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Portal:Myths

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The Myths Portal

1929 Belgian banknote, depicting Ceres, Neptune and caduceus
Ballads of bravery (1877) part of Arthurian mythology

Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion.

Myths are often endorsed by religious (when they are closely linked to religion or spirituality) and secular authorities. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)

Attic red-figure plate from Vulci, Etruria, dated c. 520–500 BC, showing an ithyphallic satyr holding an aulos, a kind of ancient Greek woodwind instrument.

In Greek mythology, a satyr (Ancient Greek: σάτυρος, romanizedsátyros, pronounced [sátyros]), also known as a silenus or silenos (Ancient Greek: σειληνός, romanizedseilēnós [seːlɛːnós]), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality.

In classical Athens, satyrs made up the chorus in a genre of play known as a "satyr play", which was a parody of tragedy and known for its bawdy and obscene humor. The only complete surviving play of this genre is Cyclops by Euripides, although a significant portion of Sophocles's Ichneutae has also survived. In mythology, the satyr Marsyas is said to have challenged the god Apollo to a musical contest and been flayed alive for his hubris. Although superficially ridiculous, satyrs were also thought to possess useful knowledge, if they could be coaxed into revealing it. The satyr Silenus was the tutor of the young Dionysus and a story from Ionia told of a silenos who gave sound advice when captured. (Full article...)

Did you know? - show different entries

An eight-armed seated woman dressed in a sari, holding a child and various weapons, ripping the womb of a woman, lying on her lap, while trampling a man

  • ... that Tamil Hindu parents dedicate their one-month-old children to the goddess Periyachi (pictured), who is depicted ripping a woman's womb?


Did you know?

Miracle of the roses

  • ... that, in the lives of saints, the appearance of roses (example pictured) sometimes announces the presence or activity of God?




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Shiva as Sharabha subduing Narasimha, panel view from Munneswaram temple in Sri Lanka

Sharabha (Sanskrit: शरभ, Śarabha) or Sarabha is an eight-legged part-lion and part-bird deity in Hindu religion, who is described as more powerful than a lion or an elephant, possessing the ability to clear a valley in one jump in Sanskrit literature. In later literature, Sharabha is described as an eight-legged deer.

The Shiva scriptures narrate that the deity Shiva assumed the form of Sharabha to pacify Narasimha - the fierce man-lion avatar of Vishnu worshipped by the Vaishnava sect. This form is popularly known as Sharabheshvara ("Lord Sharabha") or Sharabheshvaramurti. Vaishnavas refute the portrayal of Narasimha as being destroyed by Shiva-Sharabha, and regard Sharabha as a name of Vishnu. Some Vaishnava scriptures such as the Narasimha Purana suggest that Vishnu assumed the form of the ferocious two-headed bird Gandabherunda, who in turn defeated Sharabha. (Full article...)

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