The term originated in the Middle Ages and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, it came to refer to humorous illustrations in magazines and newspapers, and in the early 20th century and onward it referred to comic strips and animated films.
Roy of the Rovers is a British comic strip about the life and exploits of a fictional footballer named Roy Race, who played for Melchester Rovers. The strip first appeared in the Tiger in 1954, before giving its name to a weekly (and later monthly) comic magazine, published by IPC and Fleetway from 1976 until 1995, in which it was the main feature. The weekly strip ran until 1993, following Roy's playing career until its conclusion after he lost his left foot in a helicopter crash. When the monthly comic was launched later that year, the focus switched to Roy's son, Rocky, who also played for Melchester. This publication folded after only 19 issues. The adventures of the Race family were subsequently featured from 1997 until May 2001 in the monthly Match of the Day football magazine, in which father and son were reunited as manager and player respectively. Football-themed stories were a staple of British comics from the 1950s onwards, and Roy of the Rovers was one of the most popular. To keep the strip exciting, Melchester was almost every year either competing for major honours or struggling against relegation to a lower division. The strip followed the structure of the football season, thus there were several months each year when there was no football.
Anarky is a fictional character in the DC ComicsUniverse. Co-created by Alan Grant and Norm Breyfogle, he first appeared in Detective Comics #608 (November 1989) as an adversary of Batman. Stories revolving around Anarky often focus on political and philosophical themes. Named after the philosophy of anarchism, the primary philosophical element that has underscored the character's appearances has been anti-statism. With Grant's transition to the philosophy of Neo-Tech, Anarky was transformed from a vehicle for socialist and populist philosophy, to rationalist, atheist, and free market based thought. Inspired by multiple sources, early stories to feature the character often included homages to political and philosophical books. The creation of the character was also partially influenced by Alan Moore's character "V" from V for Vendetta. Originally intended to only be used in the debut story in which he appeared, positive reception by readers and his editor convinced Grant to continue using Anarky as a recurring character throughout the early 90s. This popular acclaim culminated, however, in a financially and critically unsuccessful ongoing solo series. The 1999 Anarky series, in which even Alan Grant has expressed his distaste, was quickly canceled after eight issues.
The Primetime Emmy Award for Outstanding Voice-Over Performance is a creative arts Emmy Award given out by the Academy of Television Arts and Sciences. It is awarded to a performer for an outstanding "continuing or single voice-over performance in a series or a special." Prior to 1992, voice-actors could be nominated for their performance in the live action acting categories. The award was first given in 1992 when six voice actors from The Simpsons shared the award. From 1992 to 2008, it was a juried award, so there were no nominations and there would be multiple or no recipients in one year. In 2009, the rules were changed to a category award, with five nominees. No winner was named in 1996 or 2007. Nine voice actors from The Simpsons have won a combined 14 Emmys. Of those, Dan Castellaneta has won four and Hank Azaria has won three. Ja'net Dubois won two for The PJs and Keith David won two for his narration of various documentaries. Voice actors from shows on Fox have won 17 of 27 awards.
A good film is one that requires the viewer to create, through an orchestration of impressions, the meaning of its events. It is, in the end, our ability to create meaning out of the raw experience of life that makes us human. It is the exercise of our faculty to discover meaning which is the purpose of art. The didactic imparting of moral or political messages is emphatically not the purpose of art -- that is what we call propaganda.