Planet of the Apes (1968 film)

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Planet of the Apes
Theatrical release poster
Directed byFranklin J. Schaffner
Screenplay by
Based onPlanet of the Apes
by Pierre Boulle
Produced byArthur P. Jacobs
CinematographyLeon Shamroy
Edited byHugh S. Fowler
Music byJerry Goldsmith
Distributed by20th Century Fox
Release date
  • February 8, 1968 (1968-02-08) (Capitol Theatre)
  • April 3, 1968 (1968-04-03) (United States)
Running time
112 minutes[1]
CountryUnited States
Budget$5.8 million[2]
Box office$33.4 million (North America)[2]

Planet of the Apes is a 1968 American science fiction film directed by Franklin J. Schaffner and loosely based on the 1963 French novel La Planète des Singes by Pierre Boulle. Written by Michael Wilson and Rod Serling, it stars Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison. In the film, an astronaut crew crash-lands on a strange planet in the distant future. Although the planet appears desolate at first, the surviving crew members stumble upon a society in which apes have evolved into creatures with human-like intelligence and speech. The apes have assumed the role of the dominant species and humans are mute creatures wearing animal skins.

The outline of Planet of the Apes originated in script, originally written by Serling, underwent many rewrites before filming eventually began.[3] Directors J. Lee Thompson and Blake Edwards were approached, but the film's producer Arthur P. Jacobs, upon the recommendation of Charlton Heston, chose Franklin J. Schaffner to direct the film. Schaffner's changes included an ape society less advanced—and therefore less expensive to depict—than that of the original novel.[4] Filming took place between May 21 and August 10, 1967, in California, Utah and Arizona, with desert sequences shot in and around Lake Powell, Glen Canyon National Recreation Area. The film's final "closed" cost was $5.8 million.

The film was released in the United States on February 8, 1968, and was a commercial success, earning a lifetime domestic gross of $32.6 million.[5] The film was groundbreaking for its prosthetic makeup techniques by artist John Chambers[6] and was well received by critics and audiences, launching a film franchise,[7] including four sequels, as well as a short-lived television show, animated series, comic books, and various merchandising. In particular, Roddy McDowall had a long-running relationship with the Apes series, appearing in four of the original five films (absent, from the second film of the series, Beneath the Planet of the Apes, in which he was replaced by David Watson in the role of Cornelius), and also in the television series.

The original series was followed by Tim Burton's remake Planet of the Apes in 2001 and the reboot series began with Rise of the Planet of the Apes in 2011.[8] In 2001, Planet of the Apes was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[9][10]


Teaser of the film

Astronauts Taylor, Landon, and Dodge awaken from deep hibernation after a near-light-speed space voyage. Stewart, the lone female crew member, is dead due to a sleep chamber malfunction. Their spacecraft crashes into a lake on an unknown planet and the men abandon the sinking vessel. Before bailing out, Taylor reads the ship's chronometer as November 25, 3978, two thousand and six years after their departure in 1972. But due to time dilation, their age was almost the same as what they were in 1972.

The men travel through desolate wasteland, coming across eerie scarecrow-like figures and a freshwater lake with lush vegetation. While swimming, the men's clothes are stolen and shredded by primitive mute humans. Soon after, armed gorillas raid a cornfield where the humans are gathering food. Taylor is shot in the throat as he and the others are captured. Dodge is killed and Landon rendered unconscious in the chaos. Taylor is taken to Ape City. Two chimpanzees, animal psychologist Zira and surgeon Galen, save Taylor's life, though his throat injury renders him temporarily mute.

Taylor is placed with a captive female, whom he later names Nova. He observes an advanced society of talking apes with a strict caste system: gorillas are the military force and laborers; orangutans oversee government and religion; and intellectual chimpanzees are mostly scientists and doctors. The ape society is a theocracy, while the apes consider the primitive humans as vermin to be hunted and either killed outright, enslaved, or used in scientific experiments. Taylor convinces Zira and her fiancé, Cornelius, that he is as intelligent as they are; one way by making a paper airplane. Dr. Zaius, their orangutan superior, arranges for Taylor to be castrated against Zira's protests. Taylor escapes and finds Dodge's stuffed corpse on display in a museum, he is soon recaptured revealing in the process he can speak, which alarms the apes.

Cornelius (McDowall), Zira (Hunter), and Taylor (Heston)

A hearing to determine Taylor's origins is convened. Taylor mentions his two comrades, learning that Landon was lobotomized and rendered catatonic. Believing Taylor is from an unknown human tribe beyond their borders, Zaius privately threatens to castrate and lobotomize Taylor for refusing to reveal his origins. With help from Zira's nephew Lucius, Zira and Cornelius free Taylor and Nova and take them to the Forbidden Zone, a taboo region outside Ape City where Taylor's ship crashed. Ape law has ruled the area out of bounds for centuries. Cornelius and Zira are intent to gather proof of an earlier non-simian civilization – which Cornelius discovered a year earlier – to be cleared of heresy; Taylor focuses on proving he comes from a different planet.

When the group arrives at the cave, Cornelius is intercepted by Zaius and his soldiers. Taylor holds them off by threatening to shoot Zaius, who agrees to enter the cave to disprove their theories. Inside, Cornelius displays remnants of a technologically advanced human society pre-dating simian history. Taylor identifies artifacts such as dentures, eyeglasses, a heart valve, and to the apes' astonishment, a child's talking doll. Zaius admits he has always known about the ancient human civilization. Taylor wants to search for answers, ignoring Zaius' warning he may find an answer he does not like and that what is now a desert was once a paradise. After Taylor and Nova are allowed to leave, Zaius has the cave sealed off to destroy the evidence while charging Zira, Cornelius, and Lucius with heresy.

Taylor, Nova (Harrison), and the Statue of Liberty

Taylor and Nova follow the shoreline on horseback and eventually discover the remnants of the Statue of Liberty, revealing that this 'alien' planet is actually Earth long after an apocalyptic nuclear war. Understanding Zaius' earlier warning, Taylor falls to his knees in despair and condemns humanity for destroying the world.




Producer Arthur P. Jacobs bought the rights for the Pierre Boulle novel before its publication in 1963. Jacobs pitched the production to many studios, but was passed over. After Jacobs made a successful debut as a producer doing What a Way to Go! (1964) for 20th Century Fox and begun pre-production of another movie for the studio, Doctor Dolittle, he managed to convince Fox vice-president Richard D. Zanuck to greenlight Planet of the Apes.[11]

One script that came close to being made was written by The Twilight Zone creator Rod Serling, though it was finally rejected for a number of reasons. A prime concern was cost, as the technologically advanced ape society portrayed by Serling's script would have involved expensive sets, props, and special effects. The previously blacklisted screenwriter Michael Wilson was brought in to rewrite Serling's script and, as suggested by director Franklin J. Schaffner, the ape society was made more primitive as a way of reducing costs. Serling's stylized twist ending was retained, and became one of the most famous movie endings of all time. The exact location and state of decay of the Statue of Liberty changed over several storyboards. One version depicted the statue buried up to its nose in the middle of a jungle while another depicted the statue in pieces.[11]

To convince the Fox Studio that a Planet of the Apes film could be made, the producers shot a brief test scene from a Rod Serling draft of the script, using early versions of the ape makeup, on March 8, 1966. Charlton Heston appeared as an early version of Taylor (named Thomas, as he was in the Serling-penned drafts), Edward G. Robinson appeared as Zaius, while two then-unknown Fox contract actors, James Brolin and Linda Harrison, played Cornelius and Zira. This test footage is included on several DVD releases of the film, as well as the documentary Behind the Planet of the Apes. Linda Harrison, at the time, the girlfriend of studio chief Richard D. Zanuck, went on to play Nova in the 1968 film and its first sequel, and had a cameo in Tim Burton's Planet of the Apes more than 30 years later, which was also produced by Zanuck. Although Harrison often opined that the producers had always had her in mind for the role of Nova, they had, in fact, considered first Ursula Andress, then Raquel Welch, and Angelique Pettyjohn. When these three women proved unavailable or uninterested, Zanuck gave the part to Harrison. Dr. Zaius was originally to have been played by Robinson, but he backed out due to the heavy makeup and long sessions required to apply it.[12] Robinson's final film, Soylent Green (1973), starred his one-time Ten Commandments (1956) co-star, Heston.

Michael Wilson's rewrite kept the basic structure of Serling's screenplay but rewrote all the dialogue and set the script in a more primitive society. According to associate producer Mort Abrahams an additional uncredited writer (his only recollection was that the writer's last name was Kelly) polished the script, rewrote some of the dialogue and included some of the more heavy-handed tongue-in-cheek dialogue ("I never met an ape I didn't like") which wasn't in either Serling or Wilson's drafts. According to Abrahams, some scenes, such as the one where the judges imitate the "see no evil, speak no evil and hear no evil" monkeys, were improvised on the set by director Franklin J. Schaffner and kept in the final film because of the audience reaction during test screenings prior to release.[13][page needed] During filming John Chambers, who designed prosthetic make-up in the film,[6] held training sessions at 20th Century-Fox studios, where he mentored other make-up artists of the film.[14]


The astronauts' journey from their downed ship was filmed along the Colorado River in Glen Canyon.

Filming began on May 21, 1967, and ended on August 10, 1967. Most of the early scenes of a desert-like terrain were shot in northern Arizona near the Grand Canyon, the Colorado River, Lake Powell,[13]: 61  Glen Canyon[13]: 61  and other locations near Page, Arizona[13]: 59  Most scenes of the ape village, interiors and exteriors, were filmed on the Fox Ranch[13]: 68  in Malibu Creek State Park, northwest of Los Angeles, essentially the backlot of 20th Century Fox. The concluding beach scenes were filmed on a stretch of California seacoast between Malibu and Oxnard with cliffs that towered 130 feet (40 m) above the shore. Reaching the beach on foot was virtually impossible, so cast, crew, film equipment, and even horses had to be lowered in by helicopter.[13]: 79 

The remains of the Statue of Liberty were shot in a secluded cove on the far eastern end of Westward Beach, between Zuma Beach and Point Dume in Malibu.[15] As noted in the documentary Behind the Planet of the Apes,[11] the special effect shot of the half-buried statue was achieved by seamlessly blending a matte painting with existing cliffs. The shot looking down at Taylor was done from a 70-foot (21 m) scaffold, angled over a 12-scale papier-mache model of the Statue. The actors in Planet of the Apes were so affected by their roles and wardrobe that, when not shooting, they automatically segregated themselves with the species they were portraying.[16]

Taylor's spacecraft[edit]

The spacecraft onscreen is never actually named in the film; however, for the 40th anniversary release of the Blu-ray edition of the film, in the short film created for the release titled A Public Service Announcement from ANSA, the ship is named Liberty 1.[17] The ship had originally been called "Immigrant One" in an early draft of the script, and then called "Air Force One" in a test set of Topps Collectible cards, and dubbed "Icarus" by a fan; that name gained popularity among Ape fandom.[17][18]


Critical response[edit]

Planet of the Apes was met with critical acclaim and is widely regarded as a classic film and one of the best films of 1968, applauded for its imagination and its commentary on a possible world turned upside down.[19][20] Pauline Kael called it "one of the most entertaining science-fiction fantasies ever to come out of Hollywood."[21] Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and called it "much better than I expected it to be. It is quickly paced, completely entertaining, and its philosophical pretensions don't get in the way."[22] Renata Adler of The New York Times wrote, "It is no good at all, but fun, at moments, to watch."[23] Arthur D. Murphy of Variety called it "an amazing film." He thought the script "at times digresses into low comedy," but "the totality of the film works very well."[24] Kevin Thomas of the Los Angeles Times wrote, "A triumph of artistry and imagination, it is at once a timely parable and a grand adventure on an epic scale."[25] Richard L. Coe of The Washington Post called it an "amusing and unusually engrossing picture."[26]

As of August 2021, the film has a "Certified Fresh" 86% rating on the review aggregate website Rotten Tomatoes, based on 59 reviews with an average rating of 7.60/10. The website's critical consensus reads, "Planet of the Apes raises thought-provoking questions about our culture without letting social commentary get in the way of the drama and action."[27] In 2008, the film was selected by Empire magazine as one of The 500 Greatest Movies of All Time.[28]

Box office[edit]

According to Fox records the film required $12,850,000 in theater rentals to break even and made $20,825,000—a large profit for the studio.[29]


Kim Hunter

The film won an honorary Academy Award for John Chambers for his outstanding make-up achievement. The film was nominated for Best Costume Design (Morton Haack) and Best Original Score for a Motion Picture (not a Musical) (Jerry Goldsmith).[30] The score is known for its avant-garde compositional techniques, as well as the use of unusual percussion instruments and extended performance techniques, as well as his 12-tone music (the violin part using all 12 chromatic notes) to give an eerie, unsettled feel to the planet, mirroring the sense of placelessness.

American Film Institute Lists

National Film Registry

Among the 25 Films inducted into the Library of Congress for the year 2001.[35]


Original series sequels[edit]

Writer Rod Serling was brought back to work on an outline for a sequel. Serling's outline was ultimately discarded in favor of a story by associate producer Mort Abrahams and writer Paul Dehn, which became the basis for Beneath the Planet of the Apes.[13][page needed] The original film series had four sequels:

Television series[edit]


Reboot series[edit]



In popular culture[edit]

A parody of the film series titled "The Milking of the Planet That Went Ape" was published in Mad Magazine. It was illustrated by Mort Drucker and written by Arnie Kogen in regular issue #157, March 1973.[45]

TV Globo, Brazil's largest and most important television network (and the second-largest commercial TV network in the world just behind the American ABC TV), aired from 1976 to 1982 a sketch comedy show called Planeta dos Homens (Planet of the Men) where, among regular sketches and parodies, three apes (Charles, a chimp, Socrates and Gibinha, orangutans) from a highly-evolved ape planet, tried to comprehend the illogical human civilization, ending with the catchphrase: "You don't need to explain me, I just wanted to understand it!" Planeta dos Homens went on for years as one of the highest-audience levels TV shows in the country.


See also[edit]


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  12. ^ Pulver, Andrew (June 24, 2005). "Monkey business". The Guardian. Archived from the original on May 18, 2015. Retrieved May 13, 2015.
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  23. ^ Adler, Renata (February 9, 1968). "She Reads Playboy, He Reads Cosmopolitan:Ritual Roles Reversed in 'Sweet November' ' Planet of the Apes' and 'Winter' Also Open (Published 1968)". The New York Times. ISSN 0362-4331. Archived from the original on June 5, 2021. Retrieved October 11, 2020.
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External links[edit]