebe's elder brother was William Moss, a keen art collector, with a large number of works by Dante Gabriel Rossetti. Her love of art most probably came from this connection, and her style borrows heavily from Rossetti.[5]


Phoebe Traquair, detail from 'The Victory', the last of four embroideries in the series 'The Progress of a Soul'.
Phoebe Anna Traquair, illuminated image in Elizabeth Barrett Browning’s Sonnets from the Portuguese – Sonnet 30
Phoebe Traquair, Catholic Apostolic Church murals, Edinburgh (east end)
Phoebe Traquair, Catholic Apostolic Church murals, Edinburgh (west end)

During the late 1870s Traquair continued to develop her art, working mostly on embroidered domestic textiles. By the mid-1880s the Traquair's social circle included the biologist Patrick Geddes, a founder of the Edinburgh Social Union who commissioned Traquair to decorate the Mortuary Chapel of the Royal Hospital for Sick Children, Edinburgh. This was the first of four Edinburgh interiors Traquair painted between 1885 and 1901.[3]

Royal Hospital for Sick Children[edit]

During 1885 and 1886 Traquair created a series of murals for the Mortuary Chapel of the Royal Hospital for Sick Children, Edinburgh. The mural is of Three Maidens (Divine Powers) which is bordered by images within lunettes of writers, artists and critics, like Edward Burne-Jones, William Bell Scott, Noel Paton and John Ruskin, who was a considerable influence on Traquair. This was her first work as a professional artist.[8] The mortuary was a small windowless room, formerly a coalhouse, where bodies could be left "reverently and lovingly" prior to burial.[9] The work was completed in 1886 and before the building was further developed in 1894, the murals were transferred to a new site and Traquair restored them, albeit in a simpler composition, between 1896 and 1898.[2][10]

St Mary's Cathedral[edit]

Her murals of the song school of St Mary's Cathedral (1888–92) won Traquair national recognition.[4][11] Within a tunnel-vaulted interior, the east wall depicts the cathedral clergy and choir. The south wall depicts Traquair's admired contemporaries such as Dante Gabriel Rossetti, William Holman Hunt, and George Frederic Watts. On the north wall birds and choristers sing together, and the west wall shows the four beasts singing the Sanctus.[12] The Song School is still used daily for practice by the Choristers.

Mansfield Place Church[edit]

Traquair's best-known work is in the vast former Catholic Apostolic Church (1893–1901) on Mansfield Place (now called the Mansfield Traquair Centre) at the foot of Broughton Street, which has been called "Edinburgh’s Sistine Chapel",[3] and "a jewelled crown".[11] It was this work which "helped to confirm her international recognition."[13]

Other works[edit]

A notable work by Traquair can be viewed in the Thistle Chapel of St Giles Cathedral where she designed the enamel armorial panels over the knights' seats.[14] Another of her major works is a key Arts and Crafts illuminated manuscript of Sonnets from the Portuguese by the Victorian poet Elizabeth Barrett Browning, which is held by the National Library of Scotland (NLS) and a version is available on the NLS Digital Library.[15] Traquair was a prolific artist who, as well as her murals and embroidery, produced hundreds of pieces of jewellery. She was invitated to exhibit at the World's Fair in Chicago in 1893 and her four silk-embroidered panels The Progress of the Soul were displayed in St. Louis in 1904. That year she returned to mural painting with a work for the chancel of the St. Peter's Church at Clayworth in Nottinghamshire. Her final mural was completed for the Manners family chapel at Thorney Hill in the New Forest between 1920 and 1922.[2] Several other works by Traquair, including a decorated grand piano, are on display in the National Museum of Scotland in Edinburgh.


Ramsay Traquair's grave, Colinton churchyard, Edinburgh

Phoebe Traquair is buried with her husband, and the ashes of her son Harry, in Colinton Parish Church Graveyard. She designed the gravestone,[6] and it was carved by Pilkington Jackson.




  1. ^ National Gallery of Scotland (2000). A Companion Guide to the National Gallery of Scotland. National Galleries of Scotland. ISBN 978-1-903278-11-6. 
  2. ^ a b c HCG Matthew & Brian Harrison (Editors) (2004). Oxford Dictionary of National Biography Vol 55 (Touson-Usher). Oxford University Press. ISBN 0-19-861405-5. 
  3. ^ a b c d "Phoebe Anna Traquair". National Library of Scotland. 2006. Retrieved 12 January 2015. 
  4. ^ a b Elizabeth Cumming. "Traquair [née Moss], Phoebe Anna (1852–1936), artist". Oxford Index of National Biography. Retrieved 12 January 2015. 
  5. ^ a b Elizabeth Cumming (March 2005). Phoebe Anna Traquair, 1852–1936. National Galleries of Scotland. ISBN 978-1-903278-65-9. 
  6. ^ a b Traquair, Ramsay Heatley (1840–1912), Roberta L. Paton, Oxford Dictionary of National Biography, Oxford University Press, 2004, Retrieved 7 August 2011
  7. ^ "Traquair, Ramsay Heatley". Who's Who. Vol. 59. 1907. p. 1764. 
  8. ^ James S. Dearden (1999). John Ruskin: A Life in Pictures. A&C Black. p. 136. ISBN 978-1-84127-045-6. 
  9. ^ National Galleries Scotland. "Three Studies for the Decoration of the first Mortuary Chapel, the Royal Hospital for Sick Children, Edinburgh". National Galleries Scotland. Retrieved 1 November 2015. 
  10. ^ "Sciennes Road, Royal Hospital for Sick Children, Edinburgh (Reference number 30480)". Listed Buildings. Historic Scotland. Retrieved 12 January 2015. 
  11. ^ a b "A Tour of the Cathedral: The Song School". St Mary's Cathedral, Edinburgh. Retrieved 12 January 2015. 
  12. ^ John Gifford; Colin McWilliam; David Walker (1984). The Buildings of Scotland: Edinburgh. Pevsner Architectural Guides. p. 366. 
  13. ^ "Phoebe Anna Traquair (1852–1936)". Mansfield Traquair Trust. Archived from the original on 23 December 2012. Retrieved 4 November 2009. 
  14. ^ John Gifford; Colin McWilliam; David Walker (1984). The Buildings of Scotland: Edinburgh. Pevsner Architectural Guides. 
  15. ^ "Phoebe Anna Traqair: Sonnets from the Portuguese". National Library of Scotland. 2006. Retrieved 12 January 2015. 

Further reading[edit]

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