A pickguard (also known as scratchplate) is a piece of plastic or other (often laminated) material that is placed on the body of a guitar, mandolin or similar plucked string instrument. The main purpose of the pickguard is to protect the guitar's finish from being scratched by the guitar pick.
As well as serving a practical purpose, the pickguard may also be used for decoration and is often made in a contrasting color to that of the guitar body (popular variants are white pickguards on darker guitars and black pickguards on lighter guitars). As well as plastic, other pickguard materials can include acrylic glass, glass, plywood, fabrics, metal, and mother-of-pearl/pearloid varieties. Expensive guitars may have luxury pickguards made from exotic woods, furs, skins, gems, precious metals, Mother of Pearl and abalone pearl.
The pickguard is a very common site for an autograph, since the signed pickguard can easily be detached and moved to another guitar or sold separately as a piece of memorabilia.
Pickguards come in various designs and shapes but designers usually try to match a headstock and pickguard design. Both can be used to incorporate logos, branding or elements of the manufacturer's style.
Aggressive strumming with a pick can easily damage the polished surface of the guitar's soundboard. Pickguards fitted to acoustic guitars are usually made from thin (2 mm) sheets of plastic (such as PVC), attached with an adhesive just below the sound hole. The material should not be unduly thick or heavy since this might reduce vibration of the soundboard and alter the tone or volume of the instrument. Although not a job for the novice, a badly scratched pickguard could be removed and replaced by a guitar technician or luthier. On some older Martin guitars it is quite common to see the black pickguard curling up at the edges where the adhesive bond between the plastic and the wooden top has broken down. This does not usually present a problem and adds to the "character" of the instrument.
Fender-style plastic pickguards are usually fitted on solid-bodied electric guitars such as the Fender Stratocaster and Fender Telecaster (and their many replicas) and often cover a large area of the top surface, because Fender guitars are front routed. Most of the guitar's electronic components (pickups, potentiometers, switches and wiring) are mounted on or behind the pickguard and this design simplifies repairs to the wiring once the pickguard is removed. Repairs are usually much harder with Gibson-style guitars, especially archtops, since all the internal parts are only accessible through the f-holes in the soundboard.
Most carved-top guitars, such as the Gibson Les Paul use a "floating" pickguard: the plastic pickguard is usually elevated on adjustable metal support brackets. This design was introduced by Gibson in 1909. It allows the height to be adjusted to suit the guitarist's playing position, especially if this involves resting one or more fingers on the pickguard. Electronic parts are not usually mounted on this type of raised pickguard.
Electric and acoustic guitars having an arched top (the Gretch Chet Adkins Country Gentleman, for example) often use a "floating pickguard similar to that described (above) for carved top guitars. The idea in this case is to avoid mounting the guard on the resonating top surface of the instrument, and to keep the "F-hole" clear for acoustical purposes. On arch-top electric guitars, popular with many jazz players, it is common to attach a pickup or volume and tone controls to the pickguard, again, so that they don't have to be mounted on the guitar body itself, where they might interfere with the acoustical sound of the instrument.
The floating pickguard style is also popular on mandolins, mandolas, and other members of the mandolin family.
While custom pickguards are made from variety of materials, most mass-production manufacturers use various plastics. The following are the most common:
- Celluloid. Commonly associated with "vintage" guitars, this plastic is available in variety of colors and designs, but it has several cons that hinder its usage nowadays:
- This material is extremely flammable. Performers who smoke near their instruments with celluloid pickguards can occasionally put everything on fire with a misplaced cigarette.
- As a solvent based plastic, celluloid tends to shrink over the years, making the pickguard curl around the edges. It puts extra stress on the wood beneath the pickguard and sometimes cracks appear. This is very common on older Martin acoustic guitars. On electric guitars, where the pickguard is attached with screws, vintage celluloid pickguards tend to develop cracks due to stress caused by shrinking.
- Vinyl (PVC). This material does not tend to shrink and is not highly flammable.
- Acrylic glass.
The pickguard on a solid-bodied electric guitar is often[weasel words] the first item to be modified (modded) by enthusiasts wanting to add creative designs or use different materials. Many companies[weasel words] now offer custom-made replacement pickguards to give an instrument a unique look.
The pickguard is sometimes deliberately missing from a guitar's design. For example, superstrats with neck-thru designs aim for maximum sustain and tend to have no plastic parts, pickup frames or plastic potentiometer handles. Anything that it is imagined might dampen the sound is stripped off the guitar.
Classical and Flamenco Guitars
The golpeador or "tap plate" on flamenco guitars is not a pickguard, although it is sometimes called that by those unfamiliar with the instrument or the flamenco style. The golpeador is specifically installed to provide a stable surface for the heavy percussive tapping and striking with the fingers and fingernails, which are a regular feature of flamenco music. The golpeador (unlike a pickguard) is often fitted both above and below the soundhole.