Pierre Soulages

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Pierre Soulages
Pierre Soulages in 2019
Born (1919-12-24) 24 December 1919 (age 102)
Known forAbstract painting
Notable work24 November '63 [fr]
AwardsCarnegie Prize, Praemium Imperiale

Pierre Soulages (French: [sulaʒ]; born 24 December 1919) is a French painter, engraver, and sculptor. In 2014, François Hollande described him as "the world's greatest living artist."[1]


Born in Rodez, Aveyron, in 1919, Soulages is also known as "the painter of black," owing to his interest in the colour "both as a colour and a non-colour. When light is reflected on black, it transforms and transmutes it. It opens a mental field all its own." He sees light as a work material; striations of the black surface of his paintings enable him to reflect light, allowing the black to come out of darkness and into brightness, thus becoming a luminous colour.[2]

Before World War II, Soulages already had toured museums in Paris seeking his vocation and after wartime military service, he opened a studio in Paris, holding his first exhibition at the Salon des Indépendants in 1947. He also worked as a designer of stage sets. Soulages began to gain recognition in the United States in the 1950s. His works were included in the two major exhibitions of European artists, Younger European Painters at the Solomon R Guggenheim Museum (1953) and The New Decade: 22 European Painters and Sculptors at the Museum of Modern Art (1955) in New York.[3] In 1979, Soulages was made a Foreign Honorary Member of the American Academy of Arts and Letters.

From 1987 to 1994, he produced 104 stained-glass windows for the Romanesque Abbey church Sainte-Foy in Conques (Aveyron, France).[4] Soulages is the first living artist invited to exhibit at the state Hermitage Museum of St. Petersburg and later with the Tretyakov Gallery of Moscow (2001).[5]

A composition he created in 1959 sold for 1,200,000 euros at Sotheby's in 2006.

In 2007, the Musée Fabre of Montpellier devoted an entire room to Soulages, presenting a donation he made to the city. It included twenty paintings dating from 1951 to 2006, among which were major works from the 1960s, two large "plus-black" works from the 1970s, and several large polyptychs. A retrospective was held at the Centre National d'Art et de Culture Georges Pompidou from October 2009 to March 2010. In 2010, the Museum of the City of Mexico presented a retrospective of paintings that also included an interview-video with the artist (Spanish subtitles).

In 2014, Musée Soulages opened in Rodez, France, Soulages' hometown, as a place to permanently display his works and to house temporary contemporary exhibitions. Soulages donated five hundred works.[6] The paintings represent all stages of his work, from post-war oils to a phase of work he calls Outrenoir. It was the most complete display of work from his first 30 years.[7]

In 2014, Soulages presented fourteen recent works in his first American exhibition in 10 years, at Dominique Lévy and Galerie Perrotin, New York.

In September 2019, the Levy Gorvy Gallery in New York holds a major exhibition ahead of the retrospective at the Louvre Museum in December celebrating his 100th birthday.[8]

On 17 November 2021, his ‘Peinture 195 x 130 cm, 4 août 1961’, was auctioned for $20.2M - a new world auction record for the artist.[9]

Artistic practice[edit]

17 December 1966 by Pierre Soulages, Honolulu Museum of Art

Soulages has said, "My instrument is not black but the light reflected from the black." [10] Naming his own practice Outrenoir, (Beyond Black) the paintings he produces are known for their endless black depth, created by playing with the light reflected off of the texture of the paint. Knowing that he needed a new term to define the way that he was working, Soulages invented 'Outrenoir' to define his practice. Not having a translation into English, the closest meaning is 'beyond black.'[citation needed]

In an interview in 2014, he explains the definition of the term, "Outrenoir doesn't exist in English; the closest is "beyond black." In French, you say "outre-Manche," "beyond the Channel," to mean England or "outre-Rhin," "beyond the Rhine," to mean Germany. In other words, "beyond black" is a different country from black."[11]

The infatuation Soulages has with black began long before his investigations with 'Outrenoir' at the age of 60.[12] Initially started by his interest with the prehistoric [11] and his want of retreating to something more pure, primal and deliberately stripped of any other connotations, he says of his fascination with the colour, "during thousands of years, men went underground, in the absolute black of grottoes, to paint with black."[12] "I made these because I found that the light reflected by the black surface elicits certain emotions in me. These aren't monochromes. The fact that light can come from the colour which is supposedly the absence of light is already quite moving, and it is interesting to see how this happens."[11]

Applying the paint in thick layers, Soulages' painting technique includes using objects such as spoons, tiny rakes and bits of rubber to work away at the painting, often making scraping, digging or etching movements depending on whether he wants to evoke a smooth or rough surface. The texture that is then produced either absorbs or rejects light, breaking up the surface of the painting by disrupting the uniformity of the black.[13][14] He often uses bold cuts in vertical and horizontal lines, the crevasses and forms created by using angles and contours. In his recent work from 2013–14, Soulages began to explicitly vary the pigment used in the paint, mixing matte and glossy types of black as well as hardened densities of black pigment.[15] Preferring to suspend the paintings like walls, he uses wires to hang them in the middle of the room, "I always liked paintings to be walls rather than windows. When we see a painting on a wall, it's a window, so I often put my paintings in the middle of the space to make a wall. A window looks outside, but a painting should do the opposite—it should look inside of us" [11]

Instead of having titles, Soulages paintings are named by their size and date of production. 17 December 1966 from 1966, in the collection of the Honolulu Museum of Art demonstrates the artist's boldly brushed black on white canvases.[16]


Selected Publications/Monographs[edit]

Year Publication Title/Publisher/Gallery Editor/Contributors.
2014 Soulages in America. (Dominique Lévy Gallery, New York) Texts by Philippe Ungar, Harry Cooper, Sean Sweeney, Dominique Lévy
2011 Soulages l'oeuvre imprimé. (Bibliothèque Nationale de France/ Musée Soulages, Paris) Edited by Pierre Encrevé, Marie-Cécile Miessner
2011 Pierre Soulages. (Martin-Gropius Bau, Berlin/Hirmer, Munich) Essays by Hans Belting, Yve-Alain Bois, Pierre Encrevé, Alfred Pacquement, Serge Guilbaut, Bernard de Montferrand, Alain Seban, Joachim Sartorius, Gereon Sievernich, Hans-Ulrich Obrist; edited by Pierre Encrevé, Alfred Paquement
2010 Verre cartons des vitraux de Conques. (Musée Fabre, Montpellier) Essays by Pierre Soulages, Jean-Dominique Fleury, Benoît Decron
2010 Pierre Soulages. (Bernard Jacobson Gallery, London) Essays by John Yau and Mel Gooding
2009 Soulages, le temps du papier. (Cercle d'Art, Paris/ Musée d’Art Moderne, Contemporain de Strasbourg (MAMCS), Strasbourg) Text by Michel Ragon, Estelle Pietrzyk, Gilbert Dupuis
2009 SOULAGES. (Centre Georges Pompidou, Paris) Essays by Alain Seban, Alfred Pacquement, Pierre Encrevé, Serge Guilbaut, Yve-Alain Bois, Guitermie Maldonado, Annie Claustres, Harry Cooper, Hans Belting, Isabelle Ewig, Éric de Chassey, Hans Ulrich Obrist; Edited by Pierre Encrevé, Alfred Pacquement
2007 Pierre Soulages au Musée Fabre, Parcours d'un accrochage. (Interprint, Montpellier) Photos by Vincent Cunillère; Essays by Georges Frêche, Michel Hilaire, Emmanuel Nebout, Laurence Javal, Olivier Brochet, Yves Larbiou, Dan McEnroe, Thierry Dieudonnat, Pierre Susini, Claude Cougnenc, Pierre Encrevé
2006 Pierre Soulages. Painting the light. (Sammlung Essl, Klosterneuburg-Vienna) Essays by Karlheinz Essl, Andrea Rygg Karberg
2001 Soulages - Lumière du noir. (Paris-Musées, Paris) Essays by Mikhaïl Piotrovsky, Suzanne Pagé, Albert Kosténévitch, Pierre Encrevé, JeanClaude Marcadé; Preface by Vladimir Yakovlev, Bertrand Delanoë, maire de Paris
1999 Pierre Soulages, Célébration de la lumière. (Skira-Le Seuil, Paris/Musée des Beaux-Arts, Berne) Essays by Sandor Kuthy, Pierre Soulages
1998 Soulages, L'oeuvre complet, Peintures III, 1979-1997. (Seuil, Paris) Text by Pierre Encrevé
1997 Pierre Soulages, Malerei als farbe und licht, Rétrospective 1946-1997. (Deichtorhallen, Hamburg) Essays by Zdenek Felix, Robert Fleck, Charles Juliet
1996 Soulages, Noir lumière. (Musée d'Art Moderne, Paris) Essays by Suzanne Pagé, Jean-Louis Andral, Pierre Encrevé, Robert Fleck, Donald Kuspit, William Rubin
1996 Soulages. (Flammarion, Paris: pp. 87–149) Interview with the artist by Bernard Ceysson
1994 Pierre Soulages: une retrospective (Taipei Fine Arts Museum, Taipei/National Museum of China, Beijing) Essays by Huang Kuang-nan, Alfred Pacquement, Jean-Paul Réau, François Marcel Plaisant
1994 Les vitraux de Soulages (Seuil, Paris) Georges Duby, Christian Heck
1993 Pierre Soulages: une retrospective (Musée National d'Art Contemporain, Séoul) Essays by Young-Bang Lim, Alfred Pacquement, Bernard Prague
1992 Pierre Soulages, polyptyques 1979-1991 (Maison des Arts Georges Pompidou, Cajarc) Essays by Pierre Daix, Pierre Encrevé, Claire Stoullig
1991 Soulages, peintures récentes (Museum Moderner Kunst Stiftung Ludwig, Vienna) Essays by Lorand Hegyi, Alfred Pacquement
1990 Polyptyques (Le Louvre, Paris) Text by Isabelle Monod-Fontaine
1989 Soulages: 40 jahre malerei (German ed. Museum Fridericianum, Kassel/Cantz Verlag, Stuttgart) Text by Veit Loers, Bernard Ceysson
1989 Soulages: 40 ans de peinture (French ed. Musée des Beaux-Arts, Nantes) Essays by Henry-Claude Cousseau, Veit Loers
1989 Soulages: 40 anos de pintura (Spanish ed. Institut Valencià d'Art Modern, Valencia) Essays by Bernard Ceysson, Veit Loers
1987 Nous avons visité le Musée d'Orsay avec Pierre Soulages (L'Evénement du Jeudi, Paris: pp. 82–84) Interview with the artist by Jean-Louis Pradel
1987 Pierre Soulages (Musée Saint-Pierre Art Contemporain, Lyon/Hans Thoma-Gesellschaft, Reutlingen) Essays by Georges Duby, Pierre Encrevé, Henri Meschonnic, Werner Meyer, Thierry Raspail, Clément Rosset
1984 Soulages (Seibu Museum of Art, Tokyo) Essays by Taka Ashido Okada, d'Alfred Pacquement
1980 Soulages, peintures récentes (Musée National d'Art Moderne, Paris/Musée du Parc de la Boverie, Liège) Essays by Pontus Hulten, Alfred Pacquement
1976 Soulages (Musée d'Art et d'Industrie, Saint-Etienne: p. 5-32, 42) Interview with the artist by Bernard Ceysson
1975 L'aventure de l'art moderne (1): Pierre Soulages (Galerie Jardin des Arts, Paris: September, p. 150) Interview with the artist by André Parinaud
1974 Soulages, peintures, gravures (1st ed. Musée Dynamique, Dakar/Fundaçào Calouste Gulbenkian, Lisbon) Text by Léopold Sédar Senghor

Honours and awards[edit]

Personal life[edit]

Soulages has been married to his wife Colette since 1942. In 2017, the couple permanently moved to their summer retreat in Sète.[22]

See also[edit]


  1. ^ Hugh Schofield (24 June 2014). "The president and the 'greatest living artist' in the world". BBC News. Archived from the original on 24 June 2014. Retrieved 24 June 2014.
  2. ^ "Pierre Soulages: Beyond black | Christie's". www.christies.com. Archived from the original on 31 July 2019. Retrieved 1 September 2019.
  3. ^ "Pierre Soulages | Artworks, Exhibitions, Profile & Content". ocula.com. 4 March 2019. Archived from the original on 6 March 2019. Retrieved 4 March 2019.
  4. ^ "Soulages - Pierre Soulages et les vitraux de l'abbatiale de Conques - Ina.fr". Soulages. Archived from the original on 8 December 2017. Retrieved 7 December 2017.
  5. ^ "biographie | pierre-soulages.com". www.pierre-soulages.com. Archived from the original on 1 September 2019. Retrieved 1 September 2019.
  6. ^ Artnet, "Pierre Soulages" Archived 27 June 2016 at the Wayback Machine Retrieved June 2016
  7. ^ [1] Archived 2 October 2015 at the Wayback Machine The Museum, Musée Soulages, Retrieved June 2016
  8. ^ "Ambition still burns in art star Soulages at 99". France 24. 4 February 2019. Archived from the original on 1 September 2019. Retrieved 1 September 2019.
  9. ^ Twitter https://twitter.com/sothebys/status/1460773776313008132. Retrieved 17 November 2021. {{cite web}}: Missing or empty |title= (help)
  10. ^ Musée Soulages, Rodez [2] Archived 4 June 2016 at the Wayback Machine Works, A Closer Look, Painting, 324 X 362 cm, 1986 (Polyptyque I) Retrieved July 2016
  11. ^ a b c d [3] Archived 20 September 2016 at the Wayback Machine Interview Magazine, Pierre Soulages, Zoe Stillpass, 5 August 2014, Retrieved July 2016
  12. ^ a b [4] Archived 7 August 2016 at the Wayback Machine Artnet, Pierre Soulages, Happy to Stay in the Dark, Ben Davis, 19 June 2014, Retrieved July 2016
  13. ^ Jean-Max Albert, Pierre Soulages, Mouvement sans emplacement, Opus International, n°57, 1975.
  14. ^ [5] Archived 14 November 2017 at the Wayback Machine The Telegraph (online) Black is the new black for Pierre Soulages, France's best known living artist, Claire Rosemberg, 14 October 2009, Retrieved July 2016
  15. ^ [6] Archived 3 August 2016 at the Wayback Machine Hyperallergic (online), Pierre Soulages: Painter of Black and Light, Robert C. Morgan, 14 May 2014, Retrieved July 2016
  16. ^ Honolulu Museum of Art, wall label, 17 December 1966, accession 4400.1
  17. ^ "L'œuvre Peinture 324 x 362 cm, 1985 - Centre Pompidou". Archived from the original on 6 August 2020. Retrieved 27 December 2019.
  18. ^ "Pierre Soulages | MoMA".
  19. ^ "The Guggenheim Museums and Foundation".
  20. ^ "Reply to a parliamentary question" (PDF) (in German). p. 1712. Archived (PDF) from the original on 22 October 2012. Retrieved 23 November 2012.
  21. ^ "A 96 ans, Pierre Soulages fait Grand'Croix dans l'ordre de la Légion d'Honneur". France 3 Occitanie (in French). Archived from the original on 1 September 2019. Retrieved 1 September 2019.
  22. ^ Nina Siegal (29 November 2019), Black Is Still the Only Color for Pierre Soulages Archived 1 December 2019 at the Wayback Machine New York Times.

External links[edit]