|Studio album by|
|Released||11 November 1996|
|Recorded||Grove Studios, Ocho Rios, Jamaica and Platinium Island Studios in New York City during 1996|
Pre-Millennium Tension is the second album from English rapper and producer Tricky, released in 1996. It was a conscious effort by Tricky to depart away from the trip hop label with which critics had described his previous music. The album was well received by critics, being named the ninth best record of the year in the 1996 Pazz & Jop poll.
In an October 1996 interview for Ray Gun, Tricky said he wanted to make Pre-Millennium Tension an "out-an-out punk record" to get away from the trip hop label with which his previous work had been categorized by critics. He said, "I thought it was going be heavier... What I wanted to do was a total fast album. Some of the tracks are fast and hard, but they didn't come out like that." The album was mainly recorded in Jamaica, and other parts were recorded at Platinum Islands Studio, New York. It was recorded & mixed & programmed by Ian Caple. Recorded in Grove Studios, Ocho Rios, Jamaica & mixed at El Cortijo Studio in Spain. The album features longtime collaborator Martina Topley-Bird, and former Mama's Boys guitarist Pat McManus.
According to PopMatters writer Wayne Franklin, Pre-Millennium Tension "revealed a new, more sinister sound, most likely attained due to his move to New York City and his work with underground rappers ... containing the singles "Christiansands" (the biggest hit of his career), "Tricky Kid", and "Makes Me Wanna Die" (which contains a sample of Eric B. & Rakim’s "To the Listeners")".
|The Village Voice||A−|
Pre-Millennium Tension received positive reviews from critics, who found the record's music ambitious, eclectic, and threatening. USA Today reviewer Elysa Gardner called it a dazzling trip hop album and Tricky "prolific, innovative and fearlessly eccentric", comparing him to American musician Prince. In the Chicago Tribune, Greg Kot said Tricky had transcended the boundaries of trip hop by drawing upon and manipulating a number of styles, including ambient, drum and bass, hip hop, and dancehall, in his evocative production. "Few records have more artfully blurred the boundaries between sensuality and terror, fascination and fear, seduction and confusion", Kot wrote. David Bennun from The Guardian argued that Tricky had deconstructed hip hop clichés and "gangsta-isms" into bizarrely malcontent songs on what was an "astonishing record - not a great one, but a very good, very awkward and very strange one". Village Voice critic Robert Christgau found his use of hip hop soundscapes compelling on a record that "comprehends and inhabits the dystopia of everyday life more radically than Wu-Tang could conceive". He qualified his praise by adding that the success of Tricky's formula relied heavily on Topley-Bird. Simon Williams of NME was less impressed, writing that the album's last few songs "seemed to suffer from the very fury which makes the rest of the record work". He singled out "My Evil Is Strong" and "Piano" for overindulging in cynical attitudes and monotonous music. David Browne was more critical in Entertainment Weekly. He believed Tricky's incorporation of more soul and reggae elements than Maxinquaye, as well as his use of spasmodic beats and "revue-style singers", had weakened his "trademark trip-hop" style and resulted in a more theatrical, "pretentious" record.
At the end of 1996, Pre-Millennium Tension was voted the ninth best album of the year in the Pazz & Jop, an annual poll of American critics nationwide. It was later included in Q magazine's "50 Heaviest Albums of All Time". In a 1997 interview between journalist Liz Jones and Prince, Jones told Prince he should listen to Tricky, because Tricky reminds her of Prince earlier in his career. Intrigued, Prince asks her the name of Tricky's latest album; she said Pre-Millennium Tension, and Prince spontaneously answered, "well, isn't that another way to say ‘1999’" (1999 being Prince's breakthrough album released in 1982.) This interview is featured in Liz Jones' book Slave to the Rhythm.
|2.||"Christiansands"||"La Di Da Di" (Doug E Fresh & The Get Fresh Crew)||3:52|
|3.||"Tricky Kid"||"Zoom" (The Commodores)||4:11|
|4.||"Bad Dream"||"Housebound" (The Specials)||4:12|
|5.||"Makes Me Wanna Die"||"Beats for the Listeners" (Eric B. & Rakim)||4:02|
|9.||"Lyrics of Fury"||"King" (Slick Rick)||3:21|
|10.||"My Evil Is Strong"||"Sound Bwoy Bureill" (Smif-n-Wessun)||3:59|
- The song "Christiansands" appeared in Ultimate X: The Movie, Torchwood, 24, G:MT – Greenwich Mean Time and Face/Off.
- The song "Makes Me Wanna Die" appeared in The Replacement Killers.
- The song "Lyrics of Fury" is a cover of the Eric B and Rakim track of the same name.
- The song "Bad Dream" is a cover of the Chill Rob G track.
- "Biography included in the Pre-Millennium Tension presskit". Retrieved 20 January 2014.
- The Madness of King Tricky I - Raygun 96
- Franklin, Wayne (21 August 2002). "Tricky: A Ruff Guide". PopMatters. Retrieved 5 April 2016.
- Erlewine, Stephen Thomas. "Pre-Millennium Tension – Tricky". AllMusic. Retrieved 5 April 2016.
- Kot, Greg (22 November 1996). "Tricky: Pre-Millennium Tension (Island)". Chicago Tribune. Retrieved 5 April 2016.
- Browne, David (22 November 1996). "Pre-millennium Tension". Entertainment Weekly. Retrieved 5 April 2016.
- Bennun, David (8 November 1996). "Tricky: Pre-Millennium Tension (Island)". The Guardian. London. Retrieved 5 April 2016.
- Williams, Simon (9 November 1996). "Tricky: Pre-Millennium Tension (4th & Broadway / All formats)". NME.
- Schreiber, Ryan. "Tricky: Pre-Millennium Tension". Pitchfork. Archived from the original on 21 October 2008. Retrieved 5 April 2016.
- "Tricky: Pre-Millennium Tension". Q (123): 138. December 1996.
- Fine, Jason (22 November 1996). "Tricky: Pre-Millennium Tension". Rolling Stone. Archived from the original on 2 April 2009. Retrieved 5 April 2016.
- Aaron, Charles (December 1996). "Tricky: Pre-Millennium Tension". Spin. 12 (9): 139. Retrieved 5 April 2016.
- Christgau, Robert (17 December 1996). "Consumer Guide". The Village Voice. New York. Retrieved 5 April 2016.
- Gardner, Elysa (November 19, 1996). "Pop/Rock Album Review". USA Today. Retrieved September 20, 2016.
- Pazz & Jop 1996
- "Q Magazine's 50 Heaviest Albums". Retrieved 14 February 2008.
- Patrin, Nate (8 January 2017). "Massive Attack: Mezzanine". Pitchfork. Retrieved 23 January 2017.
- Pre-Millennium Tension at Discogs (list of releases)
- Press kit for the album
- Detailed interview containing information about the album
- Interview containing some information about the album
- Article specifically about the album
- Interview containing further information about the album
- Interview regarding the album