The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was the decade that began on January 1, 1980, and ended on December 31, 1989.
The United Kingdom and the United States moved closer to supply-side economic policies, beginning a trend towards global instability of international trade that would pick up more steam in the following decade as the fall of the USSR made right-wing economic policy more powerful.
The final decade of the Cold War opened with the US–Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the bulletin board system. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners-Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
MTV (originally an initialism of Music Television) is an American cable televisionchannel and the flagship namesake property of the MTV Entertainment Group, a sub-division of the Paramount Media Networks division of Paramount Skydance. Launched on August 1, 1981, the channel originally aired music videos and related music entertainment programming guided by television personalities known as video jockeys (VJs). MTV soon began establishing its presence overseas, eventually gaining an unprecedented cult following and becoming one of the major factors in cable programming's rise to fame, leading American corporations to dominate the television economy in the 1990s.
In the years since its inception, the channel significantly toned down its focus on music in favor of original reality programming for teenagers and young adults. As of November 2023[update], MTV is available to approximately 67 million pay television households in the United States, down from its 2011 peak of 99 million households. (Full article...)
... that Japanese actress Junko Ikeuchi was known as the "Queen of TV Dramas" from the 1960s to the 1980s?
... that LGBTQ synagogues helped shape the American Jewish response to AIDS in the 1980s, even as the disease killed many of their members?
... that in the 1980s, when Moturoa Island lost all its endangered kiwi to pests, experts reintroduced seven birds – today there could be as many as 300 kiwi on the island?
... that Anne Bayley's clinical research in Zambia showed that, contrary to widespread opinion in the early 1980s, HIV could be spread through heterosexual sex?
... that the 1980s Beechcraft BQM-126 target drone could be launched from aircraft based on aircraft carriers?
... that minister George Freeman ran The Monastery as a gay church, nightclub, and homeless shelter in 1980s Seattle?
Robert John Arthur Halford (born 25 August 1951) is an English heavy metal singer. He is the lead vocalist of Judas Priest, which he joined in 1973, and has received accolades such as the 2010 Grammy Award for Best Metal Performance. He is noted for his powerful and wide-ranging operatic style and trademark leather-and-studs image, both of which have become iconic in heavy metal. His side projects include Fight, Two and Halford.
Halford is often regarded as one of the greatest metal frontmen and singers of all time. AllMusic said, "There have been few vocalists in the history of heavy metal whose singing style has been as influential and instantly recognizable... able to effortlessly alternate between a throaty growl and an ear-splitting falsetto." He was ranked at No. 33 on the list of greatest voices in rock by Planet Rock listeners in 2009. He has also been nicknamed "Metal God" by fans. He was inducted into the Rock and Roll Hall of Fame as a member of Judas Priest in 2022, via the Award for Musical Excellence. (Full article...)
Image 4The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 5The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 16Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
The story is a tale of redemption for paroled convict Jake and his brother Elwood, who set out on "a mission from God" to prevent the foreclosure of the Roman Catholicorphanage in which they were raised. To do so, they must reunite their rhythm and blues (R&B) band and organize a performance to earn the $5,000 needed to pay the orphanage's property tax bill. Along the way, they are targeted by a homicidal "mystery woman", neo-Nazis and a country and western band—all while being relentlessly pursued by the police. (Full article...)
Harold Becker and David Lean were originally to direct before Spielberg came on board, initially as a producer for Lean. Spielberg was attracted to directing the film because of a personal connection to Lean's films and World War II topics. He considers it to be his most profound work on "the loss of innocence". The film received positive reviews, with praise towards Bale's performance, the cinematography, the visuals, Williams's score and Spielberg's direction. However, the film was not initially a commercial success, earning only $22 million at the US box office, although it eventually more than recouped its budget through revenues in foreign markets, home video, and television. (Full article...)
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Mystery Train is a 1989 comedy-dramaanthology film written and directed by Jim Jarmusch and set in Memphis, Tennessee. A co-production between the United States and Japan, the film is a triptych of stories involving foreign protagonists, unfolding over the course of the same night. "Far from Yokohama" features a Japanese couple (Youki Kudoh and Masatoshi Nagase) on a cultural pilgrimage, "A Ghost" focuses on an Italian widow (Nicoletta Braschi) stranded in the city overnight, and "Lost in Space" follows the misadventures of a newly single and unemployed Englishman (Joe Strummer) and his reluctant companions (Rick Aviles and Steve Buscemi). The narratives are linked by a run-down flophouse overseen by a night clerk (Screamin' Jay Hawkins) and his disheveled bellboy (Cinqué Lee), the use of Elvis Presley's song "Blue Moon", and a gunshot.
The starting point for the script was the ensemble cast of friends and previous collaborators Jarmusch had conceived characters for, while the tripartite formal structure of the film was inspired by his study of literary forms. Cinematographer Robby Müller and musician John Lurie were among the many contributors who had been involved in earlier Jarmusch projects and returned to work on the film. Mystery Train's US$2.8 million budget (financed by Japanese conglomerate JVC) was considerable compared to what the director had enjoyed before, and allowed him the freedom to rehearse many unscripted background scenes. It was the first of Jarmusch's feature films since Permanent Vacation to depart from his trademark black-and-white photography, though the use of color was tightly controlled to conform with the director's intuitive sense of the film's aesthetic. (Full article...)
Inchon's plot includes both military action and human drama. Characters face danger and are involved in various personal and dramatic situations. The film concludes with the American victory over North Korean forces in the Battle of Inchon, which is considered to have saved South Korea. Produced on $46 million with filming taking place in South Korea, California, Italy, Ireland and Japan, it encountered many problems during production, including a typhoon and the death of cast member David Janssen. Both the Unification movement and the United States military provided personnel as extras during the filming. (Full article...)
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The Evil Dead is a 1981 American independentsupernatural horror film written and directed by Sam Raimi (in his feature directorial debut). The film stars Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker, and Theresa Tilly as five college students vacationing in an isolated cabin in the woods, where they find an audio tape that, when played, releases a legion of demons and spirits. Four members of the group suffer from demonic possession, forcing the fifth member, Ash Williams (Campbell), to survive an onslaught of increasingly gory mayhem.
Raimi, Campbell, producer Robert G. Tapert, and their friends produced the 1978 short filmWithin the Woods as a proof of concept to build the interest of potential investors, which secured US$90,000 to begin work on The Evil Dead. Principal photography took place on location in a remote cabin in Morristown, Tennessee, in a filming process that proved extremely uncomfortable for the cast and crew. The film's extensive prosthetic makeup and stop-motion effects were created by artist Tom Sullivan. The completed film had its first, private screening for friends and family at the Redford Theatre in Detroit on October 15, 1981, which attracted the interest of producer Irvin Shapiro, who helped screen the film at the 1982 Cannes Film Festival. Horror author Stephen King gave a rave review of the film, which resulted in New Line Cinema acquiring its distribution rights and giving it a wide theatrical release on April 15, 1983. (Full article...)
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Kids Can Say No!, stylized as Kids Can Say No, is a 1985 Britishshorteducational film produced and directed by Jessica Skippon and written by Anita Bennett. It is intended to teach children between ages five and eight how to avoid situations where they might be sexually abused, how to escape such situations, and how to get help if they are abused. In the film, Australian celebrity Rolf Harris (who was later convicted of such crimes) is in a park with a group of four children and tells them about proper and improper physical intimacy, which he calls "yes" and "no" feelings. The film has four role-playing scenes in which children encounter paedophiles, with Harris and the children discussing each scene.
Harris said that he came up with the idea for the film on a 1982 Canadian tour when he saw Vancouver's Green Thumb Theatre production of Feeling Yes, Feeling No, a play about child sexual abuse. Kids Can Say No!, released in October 1985 on VHS in the United Kingdom, was the first British children's film about sexual abuse and was purchased by police forces, educational institutions, and libraries across Europe. Upon the film's release, The Times obtained opinions from four sexual-abuse experts, who unanimously opposed using Kids Can Say No! or any other film to teach children about the subject; among other objections, experts cited the necessary vagueness of the terminology in the film as well as concerns about inspiring false accusations. The Australian Broadcasting Corporation received a positive response to its 1988 broadcast of Kids Can Say No! and therefore broadcast it a second time that year. Harris and Skippon collaborated on the 1986 sequel Beyond the Scare, which advises teachers about what to do if a child discloses abuse. Showings of Kids Can Say No! eventually decreased as VHS became less popular in favour of DVD in the late 1990s and early to mid-2000s. (Full article...)
Labyrinth started as a collaboration between Henson and Brian Froud following their previous collaboration The Dark Crystal (1982). Jones of Monty Python wrote the first draft of the film's script early in 1984, drawing on Froud's sketches for inspiration. The screenplay underwent several revisions by Laura Phillips, Lucas, Lee, and Elaine May—although Jones received the film's sole screenwriting credit. It was shot from April to September 1985 on location in Upper Nyack, Piermont, and Haverstraw, New York, and at Elstree Studios and West Wycombe Park in the United Kingdom. The film's fantastical creatures were designed by Froud and created by Jim Henson's Creature Shop. (Full article...)
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The Care Bears Movie is a 1985 animatedmusicalfantasy film directed by Arna Selznick from a screenplay by Peter Sauder. It was the second feature film made by the Canada-based studio Nelvana Limited after the 1983 film Rock & Rule, in addition to being one of the first films based directly on a toy line and the first based on Care Bears. It introduced the Care Bears characters and their companions, the Care Bear Cousins. The voice cast includes Mickey Rooney, Georgia Engel, Jackie Burroughs and Billie Mae Richards. In the film, an orphanage owner (Mickey Rooney) tells a story about the Care Bears, who live in a cloud-filled land called Care-a-Lot. While traveling across Earth, the Bears help two lonely children named Kim and Jason, who lost their parents in a car accident, and also save Nicholas, a young magician's apprentice, from an evil spirit's influence. Deep within a place called the Forest of Feelings, Kim, Jason and their friends soon meet another group of creatures known as the Care Bear Cousins.
American Greetings, the owners of the Care Bears characters, began development of a feature film adaptation in 1981. Later on, the greeting card company chose Nelvana to produce it and granted them the film rights to the characters, in addition to financing the film along with cereal manufacturer General Mills and television syndicator LBS Communications. Nelvana's founders were producers, with fellow employee Arna Selznick directing the film. Production lasted eight months, with a production budget of at least $2 million, and took place in Canada, Taiwan, and South Korea. Carole King and John Sebastian contributed several songs for the film. Though major American film studios passed on the project, newly established independent distributor The Samuel Goldwyn Company acquired the distribution rights to the film and soon spent a record $24 million promoting it. (Full article...)
Not wishing to feature the Nazis as the villains again, executive producer and story writer George Lucas decided to regard this film as a prequel. Three plot devices were rejected before Lucas wrote a film treatment that resembled the final storyline. As Lawrence Kasdan, Lucas's collaborator on Raiders of the Lost Ark, turned down the offer to write the script, Willard Huyck and Gloria Katz, who had previously worked with Lucas on American Graffiti (1973), were hired as his replacements. (Full article...)
The film stars Paul Newman reprising his role as "Fast Eddie" Felson, for which he won the Academy Award for Best Actor. The film also stars Tom Cruise playing a pool hustler, and features Mary Elizabeth Mastrantonio as the girlfriend of Cruise's character. The plot follows the trio as they hustle pool halls and make their way to a nine-ball tournament in Atlantic City. It received positive reviews from critics, though some considered it inferior as a sequel to The Hustler. (Full article...)
Following the commercial success of The Evil Dead (1981), Raimi and Campbell decided to collaborate on another project. Joel Coen of the Coen brothers served as one of the editors on The Evil Dead and worked with Raimi on the screenplay. Production was difficult for several members of the crew, and the production studio, Embassy Pictures, refused to allow Raimi to edit the film. Several arguments broke out during the shoot of the film due to continued interference by the studio. (Full article...)
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Roar is a 1981 American adventure comedy film written and directed by Noel Marshall. Its plot follows Hank, a naturalist who lives on a nature preserve in Africa with lions, tigers, and other big cats. When his family visits him, they are instead confronted by the group of animals. The film stars Marshall as Hank, his real-life wife Tippi Hedren as his wife Madeleine, with Hedren's daughter Melanie Griffith and Marshall's sons John and Jerry Marshall in supporting roles.
In 1969, while Hedren was filming Satan's Harvest in Mozambique, she and Marshall had occasion to observe a pride of lions move into a recently vacated house, driven by increased poaching. They decided to make a film centered around that theme, with production starting when the first script was completed in 1970. They began bringing rescued big cats into their homes in California and living with them. Filming began in 1976; it was finished after five years. The film was fully completed after 11 years in production. (Full article...)
Producer David De Silva conceived the premise in 1976, partially inspired by the musical A Chorus Line. He commissioned playwright Gore to write the script, originally titled Hot Lunch, before selling it to Metro-Goldwyn-Mayer (MGM). After he was hired to direct the film, Parker rewrote the script with Gore, aiming for a darker and more dramatic tone. The script's subject matter received criticism by the New York Board of Education, which prevented the production from filming in the actual High School of Performing Arts. The film was shot on location in New York City, with principal photography beginning in July 1979 and concluding after 91 days. Parker encountered a difficult filming process, which included conflicts with U.S. labor unions over various aspects of the film's production. (Full article...)
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