Planet of the Humans

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Planet of the Humans
Planet-of-the-humans.jpg
Directed byJeff Gibbs
Produced byMichael Moore (executive producer)
Jeff Gibbs
Ozzie Zehner
StarringJeff Gibbs
Nina Jablonski
Ozzie Zehner
Richard Heinberg
Distributed byRumble Media and YouTube[1]
Release date
  • July 31, 2019 (2019-07-31) (Traverse City Film Festival)[2]
Running time
100 minutes
CountryUnited States
LanguageEnglish

Planet of the Humans is a 2019 American environmental documentary film written, directed, and produced by Jeff Gibbs. The film was executive produced by Michael Moore.[3] Moore released it on YouTube for free viewing on April 21, 2020, the eve of the 50th anniversary of the first Earth Day.

The film examines the decision of mainstream environmental groups and leaders to partner with billionaires, corporations, and wealthy family foundations in the fight to save a planet said to be in crisis. The film questions whether green energy can solve the problem of society's expanding resource depletion without reducing consumption and population growth, as all existing forms of energy generation require consumption of finite resources. Centrally, the film questions whether renewable energy sources such as biomass energy, wind power, and solar energy, are as clean and renewable as they are portrayed to be.

Upon its release, Planet of the Humans generated intense controversy.[4] It was criticized by some climate scientists, environmentalists and renewable energy proponents as misleading and outdated.[5][6][7][8] It was removed from YouTube on 25 May 2020 in response to a claim of copyright infringement, which PEN America condemned as censorship.[9][10] The filmmakers challenged the claim, arguing that the fragment was used under fair use and that free speech was subverted.[11] Twelve days later, YouTube allowed the film to be viewed again. In November 2020, Moore removed it from YouTube where it was available for free and made it available on Amazon, Apple and Google's rental channels.[12]

Synopsis[edit]

Planet of the Humans takes a critical look at the mainstream environmental movement, questioning its leaders' decision to partner with billionaires, corporations, and wealthy family foundations, and to promote renewable energy technology as the solution to climate change.

Gibbs admits to being a long-time fan of renewable energy. When Barack Obama directs billions of dollars into renewable energy, Gibbs follows the green energy movement more closely but is disappointed with his initial findings. “Everywhere I encountered green energy,” Gibbs says, “it wasn’t what it seemed.” Attending General Motors' Chevy Volt press conference in 2010,[13] he learns that the vehicle is being charged by a fossil fuel grid. A visit to his local solar array reveals it could only meet the energy demand of 10 homes over a year. He joins a group of concerned citizens on a hike to a wind turbine construction site in Vermont and finds part of the mountainside being removed. Gibbs asks, “Can machines made by industrial civilization save us from industrialization?”

This question leads Gibbs to environmental sociologist Richard York’s study published in the journal Nature, which found renewables were not displacing fossil fuels. Gibbs also speaks with author Richard Heinberg and anthropologist Nina Jablonski on why people seek technological fixes. Gibbs then interviews Ozzie Zehner, author of Green Illusions, who reports that solar, wind, and electric vehicle technologies require mined minerals, including rare earths, and heavy industrial processes to produce – with new mines opening as demand for green technology rises.

Gibbs and Zehner travel to Ivanpah Solar Power Facility in the Mojave Desert and show a natural gas line hooked up to the facility. Gibbs speaks to a series of solar industry insiders, an electrical engineer, and a Federal Energy Regulatory Commissioner about solar energy’s intermittency limitation and reliance on baseload plants. Zehner reveals that while the Sierra Club’s ‘Beyond Coal’ campaign has been successfully closing coal plants, natural gas plants were opening in their wake resulting in the overall expansion of fossil fuel use in the United States during that same time period, citing data from the U.S. Department of Energy. The film shows green tech investor Robert F. Kennedy Jr. speaking to an oil and gas industry group stating, “The plants that we’re building, the wind plants and the solar plants, are gas plants.”

Zehner discusses how companies including Apple and Tesla claim to run on 100% renewable energy despite remaining hooked up to the grid and reveals the Koch Brothers' involvement in green technology production. The film contains a three minute montage set to Emerson, Lake & Palmer’s “The Enemy God Dances with the Black Spirits,” which shows the scale of industrial mining required to create solar, wind, and electric vehicle technology. A bulldozer is shown destroying a 500 year old yucca plant to clear the land for what became the Ivanpah Solar Power Facility. Gibbs says that solar and wind arrays last only a few decades before “you tear it down, and start all over again.”

Gibbs visits Steven Running, an ecologist from the University of Montana, who discusses planetary limits – including global fish production, agricultural land, water irrigation, and ground water. Gibbs ends the section by speaking to social-psychologist Sheldon Solomon positing whether faith in renewables could be a reflection of a fear of death.

Gibbs sneaks onto a biomass plant property in Vermont and finds that instead of burning forest residue as advertised, the plant is surrounded by whole trees. A citizen activist in Michigan reveals that her local biomass plant burns PCP and creosote-treated railroad ties shipped in from Canada as well as rubber tires, which cause black snow to appear at the adjacent elementary school. Gibbs explores the practice of universities committing to "go green" by opening biomass plants on campus, tracing the practice back to a college in Middlebury, VT endorsed by Bill McKibben. Gibbs reveals that biomass energy remains the largest percentage of renewable energy in the world. He then explores what he calls the ‘language loopholes’ that allow for the continuation of biomass around the U.S. The section ends with Gibbs, as part of a media event at the Climate March in New York City, asking environmental leaders for their stance on biomass including Van Jones, Robert F. Kennedy Jr., Bill McKibben, and Vandana Shiva. Only Shiva denounces biomass & biofuels.

In the last third of the film, Gibbs explores the partnerships between mainstream environmental groups and Wall Street investors, billionaires, and wealthy family foundations. Gibbs reveals a tax return showing that the Sierra Club accepted 3 million dollars from timber investor Jeremy Grantham. McKibben is shown on stage with former Goldman Sachs executive David Blood, supporting his call to raise $40–50 trillion in green energy investments. Gibbs displays U.S. Securities and Exchange Commission filings of green funds promoted in divestment campaigns by 350.org's, Bill McKibben, and the Sierra Club, which show holdings in mining companies, oil and gas infrastructure, various banks including BlackRock, Halliburton, McDonalds, Coca-Cola, Exxon, Chevron, Gazprom, and Enviva among others. Gibbs shows corporate formation documents indicating that Al Gore partnered with David Blood to start Generation Investment Management – a sustainability investment fund – before releasing An Inconvenient Truth. Gibbs then shows Gore lobbying Congress on behalf of the sugarcane ethanol industry in Brazil, juxtaposing footage of indigenous cultures in Brazil being evicted from their land to create more sugarcane fields.

Gibbs asserts that “the takeover of the environmental movement by capitalism is now complete,” and asks whether it has always been complete. The film shows McKibben stating that 350.org receives funding from The Rockefeller Brothers Fund, and the V. Kann Rasmussen Foundation. He also shows Gore in multiple interviews defending his decision to sell his American television channel, Current TV, earning him an estimated $100 million pre-tax for the deal, to Al Jazeera which is owned by the State of Qatar, an oil and gas producer. Gibbs attends an Earth Day concert celebration in Washington, DC sponsored by Toyota, Citibank, and Caterpillar, where Dennis Hayes claims the entire event is run on solar energy. Backstage, Gibbs discovers the concert is actually being run by biodiesel generators.

The film ends with Gibbs reflecting, “Infinite growth on a finite planet is suicide,” imploring the audience to take back the environmental movement from billionaires and capitalists. The final scene shows a mother and baby orangutan struggling to survive as the forest is logged and burned around them.

Production and content[edit]

Planet of the Humans was written, directed, and narrated by Jeff Gibbs. Michael Moore served as executive producer. The producers of Planet of the Humans are Gibbs and Ozzie Zehner; co-producers are Valorie Gibbs, Christopher Henze and David Paxson; cinematography by Gibbs, Zehner, and Christopher Henze; editing by Gibbs and Angela Vargos; sound mixing by Christopher Henze. Gibbs also composed some of the film's score.

Its content consists of energy-related footage, street interviews, formal interviews, and archival footage of businessmen and prominent environmental leaders. Footage includes satellite views of America's night skies, construction of a wind turbine, a solar fair, a wind farm construction site, a solar array owned by Lansing Power and Light Company, the Ivanpah Solar Power Facility, biomass facilities, and public events where prominent environmental leaders were speaking. Interviews were done by a camera crew that identified themselves as being from New World Media during public events. These interviews were preceded by a number of formal interviews with Richard Heinberg, Ozzie Zehner, and Penn State anthropologist Nina Jablonski. The voice-over for much of the film was done by Jeff Gibbs.

Release[edit]

The film received its world premiere at the Traverse City Film Festival (TCFF) in July 2019.[14] On 21 April 2020, the eve of Earth Day, Moore announced that the film would be available for free on YouTube for 30 days,[15] which was later extended by another month because of high viewership.[16]

In an interview held at TCFF, Gibbs stated that "the film is not expected to be a comfortable beginning to the needed conversation" especially for those who treat solar and wind energy like "sacred cows".[17]

The Films For Action website originally promoted the documentary. After protests stating that "the film is full of misinformation", they removed the embedded link[18] and published a statement[19] listing multiple falsehoods and errors, including statements about environmental organizations and solar and wind power that were outdated or incorrect.[20] On May 7, Films for Action restored the embedded link, stating their concern that "taking the film down in the context of Josh's retraction campaign was only going to create headlines, generate more interest in the film, and possibly lead people to think we're trying to 'cover up the truth,' giving the film more power and mystique than it deserves".[21]

On 25 May 2020, the film was temporarily removed from YouTube due to a copyright infringement claim by British environmental photographer Toby Smith over a 4-second segment Gibbs considered fair-use content.[22] The controversial video had more than 8 million YouTube views at the time. Moore and Gibbs called the move a "blatant act of censorship" and disputed the claim with YouTube. The producers made the video available for free streaming on the competing Vimeo platform.[23]

On 18 November 2020, Moore took it down from his "rumble" YouTube channel where it was available for free and instead made it available on Amazon, Apple and Google's rental channels.[12]

Factual accuracy[edit]

Scientific accuracy[edit]

The movie was criticized as outdated and misleading by climate scientists.[6][7][24] The film claims the carbon footprint of renewable energy is comparable to fossil fuels, when taking into account all different stages of its production. However, a large body of research shows the life-cycle emissions of wind and solar are much lower than those of fossil fuels.[25][26][27]

The film uses footage of a solar field that is up to a decade old, which critics argue may give a false impression of the maturity of the technologies in the present day.[7][25] One field of solar panels the documentary shows operates with 8% efficiency of sunlight conversion, which is below the typical 15-20% efficiency of solar panels in use in 2020.[28]

The film also includes footage of a 10-year-old electric vehicle being recharged from a grid that is 95% powered by coal. The emissions intensity of electric vehicles varies depending on the source of electricity used to power the grid; however, as of 2020, they emit less than internal combustion vehicles in all but a few of the world's regions.[29] As of 2015, electric vehicles emit on average 31% less than internal combustion vehicles for the same distance travelled.[29] The average power grid derived slightly more than 60% of its energy from fossil fuels in 2019.[30][31][32]

A pie chart is shown in the film with total battery storage compared to yearly energy use, which is a factor of thousand higher. The filmmakers suggest that this amount of energy storage is needed to make sure intermittency of renewables does not lead to power outages. In reality, battery storage is only part of solving intermittency, and using a mix of different energy sources reduces the need for batteries.[33]

In a letter, filmmaker and environmental activist Josh Fox and academics including climate scientist Michael Mann have asked for an apology and a retraction of the film. They say the film includes "various distortions, half-truths and lies", and that the filmmakers "have done a grave disservice to us and the planet by promoting climate change inactivist tropes and talking points".[8]

Claims about the environmental movement[edit]

The Union of Concerned Scientists, which was mentioned in the movie, responded to the allegations: "it implies that UCS took money from corporations profiting from EVs, without (again) stopping to check the facts, or reaching out to UCS about it. It wouldn't have been hard, either way, to discover that UCS doesn't take corporate money at all".[34]

Environmentalist Bill McKibben responded to claims made in the documentary about him and the organization he cofounded, 350.org:

"A Youtube video emerged on Earth Day eve making charges about me and about 350.org — namely that I was a supporter of biomass energy, and that 350 and I were beholden to corporate funding, and have misled our supporters on the costs and trade-offs related to decarbonizing our economy. These things aren't true."[35]

In Rolling Stone, McKibben continued: "the filmmakers didn't just engage in bad journalism (though they surely did), they acted in bad faith. They didn't just behave dishonestly (though they surely did), they behaved dishonorably. I'm aware that in our current salty era those words may sound mild, but in my lexicon they are the strongest possible epithets."[36]

Reception[edit]

As of May 13, 2020, it had been viewed more than 7.5 million times on YouTube.[8]

On review aggregator Rotten Tomatoes, the film has an approval rating of 65%, based on 23 reviews, with an average rating of 6.29/10.[37] On Metacritic it has a score of 56% based on reviews from 5 critics, indicating "mixed or average reviews".[38]

Supporters of the film praised it provoking discussion. Writing for The Guardian, Peter Bradshaw called the film "refreshingly contrarian" saying that "it’s always valuable to re-examine a sacred cow" and praising the film for focusing on "liberal A-listers" and refraining from attacking Greta Thunberg but criticised the film for being vague about solutions and not examining nuclear power.[3]

Gary Mason at The Globe and Mail referred to the film as "The Michael Moore-backed film enviros are dreading".[39]

Nonfictionfilm.com editor-in-chief, Matthew Carey,[40] wrote: "Films about environmental issues have long been a staple of the documentary form, a genre that in recent years alone has brought us Before the Flood, Chasing Ice, Chasing Coral and, of course, An Inconvenient Truth. But those documentaries arguably pale in importance to Planet of the Humans"[41]

Julie Ann Grimm of the Santa Fe Reporter[42] praised the film saying that "Gibbs highlights how the global environmental cost of mining, production and disposal of solar and wind technology don’t get primetime play" and calling it a "enjoyable if also gut-rotting indictment of Big Environment and some of its figureheads" concluding that "It’s ... a must-watch."[43]

Adrian Hennigan, features editor at Haaretz,[44] called Planet of the Humans a "provocative documentary about how capitalism has destroyed the environmental movement." and stated that "This cri de coeur from American producer-composer-editor Gibbs may lack balance and counterarguments, but it convincingly makes the case that “less must be the new more” if humankind is to have any chance of not being wiped out due to overpopulation and overconsumption."[45]

The Las Vegas Review-Journal editorial page wrote of the movie, "As Mr. Moore and Mr. Gibbs have uncovered, renewable energy proponents have been much better at making promises than keeping them" noting that "they aren’t the only ones who’ve noticed that renewable energy is heavily dependent on things that aren’t so renewable," pointing to an article in the Wall Street Journal by Mark P. Mills. However, they were less positive about the film's scepticism of companies saying, "But the duo seem particularly aghast ... that any transition to green energy will require massive investment from evil industrialists and capitalists who might turn a profit. Who knew?"[46]

For Resilience, Heinberg has also written: "[The film] starts a conversation we need to have, and it's a film that deserves to be seen." and "Mainstream enviros will hate this movie because it exposes some of their real failings. By focusing on techno-fixes, they have side-lined nearly all discussion of overpopulation and overconsumption."[47]

Dennis Harvey in Variety claimed "Gibbs' dull monotone makes him a poor narrator", "there's nothing particularly elegant about the way Planet of the Humans arrives at its downbeat thesis," and "though well-shot and edited, the material here is simply too sprawling to avoid feeling crammed into one ungainly package."[48]

Criticism of accuracy[edit]

University of California environmental policy professor Leah Stokes wrote in Vox that the movie undermines the work of young climate activists and that "throughout, the filmmakers twist basic facts, misleading the public about who is responsible for the climate crisis. We are used to climate science misinformation campaigns from fossil fuel corporations. But from progressive filmmakers?"[49]

Dana Nucitelli of Yale Climate Connections claims "The film's case is akin to arguing that because fruit contains sugar, eating strawberries is no healthier than eating a cheesecake.[27]

The Post Carbon Institute, a sustainability think tank closely connected with interviewee[clarification needed] Richard Heinberg, published a podcast that critiques the film's flaws.[50]

Emily Atkin, environmental journalist for The New Republic,[51] described the documentary as "an argumentative essay from a lazy college freshman".[52]

InsideClimate News concluded that the movie "will almost certainly do far more harm than good in the struggle to reduce carbon emissions".[53]

Criticism of comments on overpopulation[edit]

Environmental journalist Brian Kahn in Earther wrote that the filmmaker's choice to have "mostly white experts who are mostly men" argue in favor of population control gives the film "a bit more than a whiff of eugenics and ecofascism. [...] What's most frustrating about Gibbs' film is he walks right up to some serious issues and ignores clear solutions", Kahn concluded.[54] Jacobin wrote that the film "embraces bad science on renewable energy and anti-humanist, anti–working class narratives of overpopulation and overconsumption", concluding that by "focusing on industrial civilization and 'overpopulation' as the cause of environmental problems, Moore and Gibbs distract us from the real problem: the untrammeled market."[55] Ted Nordhaus, an environmental policy writer and proponent of nuclear energy and industrial agriculture, noted that the bias in portraying renewables in the film "is a mirror image of the misinformation that the anti-nuclear movement has trafficked in for decades" and concluded the overall message of the film is neomalthusian.[56]

In The Guardian, George Monbiot wrote: "The film does not deny climate science. But it promotes the discredited myths that [climate change] deniers have used for years to justify their position. It claims that environmentalism is a self-seeking scam, doing immense harm to the living world while enriching a group of con artists". According to Monbiot, its "attacks on solar and wind power rely on a series of blatant falsehoods". Monbiot further criticised the film's focus on discussions of overpopulation saying "When wealthy people, such as Moore and Gibbs, point to this issue without the necessary caveats, they are saying, in effect, 'it’s not Us consuming, it’s Them breeding.'"[57]

In a review of the film for Deep Green Resistance News Service, radical feminist Elisabeth Robson said the population issue was a "relatively minor point in the film compared to the points about solar, wind, and biomass" and "the film did a fairly good job of raising it as an issue without being particularly 'Malthusian' about it." She also opined that "it is very clear that 8 billion humans would not exist without massive amounts of fossil fuels. I don’t think many would argue with that at this point (and if you have a cogent argument, I’d like to see it)."[58]

Producers' response[edit]

Michael Moore, Jeff Gibbs, and Ozzie Zehner responded to the critics on an episode of Rising.[59][60] In the interview Gibbs states that

"we don't attack environmental leaders. We need our environmental leaders." Gibbs also states that "We went to great pains to show you what's happening in the field of solar and wind. And many of our experts are in the solar and wind industry". In summarizing his primary intent for making the movie, Gibbs states that "I wanted to spark a holistic discussion about all the things we humans are doing and whether these green technologies were even going to solve climate change let alone all the other things happening around the planet."

When pressed in the Rising interview about accusations that the film presents a Malthusian point of view, Gibbs responded that they never used the term "population control" and are not in favor of it, and added that a recent UN study on the extinction crisis also mentioned population growth and economic growth as the primary drivers of the crisis.[61]

Jeff Gibbs has said that the film is designed to prompt discussion and debate beyond the narrow issue of climate change and to look at the overall human impact on the environment, including issues such as human overpopulation and the contemporary extinction crisis in which half of all wildlife has disappeared in the last 40 years, and whether green technology can solve these issues.[62]

Old footage response[edit]

On 18 May, Gibbs replied directly to the accusations of using "old footage" arguing that while most of the footage was shot in 2019 and 2020, the videos of the popular solar festivals were shot twice, in an interval of 10 years, and usage of diesel generators was observed each time. He explained that the solar farm in Michigan they filmed continues to operate at 8% efficiency and will continue for decades and that manufacturing of panels will require mining non-renewable resources. He also accused the "eco-industrial complex" of attempting to "choke [the producers] to death", instead of "self-reflection".[63]

See also[edit]

References[edit]

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External links[edit]