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Fullscreen screenshot of ZBrush 4.0
4R7 / January 29, 2015
|Operating system||Windows, OS X|
|Type||3D computer graphics|
|License||Commercial proprietary software|
ZBrush is a digital sculpting tool that combines 3D/2.5D modeling, texturing and painting. It uses a proprietary "pixol" technology (see below) which stores lighting, color, material, and depth information for all objects on the screen. The main difference between ZBrush and more traditional modeling packages is that it is more akin to sculpting.
ZBrush is used for creating high-resolution models (able to reach 40+ million polygons) for use in movies, games, and animations, by companies ranging from ILM to Electronic Arts. ZBrush uses dynamic levels of resolution to allow sculptors to make global or local changes to their models. ZBrush is most known for being able to sculpt medium to high frequency details that were traditionally painted in bump maps. The resulting mesh details can then be exported as normal maps to be used on a low poly version of that same model. They can also be exported as a displacement map, although in that case the lower poly version generally requires more resolution. Or, once completed, the 3D model can be projected to the background, becoming a 2.5D image (upon which further effects can be applied). Work can then begin on another 3D model which can be used in the same scene. This feature lets users work with complicated scenes without heavy processor overhead.
ZBrush was developed by the company Pixologic Inc, founded by Ofer Alon (also known by the alias "Pixolator") and Jack Rimokh. The software was presented in 1999 at SIGGRAPH. The demo version 1.55 was released in 2002, and the version 3.1 was released in 2007. ZBrush 4 for Windows and Mac systems was announced on April 21, 2009 for an August release, but was later postponed. Version 3.5 was made available in September the same year, and includes some of the newer features initially intended for ZBrush 4.
Like a pixel, each pixol contains information on X and Y position and color values. Additionally, it contains information on depth (or Z position), orientation and material. ZBrush related files store pixol information, but when these maps are exported (e.g., to JPEG or PNG formats) they are flattened and the pixol data is lost. This technique is similar in concept to a voxel, another kind of 3D pixel.
The initial ZBrush download comes with 30 3D sculpting brushes with more available for download. Each brush offers unique attributes as well as allowing general control over hardness, intensity, and size. Alphas, used to create a specific pattern or shape, and textures are also editable brush features.
Polypainting allows users to paint on an object's surface without the need to first assign a texture map by adding color directly to the polygons.
ZBrush also gives the ability to sculpt in 2.5D, and comes with several brushes for that purpose. A pixol put down when sculpting or illustrating in 2.5D contains information on its own color, depth, material, position, and lighting information.
ZBrush also has a feature that is similar to skeletal animation in other 3D programs. The transpose feature allows a user to isolate a part of the model and pose it without the need of skeletal rigging.
A user can create a base mesh with uniform topology and then convert it into a sculptable model by starting out with a simple sphere and extracting more "ZSpheres" until the basic shape of the desired model is created.
Introduced in ZBrush 3.2 OSX, GoZ automates setting up shading networks for normal, displacement, and texture maps of the 3D models in GoZ-enabled applications. Upon sending the mesh back to ZBrush, GoZ will automatically remap the existing high-resolution details to the incoming mesh. GoZ will take care of operations such as correcting points & polygons order. The updated mesh is immediately ready for further detailing, map extractions, and transferring to any other GoZ-enabled application.
Best Preview Render
Also included is a full render suite known as Best Preview Render, which allows use of full 360° environment maps to light scenes using HDRI images. BPR includes a new light manipulation system called LightCaps. With it, one can not only adjust how the lights in the scene are placed around the model, but also generate environments based on it for HDRI render later on. It also allows for material adjustments in a realtime. Material properties such as subsurface scattering are supported as are environmental and scan-line reflections.
BPR also includes a set of built-in filters that can be used in realtime to create dramatic effects and corrections without even touching another photo-manipulation program.
Allows ZBrush to quickly generate a new model with uniform polygon distribution, to improve the topology of models and eliminate polygon stretching.
Fibermesh is a feature that allows users to grow polygon fibers out of their models or to make various botanical items. It is also a way to edit and manipulate large amounts of polygons at once with Groom brushes.
An automatic retopology system previously called QRemesher that creates new topology based on the original mesh. The new topology is generally more clean and uniform. This process can also be guided by the user to make the new topology follow curves in the model and retain more detail to specified areas.
- Announcing ZBrush 3.5 and GoZ for Windows and MacOSX, ZBrushcentral.com, July 30, 2009
- GoZ, Pixologic.com
- Yetter, Matthew. "Basic Concepts: The Concept of the Pixol". ZBrush 2 Practical Guide. pp. 11–12.
- ZBrush Features, Pixologic.com
- ZBrush Features - GoZ, Pixologic.com
- BPR Enhancements, Pixologic.com
- DynaMesh, Pixologic.com
- Fibermesh, Pixologic.com
- ZRemesher, Pixologic.com
- Skaven252. "ZBrushCentral - About the Nature of Pixols". Retrieved 2008-10-20.
- Pixolator. "ZBrushCentral - Announcing ZBrush". Retrieved 2009-04-21.
- Yetter, Matthew; Bushnell, Dave (2004). ZBrush 2 Practical Guide (electronic book).
- Lanier, Lee (2007). "Chapter 6. Texturing. Industry Tips: Rendering ZBrush Displacement Maps in Maya". Maya Professional Tips and Techniques (printed book). pp. 126–129. ISBN 978-0-470-10740-9.