Pollyanna (1960 film)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Pollyanna
Pollyanna (1960 film) poster.jpg
Theatrical release poster
Directed byDavid Swift
Screenplay byDavid Swift
Based onPollyanna by Eleanor Porter
Produced byDavid Swift
Walt Disney
Associate Producer:
George Golitzen
StarringHayley Mills
Jane Wyman
Karl Malden
Richard Egan
Adolphe Menjou
Agnes Moorehead
CinematographyRussell Harlan
Edited byFrank Gross
Music byPaul Smith (Score)
Production
company
Distributed byBuena Vista Distribution
Release date
May 19, 1960 (1960-05-19)
Running time
134 minutes
CountryUnited States
LanguageEnglish
Budget$2.5 million[1]
Box office$3.75 million (US and Canadian rentals)[2]

Pollyanna is a 1960 feature film starring child actress Hayley Mills, Jane Wyman, Karl Malden, and Richard Egan in a story about a cheerful orphan changing the outlook of a small town. The film was written and directed by David Swift, based on the 1913 novel Pollyanna by Eleanor H. Porter. The film won Hayley Mills an Academy Juvenile Award. It was the last film of actor Adolphe Menjou.

Pollyanna was Hayley Mills' first film in the series of six for Disney and the directorial debut of David Swift.

Plot[edit]

Pollyanna, a 12-year-old orphaned daughter of missionaries, arrives in the small town of Harrington to live with her rich and strict aunt Polly Harrington in the 1910s. Pollyanna is a very cheerful, talkative, and radically optimistic youngster who focuses on the goodness of life and always finds something to be glad about, no matter what the situation is. In doing so, Pollyanna's positive outlook on everything results in her making a wide variety of friends in the community, including the hypochondriac and grouchy Mrs. Snow and the acidic recluse Mr. Pendergast.

Aunt Polly's wealth controls most of the town. When the citizens want a derelict orphanage razed and rebuilt, Aunt Polly opposes the idea, arguing that her father donated the building to the town, and it is an important landmark as such. The townspeople defy her by planning a carnival to raise funds for a new structure. Because of the control that Aunt Polly asserts over every facet of the town, however, many people feel reluctant to show their support.

A group of citizens led by Aunt Polly's ex-boyfriend Dr. Edmond Chilton try to persuade the town's minister Rev. Ford to publicly declare his support for the bazaar by reminding him that "nobody owns a church." Rev. Ford is reminded of the truth of that statement when Pollyanna delivers a note from Aunt Polly with recommendations to his sermon content.

First, Rev. Ford reads one of the so-called "Glad Passages" of the Bible at church the following Sunday, stating that a young member of the congregation pointed out how many such passages there are, having gained the gumption to defy Aunt Polly. He intends to read one a week from this time on and then declares his support for the bazaar and encourages all to attend. Aunt Polly becomes furious about their audacity, forbidding Pollyanna to participate. On the evening of the carnival, Pollyanna is locked in her attic bedroom by Aunt Polly but is "rescued" by playmate and fellow orphan Jimmy Bean, who reminds her that she will lead "America the Beautiful" at the high point of the event. She slips away with Jimmy's help and has a wonderful time at the carnival, winning a doll.

Upon returning home, Pollyanna avoids Aunt Polly by climbing a tree to her attic bedroom. When trying to reach her bedroom window, she drops her new doll; Pollyanna then falls off the window ledge screaming and is knocked unconscious before being discovered by Aunt Polly and her maids. After realizing her legs are paralyzed and that she may not walk again, Pollyanna develops severe depression, jeopardizing her chance of recovery. Meanwhile, Aunt Polly feels extreme guilt when she realizes how her behavior has isolated her from the town and Pollyanna. While talking to Dr. Chilton, she admits that her niece needed love and it was something she never gave her. Dr. Chilton tells Aunt Polly that they can give Pollyanna the love together and help mend the isolation she put on the townsfolk. When the townspeople learn of Pollyanna's accident, they arrive at Aunt Polly's house with outpourings of love. Dr. Chilton carries the reluctant girl downstairs where the neighbors wish her health one by one. Pollyanna's spirit gradually returns to its usual hopefulness and love of life, and she also learns that Jimmy has been adopted by Mr. Pendergast. Pollyanna is embraced by her aunt before they leave Harrington with Dr. Chilton for an operation in Baltimore which would correct her injury.

Cast[edit]

Director David Swift cameos as a fireman in an early scene.

Production notes[edit]

Development[edit]

The novel had been filmed before, notably with Mary Pickford, in 1920. It still sold 35,000 copies per year by the late 1950s. Disney announced that he would make the film with Hayley Mills, Jane Wyman, and Karl Malden in June 1959–David Swift wrote and directed this film.[3]

Swift was best known at the time for his work in television. He said that "It was the first time anyone would take a $2.5 million chance on me. Trust Disney to do it."[1]

Casting[edit]

Disney put Mills into their cast, after seeing her in Tiger Bay. He watched this, because he wanted to see the most recent performance by John Mills, who was going to be in Swiss Family Robinson for Disney; Hayley was also in the film and Disney offered her to lead Pollyanna. Her accent was explained by turning Pollyanna's parents into missionaries from the British West Indies.[4]

Disney said that the cast was the most important in the studio's history, including names such as Wyman, Malden, and Richard Egan.[5]

Swift commented on casting, "The cast scared me. Veterans of scores of movies, some of them. I was afraid they'd say 'TV man, go home.' But they didn't. It was a happy set; everybody worked his head off for me."[1]

Script[edit]

Swift said in working on the script that, to work against the "saccharine" nature of the material, he would spend a few hours every day first working on a horror play called The Deadly. He would then work on Pollyanna.[1]

Swift said, "In the book, Pollyanna was so filled with happiness and light that I wanted to kick her. In the old days, she came on like Betty Hutton. Now, she is shy. We have an adult drag advice out of her."[6]

Swift also decided to remove a key plot point of the book, where Pollyanna was hit by a car and had to learn how to walk. He called this "Too coincidental. Too pat."[6]

Swift added that, "Instead of making her the 'glad girl' of the book, we've simmered her cheerfulness down to merely emphasize the things-could-be-worse attitude."[4]

Shooting[edit]

August 1959 started filming Pollyanna.[4]

Pollyanna was filmed in Santa Rosa, California, with the Mableton Mansion at 1015 McDonald Avenue in Santa Rosa serving as the exterior and grounds of Aunt Polly's house. Other California locations include Napa Valley and Petaluma. Interiors were filmed at the Walt Disney Studios in Burbank, California. The movie was filmed in California. In the book (written by Eleanor Porter), though, Harrington was set in Vermont. However, in the Disney movie, Harrington is located in Maryland, as Baltimore is mentioned several times throughout the script. Aunt Polly and Pollyanna take the train to Baltimore at the end of the film, possibly headed to Johns Hopkins Hospital due to the delicacy of the operation needed (Johns Hopkins opened in 1889 and the story takes place in the 1900s).[7]

Reception[edit]

Box office[edit]

Disney reported in 1960 that the film made a profit "but not nearly what we expected."[8]

Jerry Griswold wrote in The New York Times on October 25, 1987, "An attempt was made to resuscitate Pollyanna in 1960 when Walt Disney released a movie based on the book. Time, Newsweek, and other major reviewers agreed that such an enterprise promised to be a disaster – a tearjerker of a story presented by the master of schmaltz; what surprised the critics (their opinions were unanimous) was that it was his best live-action film ever. But few had reckoned the curse of the book's by-then-saccharine reputation. When the movie failed to bring in half of the $6 million that was expected, Disney opined, 'I think the picture would have done better with a different title. Girls and women went to it, but men tended to stay away because it sounded sweet and sticky.'"[9]

Awards and honors[edit]

Hayley Mills won the 1960 Academy Juvenile Award for her performance and also received a BAFTA nomination for Best Actress.

The film is recognized by American Film Institute in these lists:

Merchandise[edit]

A doll used to promote the film

The film generated a trickle of juvenile merchandise, including a Dell comic book,[11] a paper-doll collection, an LP recording, an illustrated Little Golden Book, and a 30" Uneeda character doll in a red and white gingham dress, pantaloons, and boots. Disney was selling photo lockets as part of a merchandise promotion, with the quote claiming to be from Abraham Lincoln on them, "If you look for the bad in mankind expecting to find it, you surely will." Director and screenwriter David Swift discovered the necklace in a gift shop while on vacation with his family and called the studio to have the item recalled immediately, as it was not a quote from Lincoln, but actually a paraphrasing of a line from Eleanor Porter's original 1913 novel written for the film.[12]

See also[edit]

References[edit]

  1. ^ a b c d Swift Comes Back for Loot, Not Art Smith, Cecil. Los Angeles Times 29 Nov 1963: C32.
  2. ^ "Disney". Variety. January 18, 1961. p. 24. Retrieved April 27, 2019.
  3. ^ 2 Producers Cited For Achievement New York Times 6 June 1959: 13.
  4. ^ a b c Out West With New England's 'Pollyanna' New York Times 30 Aug 1959: X7.
  5. ^ Free-Lancers Top 'Best' Disney Cast: 'Pollyanna' Players Select; 'Bay of Naples' Boasts Find, Scheuer, Philip K. Los Angeles Times, 16 Sep 1959: A11
  6. ^ a b New Pollyanna Will be Subtle New York Times 9 June 1959: 44.
  7. ^ Harde, Roxanne; Kokkola, Lydia, eds. (2014). Eleanor H. Porter's Pollyanna: A Children's Classic at 100. University Press of Mississippi. ISBN 9781628461329. JSTOR j.ctt9qhmd2.
  8. ^ Disney Productions Says Fiscal 1960 Loss Was About $1,350,000: Deficit Is Ascribed to $5 Million Write-Down of Film Library; profitable Fiscal '61 Expected, Wall Street Journal, 29 Nov 1960: 7.
  9. ^ Griswold, Jerry (1981-10-25). "Pollyanna, Ex-Bubblehead". The New York Times. Retrieved 2018-08-23.
  10. ^ "AFI's 100 Years...100 Cheers Nominees" (PDF). Retrieved 2016-08-14.
  11. ^ Four Color #1129 (August 1960)
  12. ^ https://www.epubbooks.com/book/392-pollyanna - chapter XXII - "When you look for the bad, expecting it, you will get it. When you know you will find the good—you will get that...."

External links[edit]