Piano Sonata No. 2 (Sessions)
- Allegro con fuoco (tempo quarter note=120)
- Lento (quarter note=50)
- Misurato e pesante (quarter note = 66–72)
The first two movements each end in a slight pause, followed by a briefer pause.
The opening motive of the first movement, an upward-leaping fourth followed by a minor second and a major second, is related to the major second-minor second alternation of the main theme of the Lento.
The sonata is one of Sessions' relatively often-recorded works. Of his others the First String Quartet (1936), Pages from a Diary (1939) and his First (1930) and Third Piano Sonatas (1965) have been recorded as often or about as often.
Sources: Olmstead Discography ; WorldCat
- Noël Lee, piano on 1960s Valois LP "MB 755", "La Musique Américaine de piano au XXe siècle : Volume 2" with works by Aaron Copland and Elliott Carter.
- Beveridge Webster, piano on Dover Publications LP "HCR-5265", "Modern American Piano Music" with works by Aaron Copland and Elliott Carter.
- Alan Marks, piano on Composers Recordings S-385 LP from 1978.
- Rebecca La Brecque, piano on a ca. 1981 Opus One LP, Opus One 56, "The Three Piano Sonatas".
- Randall Hodgkinson, piano on New World Records LP "Fantasies and Impromptus", 1984. Coupled with Donald Martino's Fantasies and Impromptus. Reissued on CD with Sessions' Piano Sonata no. 3 played by Robert Helps.
- Barry David Salwen, piano on Koch International Classics CD 3-7106-2H1, The Complete Piano Music of Roger Sessions (absent a few brief piano works from the 1930s), released 1992.
- Peter Lawson, piano on Virgin Classics 1993 CD 61928. Coupled with works by Charles Tomlinson Griffes and Ives.
- William Cerny, piano on Wilmarc Records, 1998 CD. Coupled with the Sonata, 1967 of Peter Mennin.
- Robert Helps, piano on 1998 CRI CD 800.
- The score indicates that the work was finished in Berkeley, California in November of that year.
- in essence they follow each other without one, and in the Edward Marks 1976 score the three movements' measure numbers are numbered consecutively rather than starting again with 1: bars 1-168, 169-230, and 231-404.
- Dyer, Richard. "Notes to Recording of Second Sonata and Martino Fantasies and Impromptus". Retrieved 29 January 2010.
- Prausnitz, Frederik (2002). Roger Sessions: how a "difficult" composer got that way at Google Books, page 253. Oxford University Press.
- "Olmstead Discography". Retrieved 29 January 2010.
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