Portal:Books

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Johannes Trithemius'Polygraphiae (1518)

As a physical object, a book is a stack of usually rectangular pages (made of papyrus, parchment, vellum, or paper) oriented with one edge tied, sewn, or otherwise fixed together and then bound to the flexible spine of a protective cover of heavier, relatively inflexible material. The technical term for this physical arrangement is codex (in the plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its immediate predecessor, the scroll. A single sheet in a codex is a leaf, and each side of a leaf is a page.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and a still considerable, though not so extensive, investment of time to read. This sense of book has a restricted and an unrestricted sense. In the restricted sense, a book is a self-sufficient section or part of a longer composition, a usage that reflects the fact that, in antiquity, long works had to be written on several scrolls, and each scroll had to be identified by the book it contained. So, for instance, each part of Aristotle's Physics is called a book, as of course, the Bible encompasses many different books. In the unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

The intellectual content in a physical book need not be a composition, nor even be called a book. Books can consist only of drawings, engravings, or photographs, or such things as crossword puzzles or cut-out dolls. In a physical book, the pages can be left blank or can feature an abstract set of lines as support for on-going entries, i.e., an account book, an appointment book, a log book, an autograph book, a notebook, a diary or day book, or a sketchbook. Some physical books are made with pages thick and sturdy enough to support other physical objects, like a scrapbook or photograph album. Books may be distributed in electronic form as e-books and other formats.

Although in ordinary academic parlance a monograph is understood to be a specialist academic work, rather than a reference work on a single scholarly subject, in library and information science monograph denotes more broadly any non-serial publication complete in one volume (book) or a finite number of volumes (even a novel like Proust's seven-volume In Search of Lost Time), in contrast to serial publications like a magazine, journal, or newspaper. An avid reader or collector of books or a book lover is a bibliophile or colloquially, "bookworm". A shop where books are bought and sold is a bookshop or bookstore. Books are also sold elsewhere. Books can also be borrowed from libraries. Google has estimated that as of 2010, approximately 130,000,000 distinct titles had been published. In some wealthier nations, the sale of printed books has decreased because of the increased usage of e-books.

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Title page from the first English edition of Part I

The Age of Reason: Being an Investigation of True and Fabulous Theology, a deistic treatise written by eighteenth-century British radical and American revolutionary Thomas Paine, critiques institutionalized religion and challenges the inerrancy of the Bible. Published in three parts in 1794, 1795, and 1807, it was a bestseller in America, where it caused a short-lived deistic revival. British audiences, however, fearing increased political radicalism as a result of the French revolution, received it with more hostility. The Age of Reason presents common deistic arguments; for example, it highlights the corruption of the Christian Church and criticizes its efforts to acquire political power. Paine advocates reason in the place of revelation, leading him to reject miracles and to view the Bible as an ordinary piece of literature rather than as a divinely inspired text. Yet, The Age of Reason is not atheistic: it promotes natural religion and argues for a creator-God.

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Folio 27r from the Lindisfarne Gospels contains the incipit from the Gospel of Matthew.

Credit: Eadfrith of Lindisfarne

The Lindisfarne Gospels is an illuminated Latin manuscript of the gospels of Matthew, Mark, Luke and John. The manuscript was produced on Lindisfarne in Northumbria in the late 7th century or early 8th century.

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March 14, 2012

After a 244-year span in print, the Encyclopædia Britannica will discontinue its published volumes. With less than 1% of revenue coming from print versions, Jorge Cauz, Britannica's president, indicates there simply is not sufficient demand for the print publication. In the last 11 years demand has plummeted due to competition from Wikipedia and Britannica's own digital version. Britannica peaked in sales in 1990 with 120,000 sets sold. The 2010 edition will be the last in print and has sold 8,000 sets to date; with 4,000 sets remaining.

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Left to right: Candido Portinari, Antônio Bento, Mário de Andrade and Rodrigo Melo Franco

Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. One of the founders of Brazilian modernism, he virtually created modern Brazilian poetry with the publication of his Paulicéia Desvairada (Hallucinated City) in 1922. He has had an enormous influence on Brazilian literature in the 20th and 21st centuries, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.Andrade was the central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism, and became Brazil's national polymath. He was the driving force behind the Week of Modern Art, the 1922 event that reshaped both literature and the visual arts in Brazil. After working as a music professor and newspaper columnist he published his great novel, Macunaíma, in 1928. At the end of his life, he became the founding director of São Paulo's Department of Culture, formalizing a role he had long held as the catalyst of the city's—and the nation's—entry into artistic modernity.

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Christopher Darlington Morley cph.3b14371.jpg


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