Hinduism entails diverse systems of thought, marked by a range of shared concepts that discuss theology, mythology, and other topics in textual sources. Hindu texts have been classified into Śruti (lit.'heard') and Smṛti (lit.'remembered'). The major Hindu scriptures are the Vedas, the Upanishads, the Puranas, the Mahabharata (including the Bhagavad Gita), the Ramayana, and the Agamas. Prominent themes in Hindu beliefs include karma (action, intent and consequences), saṃsāra (the cycle of death and rebirth) and the four Puruṣārthas, proper goals or aims of human life, namely: dharma (ethics/duties), artha (prosperity/work), kama (desires/passions) and moksha (liberation/emancipation from passions and ultimately saṃsāra). Hindu religious practices include devotion (bhakti), worship (puja), sacrificial rites (yajna), and meditation (dhyana) and Yoga. Hinduism has no central doctrinal authority and many Hindus do not claim to belong to any denomination. However, scholarly studies notify four major denominations: Shaivism, Vaishnavism, Shaktism and Smartism. The six Āstika schools of Hindu philosophy that recognise the authority of the Vedas are: Sankhya, Yoga, Nyaya, Vaisheshika, Mīmāṃsā, and Vedanta. (Full article...)
All the spiral-shaped towers have gold plated spires. The niches in the walls of the shrines are decorated with 300 well-crafted icons of gods and goddesses including those of Surya and Shiva, but most are particularly related to the life stories of Rama and Krishna. The paintings in the 15 panels of the main shrine are based on themes from Ramayana, Mahabharata, and Bhagavad Gita. The temple premises include a school and a library that preserves over 6,000 manuscripts in many Indian languages, with a notable collection of Sarada script Sanskrit manuscripts. (Full article...)
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Varanasi (Hindi pronunciation:[ʋaːˈraːɳəsi], also Benares, BanarasHindustani pronunciation:[bəˈnaːrəs]), or Kashi, is a city on the Ganges river in northern India that has a central place in the traditions of pilgrimage, death, and mourning in the Hindu world. The city has a syncretic tradition of Islamic artisanship that underpins its religious tourism. Located in the middle-Ganges valley in the southeastern part of the state of Uttar Pradesh, Varanasi lies on the left bank of the river. It is 692 kilometres (430 mi) to the southeast of India's capital New Delhi and 320 kilometres (200 mi) to the southeast of the state capital, Lucknow. It lies 121 kilometres (75 mi) downstream of Prayagraj, where the confluence with the Yamuna river is another major Hindu pilgrimage site.
Ganesha with consorts Riddhi (prosperity) and Siddhi (spiritual power), Painting titled "Riddhi Siddhi" by Raja Ravi Varma (1848–1906) The marital status of the Hindu deity Ganesha varies widely in mythological stories and the issue has been the subject of considerable scholarly review. Several patterns of associations with different consorts are identifiable. One pattern of myths identifies Ganesha as an unmarried brahmacārin with no consorts. Another mainstream pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are sometimes personified as goddesses who are considered to be Ganesha's wives. Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati. In the Bengal region he is linked with the banana tree, Kala Bo (or Kola Bou). Usually Ganesha's consort is portrayed as his shakti, a personification of his creative energy.
Some of the differences between these patterns can be understood by looking at regional variations across India, the time periods in which the patterns are found, and the traditions in which the beliefs are held. Some differences pertain to the preferred meditation form used by the devotee, with many different traditional forms ranging from Ganesha as a young boy (Sanskrit: बाल गणपति; bālagāņapati) to Ganesha as a Tantric deity. (Full article...)
Matsya (Sanskrit: मत्स्य, lit.'fish') is the fish avatar of the Hindu godVishnu. Often described as the first of Vishnu's ten primary avatars, Matsya is described to have rescued the first man, Manu, from a great deluge. Matsya may be depicted as a giant fish, often golden in color, or anthropomorphically with the torso of Vishnu connected to the rear half of a fish.
The earliest account of Matsya is found in the Shatapatha Brahmana, where Matsya is not associated with any particular deity. The fish-saviour later merges with the identity of Brahma in post-Vedic era, and still later, becomes regarded with Vishnu. The legends associated with Matsya expand, evolve, and vary in Hindu texts. These legends have embedded symbolism, where a small fish with Manu's protection grows to become a big fish, and the fish saves the man who would be the progenitor of the next race of mankind. In later versions, Matsya slays a demon named Hayagriva who steals the Vedas, and thus is lauded as the saviour of the scriptures. (Full article...)
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The Yogatattva Upanishad (Sanskrit: योगतत्त्व उपनिषत्, IAST: Yogatattva Upaniṣhad), also called as Yogatattvopanishad (योगतत्त्वोपनिषत्), is an important Upanishad within Hinduism. A Sanskrit text, it is one of eleven Yoga Upanishads attached to the Atharvaveda, and one of twenty Yoga Upanishads in the four Vedas. It is listed at number 41 in the serial order of the Muktika enumerated by Rama to Hanuman in the modern era anthology of 108 Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism.
Two major versions of its manuscripts are known. One has fifteen verses but attached to Atharvaveda, while another very different and augmented manuscript exists in the Telugu language which has one hundred and forty two verses and is attached to the Krishna Yajurveda. The text is notable for describing Yoga in the Vaishnavism tradition. (Full article...)
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Maya (/ˈmɑːjə/; Devanagari: माया; IPA:[mɑː.jɑ́ː]; IAST: māyā), literally "illusion" or "magic", has multiple meanings in Indian philosophies depending on the context. In later Vedic texts, māyā connotes a "magic show, an illusion where things appear to be present but are not what they seem"; the principle which shows "attributeless Absolute" as having "attributes". Māyā also connotes that which "is constantly changing and thus is spiritually unreal" (in opposition to an unchanging Absolute, or Brahman), and therefore "conceals the true character of spiritual reality".
In the Advaita Vedanta school of Hindu philosophy, māyā, "appearance", is "the powerful force that creates the cosmic illusion that the phenomenal world is real". In this nondualist school, māyā at the individual level appears as the lack of knowledge (avidyā) of the real Self, Atman-Brahman, mistakenly identifying with the body-mind complex and its entanglements. (Full article...)
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A manuscript painting of Kripa during Kurukshetra war
Born to warrior-sage Sharadvan and apsara Janapadi in an extraordinary manner, Kripa and his twin-sister Kripi were adopted by King Shantanu of Kuru Kingdom. Kripa was trained by his birth father and became a great archer like him. Later in the epic, he fought on the Kauravas's side against the Pandavas in the Kurukshetra war and was among the three survivors on the Kaurava side, along with Ashwatthama and Kritavarma. (Full article...)
Rati (Sanskrit: रति, Rati) is the Hindugoddess of love, carnal desire, lust, passion, and sexual pleasure. Usually described as the daughter of PrajapatiDaksha, Rati is the female counterpart, the chief consort and the assistant of Kama (Kamadeva), the god of love. A constant companion of Kama, she is often depicted with him in legend and temple sculpture. She also enjoys worship along with Kama.
The Hindu scriptures stress Rati's beauty and sensuality. They depict her as a maiden who has the power to enchant the God of Love. When the deity Shiva burns her husband to ashes, it is Rati, whose beseeching or penance, leads to the promise of Kama's resurrection. Often, this resurrection occurs when Kama is reborn as Pradyumna, the son of Krishna and Rukmini. Rati – under the name of Mayavati – plays a critical role in the upbringing of Pradyumna, who is separated from his parents at birth. She acts as his nanny, as well as his lover, and tells him the way to return to his parents by slaying the demon-king, who is destined to die at his hands. Later, Kama-Pradyumna accepts Rati-Mayavati as his wife. (Full article...)
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Sanskrit (/ˈsænskrɪt/; stem form संस्कृत; nominal singular संस्कृतम्, saṃskṛtam,) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies.
Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rigveda, a collection of 1,028 hymns composed between 1500 and 1200 BCE by Indo-Aryan tribes migrating east from the mountains of what is today northern Afghanistan across northern Pakistan and into northwestern India. Vedic Sanskrit interacted with the preexisting ancient languages of the subcontinent, absorbing names of newly encountered plants and animals; in addition, the ancient Dravidian languages influenced Sanskrit's phonology and syntax. Sanskrit can also more narrowly refer to Classical Sanskrit, a refined and standardized grammatical form that emerged in the mid-1st millennium BCE and was codified in the most comprehensive of ancient grammars, the Aṣṭādhyāyī ('Eight chapters') of Pāṇini. The greatest dramatist in Sanskrit, Kālidāsa, wrote in classical Sanskrit, and the foundations of modern arithmetic were first described in classical Sanskrit. The two major Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, however, were composed in a range of oral storytelling registers called Epic Sanskrit which was used in northern India between 400 BCE and 300 CE, and roughly contemporary with classical Sanskrit. In the following centuries, Sanskrit became tradition-bound, stopped being learned as a first language, and ultimately stopped developing as a living language. (Full article...)
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Para Brahman or Param Brahman (Sanskrit: परब्रह्म, romanized: parabrahma) in Hindu philosophy is the "Supreme Brahman" that which is beyond all descriptions and conceptualisations. It is described as the formlessness (in the sense that it is devoid of Maya) that eternally pervades everything, everywhere in the universe and whatever is beyond.
"Parabrahman" is a term from Indian philosophy and spiritual practice that refers to the supreme divine being or absolute reality possessing boundless wisdom, infinite love and universal power. In various teachings and traditions it may be identified with the Supreme God, Nirguna Brahman (the impersonal Absolute) or other aspects of Universal Consciousness. (Full article...)
The following are images from various Hinduism-related articles on Wikipedia.
Image 1Goddess Durga and a pantheon of other gods and goddesses being worshipped during Durga Puja Festival in Kolkata. (from Hindu deities)
Image 2Ishvara is, along with Shiva, Vishnu and Brahma, one of the 17 deities commonly found in Indonesian Surya Majapahit Hindu arts and records. However, Ishvara represents different concepts in various Hindu philosophies. (from Hindu deities)
Image 3The ten avatars of Vishnu, (Clockwise, from top left) Matsya, Kurma, Varaha, Vamana, Krishna, Kalki, Buddha, Parshurama, Rama and Narasimha, (in centre) Radha and Krishna. Painting currently in Victoria and Albert Museum. (from Hindu deities)
Image 4Annaprashanam is the rite of passage where the baby is fed solid food for the first time. The ritual has regional names, such as Choroonu in Kerala. (from Samskara (rite of passage))
Image 9Indra is a Vedic era deity, found in south and southeast Asia. Above Indra is part of the seal of a Thailand state. (from Hindu deities)
Image 10A Hindu girl after her Karnavedha rite of passage (ear piercing) (from Samskara (rite of passage))
Image 11Samskaras are, in one context, the diverse rites of passage of a human being from conception to cremation, signifying milestones in an individual's journey of life in Hinduism. Above is annaprashana samskara celebrating a baby's first taste of solid food. (from Samskara (rite of passage))
Image 13A Hindu cremation rite in Nepal. The samskara above shows the body wrapped in saffron on a pyre. (from Samskara (rite of passage))
Image 14Upanayana samskara ceremony in progress. Typically, this ritual was for eight-year-olds in ancient India, but in the 1st millennium CE it became open to all ages. (from Samskara (rite of passage))
Image 15Six Hinduism deities. Surya, Parvati, Hanuman, Lakshmi, Vishnu, and Indra. All of these statues came from India, except Vishnu (from the Thai-Cambodian border). Various eras. National Museum of Scotland, Edinburgh (from Hindu deities)
Image 16A new born's Namakarana ceremony. The grandmother is whispering the name into the baby's ear, while friends and family watch. (from Samskara (rite of passage))
Image 17A Tamil Hindu girl (center) in 1870 wearing a half-saree, flowers and jewelry from her Ritu Kala samskara rite of passage (from Samskara (rite of passage))
Image 18Vaishnavism focuses on Vishnu or one of his avatars, such as his form as a human, lion, or boar. (from Hindu denominations)
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The Hindu religion is the only one of the world's great faiths dedicated to the idea that the Cosmos itself undergoes an immense, indeed an infinite, number of deaths and rebirths. It is the only religion in which the time scales correspond to those of modern scientific cosmology. Its cycles run from our ordinary day and night to a day and night of Brahma, 8.64 billion years long. Longer than the age of the Earth or the Sun and about half the time since the Big Bang. And there are much longer time scales still.
After earning a degree in physics at Allahabad University in 1942, Maharishi Mahesh Yogi became an assistant and disciple of SwamiBrahmananda Saraswati (also known as Guru Dev), the Shankaracharya (spiritual leader) of the Jyotir Math in the Indian Himalayas. The Maharishi credits Brahmananda Saraswati with inspiring his teachings. In 1955, the Maharishi began to introduce his Transcendental Deep Meditation (later renamed Transcendental Meditation) to India and the world. His first global tour began in 1958. His devotees referred to him as His Holiness, and because he laughed frequently in early TV interviews, he was sometimes referred to as the "giggling guru." (Full article...)
In 2007, his long-serving assistant, Julie Salter, reported sexual abuse against her by the guru; she published details of her experiences in 2019, leading at least 3 other women to report their experiences of similar abuse by Vishnudevananda. (Full article...)
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Shri Madhvacharya's idol at his birth place Pajaka, Udupi
Madhvacharya (IAST: Madhvācārya; pronounced[mɐdʱʋaːˈtɕaːrjɐ]; 1199–1278 CE or 1238–1317 CE), also known as Purna Prajna (IAST: Pūrṇa-Prajña) and Ānanda Tīrtha, was an Indian philosopher, theologian and the chief proponent of the Dvaita (dualism) school of Vedanta. Madhva called his philosophy Tattvavāda meaning "arguments from a realist viewpoint".
Madhvacharya was born at Pajaka near Udupi on the west coast of Karnataka state in 13th-century India. As a teenager, he became a Sanyasi (monk) joining Brahma-sampradaya guru Achyutapreksha, of the Ekadandi order. Madhva studied the classics of Hindu philosophy, and wrote commentaries on the Principal Upanishads, the Bhagavad Gita and the Brahma Sutras (Prasthanatrayi), and is credited with thirty seven works in Sanskrit. His writing style was of extreme brevity and condensed expression. His greatest work is considered to be the Anuvyakhyana, a philosophical supplement to his bhasya on the Brahma Sutras composed with a poetic structure. In some of his works, he proclaimed himself to be an avatar of Vayu, the son of god Vishnu. (Full article...)
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A.C. Bhaktivedanta Swami in Germany, 1974
Abhay Charanaravinda Bhaktivedanta Swami Prabhupada (IAST: Abhaya Caraṇāravinda Bhaktivedānta Svāmī Prabhupāda; Bengali: অভয় চরণারবিন্দ ভক্তিবেদান্ত স্বামী প্রভুপাদ) (1 September 1896 – 14 November 1977) was a spiritual, philosophical, and religious teacher from India who spread the Hare Krishna mantra and the teachings of "Krishna consciousness" to the world. Born as Abhay Charan De and later legally named Abhay Charanaravinda Bhaktivedanta Swami, he is often referred to as "Bhaktivedanta Swami", "Srila Prabhupada", or simply "Prabhupada".
The anecdotes and narratives of Krishna's life are generally titled as Krishna Līlā. He is a central figure in the Mahabharata, the Bhagavata Purana, the Brahma Vaivarta Purana, and the Bhagavad Gita, and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. His iconography reflects these legends and shows him in different stages of his life, such as an infant eating butter, a young boy playing a flute, a handsome youth with Radha or surrounded by female devotees, or a friendly charioteer giving counsel to Arjuna. (Full article...)
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Wooden murti of Chaitanya Mahaprabhu as Dhāmeśvara, Nabadwip
He is considered the chief proponent of the Vedantic philosophy of Achintya Bheda Abheda. The concept of inconceivable difference in non-difference, known as achintya-bhedabheda, was explained later by Jiva Gosvami in his book Bhagavat Sandharbha, and in his Sarva-samvadini. (Full article...)
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Studio photo of Anandamayi Ma
Anandamayi Ma (born Nirmala Sundari; 30 April 1896 – 27 August 1982) was an Indian saint, teacher, and mystic. She was revered as an incarnation of Hindu goddess Durga.
She was described by Sivananda Saraswati (of the Divine Life Society) as "la fleur la plus parfaite que le sol de l'Inde ait produite" [the most perfect flower the Indian soil has produced]. Her life was suffused in Bhakti Yoga and she was considered an epitome of "divine grace" that inspired the societal cultural milieu to lead the path of service, love and constant remembrance of the divine. Her followers experienced her spiritual attributes including precognition, faith healing and miracles. Paramahansa Yogananda translates the Sanskrit epithet Anandamayi as "Joy-permeated" in English. This name was given to her by her devotees in the 1920s to describe her perpetual state of divine joy. (Full article...)
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