From Wikipedia, the free encyclopedia
(Redirected from Picture)
The act of making a 2D image with a mobile phone camera. The display of the mobile phone shows the image being made.

An image is a visual representation of something. It can be two-dimensional, three-dimensional, or somehow otherwise feed into the visual system to convey information. An image can be an artifact, such as a photograph or other two-dimensional picture, that resembles a subject. In the context of signal processing, an image is a distributed amplitude of color(s).[1]

In optics, the term "image" may refer specifically to a 2D image.

An image does not have to use the entire visual system to be a visual representation. A popular example of this is of a greyscale image, which uses the visual system's sensitivity to brightness across all wavelengths, without taking into account different colors. A black and white visual representation of something is still an image, even though it does not make full use of the visual system's capabilities.

Images are typically still, but in some cases can be moving or animated.


An SAR radar image acquired by the SIR-C/X-SAR radar on board the Space Shuttle Endeavour shows the Teide volcano. The city of Santa Cruz de Tenerife is visible as the purple and white area on the lower right edge of the island. Lava flows at the summit crater appear in shades of green and brown, while vegetation zones appear as areas of purple, green and yellow on the volcano's flanks

Images may be two or three-dimensional, such as a photograph or screen display, or three-dimensional, such as a statue or hologram. They may be captured by optical devices – such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water.

The word 'image' is also used in the broader sense of any two-dimensional figure such as a map, a graph, a pie chart, a painting or a banner. In this wider sense, images can also be rendered manually, such as by drawing, the art of painting, carving, rendered automatically by printing or computer graphics technology, or developed by a combination of methods.

A volatile image is one that exists only for a short period of time. This may be a reflection of an object by a mirror, a projection of a camera obscura, or a scene displayed on a cathode ray tube. A fixed image, also called a hard copy, is one that has been recorded on a material object, such as paper or textile by photography or any other digital process.

A mental image exists in an individual's mind, as something one remembers or imagines. The subject of an image need not be real; it may be an abstract concept, such as a graph, function, or imaginary entity. Different scholars of psychoanalysis as well as the social sciences such as Slavoj Žižek and Jan Berger have pointed out the possibility of manipulating mental images for ideological purposes.

In culture[edit]

Images perpetuated in public education, media as well as popular culture have a profound impact on the formation of such mental images:

"What makes them so powerful is that they circumvent the faculties of the conscious mind but, instead, directly target the subconscious and affective, thus evading direct inquiry through contemplative reasoning. By doing so such axiomatic images tell us what we shall desire (liberalism, in a snapshot: the crunchy honey-flavored cereals and the freshly-pressed orange juice in the back of a suburban one-family home) and from what we shall obstain (communism, in a snapshot: lifeless crowds of men and machinery marching towards certain perdition accompanied by the tunes of Soviet Russian songs). What makes those images so powerful is that it is only of relative minor relevance for the stabilization of such images whether they actually capture and correspond with the multiple layers of reality, or not."[2] - David Leupold, sociologist.[page needed]

The development of synthetic acoustic technologies and the creation of sound art have led to a consideration of the possibilities of a sound-image made up of irreducible phonic substance beyond linguistic or musicological analysis.

Still or moving[edit]

Static image drawn with a pencil

A still image is a single static image.[3][4] This phrase is used in photography, visual media and the computer industry to emphasize that one is not talking about movies, or in very precise or pedantic technical writing such as a standard.

A moving image is typically a movie (film) or video, including digital video. It could also be an animated display such as a zoetrope.

A still frame is a still image derived from one frame of a moving one. In contrast, a film still is a photograph taken on the set of a movie or television program during production, used for promotional purposes.

Two-dimensional (2D)[edit]

A two dimensional (2D) image is a visual representation of something that is represented using only two spatial dimensions. Many 2D images are in the shape of rectangles. A common process by which 2D images have historically been displayed is called rasterization. As of 2021, 2D images are the most common types of image.

Three-dimensional (3D)[edit]

Three-dimensional (3D) images are less common than two-dimensional images. Three dimensional images feed into the visual system’s perception of depth to more accurately portray visual information. Common physical forms of 3D images include holograms.


In literature, imagery is a "mental picture" which appeals to the senses.[5][example needed] It can both be figurative and literal.[5]

See also[edit]


  1. ^ Chakravorty, Pragnan (September 2018). "What is a Signal? [Lecture Notes]". IEEE Signal Processing Magazine. 35 (5): 175–77. Bibcode:2018ISPM...35e.175C. doi:10.1109/MSP.2018.2832195. S2CID 52164353.
  2. ^ Leupold, David (2020-04-08). "Image and ideology". Medium. Retrieved 2020-09-28.
  3. ^ Karen Woodcock (2011-06-26). "Static Image". {{cite journal}}: Cite journal requires |journal= (help)
  4. ^ "National archives".{{cite web}}: CS1 maint: url-status (link)
  5. ^ a b Chris Baldick (2008). The Oxford Dictionary of Literary Terms. Oxford University Press. pp. 165–. ISBN 978-0-19-920827-2.