Stravinsky, who had, by that time, emigrated to France after his studies with Nikolai Rimsky-Korsakov in Russia, was confronted with American jazz combos actively influential in Europe. Stravinsky's knowledge of stylistic jazz properties was at first limited to scores brought to him from the United States by his colleague Ernest Ansermet. However, he had managed to hear live jazz bands by the time he finished Piano-Rag Music.
Compositionally, Stravinsky interprets the ragtime in a cubist way rather than imitate the style. Stravinsky incorporates elements from his Russian period (ostinati, shifting accents, bitonality) with rhythmic and harmonic fragments from ragtime. The irregular meters give the piece an improvisatory character.
- Piano-Rag-Music (Stravinsky, Igor): Scores at the International Music Score Library Project (IMSLP)
- Joseph, Charles M. (Spring 1982). "Structural Coherence in Stravinsky's "Piano-Rag-Music"". Music Theory Spectrum. 4: 76–91. JSTOR 746011.(subscription required)
- Truslove, David (2008). "Stravinsky: Music for Piano Solo, Liner Notes for Naxos CD 8.570377". Naxos Records. Retrieved December 2013. Check date values in: