Poème sur le désastre de Lisbonne
The Poème sur le désastre de Lisbonne (English title: Poem on the Lisbon Disaster) is a poem in French composed by Voltaire as a response to the 1755 Lisbon earthquake. It is widely regarded as an introduction to Voltaire's later acclaimed work Candide and his view on the problem of evil. The 180-line poem was composed in December 1755 and published in 1756. It is considered one of the most savage literary attacks on Optimism.
The earthquake of 1 November 1755 completely devastated the Portuguese capital Lisbon. The city was reduced to ruins, and between 10,000 and 60,000 people were killed. One of the most destructive earthquakes in history, the event had a major effect on the cultural consciousness of much of Europe. Voltaire was one of many philosophers, theologians and intellectuals to be deeply affected by the disaster. Catholics attempted to explain it as God's wrath on the sins of the Portuguese, among them Protestant heretics and Jesuit casuists; while Protestants blamed the Portuguese for being Catholic.
Polymath Gottfried Wilhelm Leibniz and poet Alexander Pope were both famous for developing a system of thought known as philosophical optimism in an attempt to reconcile a loving Christian God with the seeming indifference of nature in disasters such as Lisbon. The phrase what is, is right coined by Alexander Pope in his Essay on Man, and Leibniz' affirmation we live in the best of all possible worlds, provoked Voltaire's scorn. He railed against what he perceived as intricate but empty philosophizing which served only to demean humanity and ultimately lead to fatalism.
The earthquake further bolstered Voltaire's philosophical pessimism and deism. Due to the prevalence of evil, he argued, there could not possibly exist a benevolent, loving deity who intervened in human affairs to reward the virtuous and punish the guilty. He asserted instead that the disaster revealed the abject and ignorant nature of humankind. For Voltaire, people might well hope for a happier state, but to expect more was contrary to reason.
Like many of Voltaire's poems, Lisbonne consists entirely of rhyming couplets in continual progression; there are no stanzas dividing the 180 lines. Voltaire also included footnotes elucidating such terms as the universal chain and man's nature.
Theme and interpretation
Unlike the lighthearted satire of Candide, the Lisbonne poem strikes a pitying, dark, and solemn tone.
In his preface, Voltaire makes several objections to philosphical optimism:
- 'If it be true,' they said, 'that whatever is, is right, it follows that human nature is not fallen.
- If the order of things requires that everything should be as it is, then human nature has not been
- corrupted, and consequently has no need for a Redeemer.
- if the miseries of individuals are merely the by-product of this general and necessary order,
- then we are nothing more than cogs which serve to keep the great machine in motion; we are no
- more precious in the eyes of God than the animals by which we are devoured.'
Arguing by reductio ad absurdum, Voltaire elaborates on the inherent contradiction in the dictum what is, is right. For if this were true, then human nature would not be fallen and salvation would be unnecessary.
- He (Bayle) says that Revelation alone can untie the great knot which
- philosophers have only managed to tangle further, that nothing but the hope of our
- continued existence in a future state can console us under the present misfortunes;
- that the goodness of Providence is the only sanctuary in which man can take
- shelter during this general eclipse of his reason, and amidst the calamities to
- which his weak and frail nature is exposed.
Voltaire shows his admiration of both Bayle, who was a skeptic, and Locke, who was an empiricist. In his footnotes, Voltaire argues the self-evidence of humankind's epistemological shortcomings, since the human mind derives all knowledge from experience, which cannot give us insight into what preceded it, nor what follows it, nor what presently supports it.
In the poem itself, grieving for the misery created by the earthquake and questioning whether a just and compassionate God would seek to punish sins through such cruelty, Voltaire argued that the all-powerful God Leibniz and Pope hypothesized could have prevented the innocent suffering of the sinners, reduced the scale of destruction, or announced his purpose of purifying mankind.
- And can you then impute a sinful deed
- To babes who on their mothers' bosoms bleed?
- Was then more vice in fallen Lisbon found,
- Than Paris, where voluptuous joys abound?
- Was less debauchery to London known,
- Where opulence luxurious holds the throne?
He rejected the charge that selfishness and pride had made him rebel against suffering:
- When the earth gapes my body to entomb,
- I justly may complain of such a doom.
In the poem, Voltaire rejected belief in "Providence" as impossible to defend — he believed that all living things seemed doomed to live in a cruel world. Voltaire concludes that human beings are weak, ignorant and condemned to suffer throughout life. There is no divine system or message as guidance, and God does not concern himself with human beings, or communicate with them.
- We rise in thought to the heavenly throne,
- But our own nature still remains unknown.
No matter the complexity, depth, or sophistication of philosophical and theological systems, Voltaire contended that our human origins remain unknown.
- 'Heav'n, on our sufferings cast a pitying eye.'
- All's right, you answer, the eternal cause
- Rules not by partial, but by general laws.
These lines refer specifically to the common rebuttal made by the optimists of the time as to the problem of evil. Although the presence of evil in the world is evident, human beings cannot understand the motions of God. The suffering in the earthquake played a part in the greater good somewhere else.
- Yet in this direful chaos you'd compose
- A general bliss from individuals' woes?
- Oh worthless bliss! in injured reason's sight,
- With faltering voice you cry, 'What is, is right'?
https://en.wikipedia.org/w/index.php?title=Po%C3%A8me_sur_le_d%C3%A9sastre_de_Lisbonne&action=edit§ion=3# Voltaire draws attention to the assertion made by Alexander Pope in his An Essay on Man that 'What is, is right'. These lines contradict Pope's (and later Leibniz') Optimism.
- But how conceive a God, the source of love
- Who on man lavished blessings from above
- Then would the race with various plagues confound
- Can mortals penetrate His views profound?
- Ill could not from a perfect being spring
- Nor from another, as God is sovereign king;
- And yet, sad truth! in this our world 'tis found
- What contradictions here my soul confound!
Voltaire held a deep belief in the goodness and sovereignty of God as exemplified in the verses above. He takes a pessimistic view to the existence of evil, and stresses man's ultimate ignorance.
- Mysteries like these can no man penetrate
- Hid from his view remains the book of fate
Through his work, Voltaire criticized religious figures and philosophers such as the optimists Alexander Pope and Gottfried Wilhelm Leibniz, but endorsed the views of the skeptic Pierre Bayle and empiricist John Locke. Voltaire was, in turn, criticized by the philosopher Jean-Jacques Rousseau; Rousseau had been mailed a copy of the poem by Voltaire, who received a letter carrying Rousseau's criticism on 18 August 1756. Rousseau criticized Voltaire for seeking to apply science to spiritual questions, and he argued that evil is necessary to the existence of the universe and that particular evils form the general good. Rousseau implied that Voltaire must either renounce the concept of Providence or conclude that it is, in the last analysis, beneficial. Rousseau was convinced that Voltaire had written Candide as a rebuttal to the argument he had made.
- Candide: Book Summary and Study Guide
- Scott, p. 208.
- Scott, Clive (1988). The Riches of Rhyme: Studies in French Verse. Oxford University Press. ISBN 0-19-815853-X.
- Voltaire. "The Lisbon Earthquake" in Candide, or Optimism. Translator Tobias Smollett. London: Penguin Books, 2005. ISBN 978-0-140-45510-6