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Press cameras were widely used from the 1900s through the early 1960s and commonly have the following features:
- collapsibility into strong, compact boxes
- easily interchangeable lenses
- ability to accept sheet film, film packs, and rollfilm, through the use of interchangeable film backs and holders, often conforming to the "Graflock" standard set by Graflex
- bellows focusing
- optical rangefinder focusing
- ground glass focusing
- handheld operation
- flash-synchronized central shutter (many older cameras had focal-plane shutters)
- reduced number or absence of movements, in contrast to field cameras
Some models have both a focal plane shutter and an iris lens shutter. The focal plane shutter allows for fast shutter speeds and the use of lenses which do not have a shutter, while the iris shutter allows for flash synchronization at any speed. The Graphlex Speed Graphic models  and the Ihagee Zweiverschluss ("two shutters") Duplex are examples of press cameras that had both focal plane and iris shutters.
Press cameras most commonly employ the 4×5 inch film format. Models have also been produced for the 2.25×3.25 inch format (6×9 cm), 3.25×4.25 inch format and various 120 film formats from 6×6 cm. through 6×12 cm. European press cameras, such as the Goertz and Van Neck, used the 9x12cm format, marginally smaller than the 4"×5" format.
The press camera is still in wide use in photoreportage and among fine art photographers who use it as a low cost more compact alternative to a view camera. Advances in film technology, notably finer film grain, have obviated the need for large-format cameras for most press assignments, however. In news photography, the press camera has been largely supplanted by the smaller formats of 120 film and 135 film, and more recently by digital cameras.
Press cameras were largely superseded by the 6x6cm medium format Rolleiflex in the early to mid-1960s and later by 35 mm rangefinder or single-lens reflex cameras. The smaller formats gained acceptance as film technology advanced and quality of the smaller negatives was deemed acceptable by picture editors. The smaller cameras generally offered lenses with faster maximum apertures and by the nature of their smaller size, were easier to transport and use. The bulk and weight of the camera itself, as well as the size of the film holders (two pictures per film holder), limited the number of exposures photographers could make on an assignment; this was less of an issue with 12 exposures on a roll of 120 film, or 36 exposures on 35 mm film.
Compared to view cameras, press cameras do not have the range of swing/tilt movements of the front standard, and rarely have back movements because many were fitted with focal plane shutters.
List of press cameras
- Beseler 4×5
- Burke & James Press, Burke & James Inc., Chicago, U.S.A.
- B & J Press (4×5)
- Watson (2×3)
- Busch Pressman
- Model C (2×3)
- Model D (4×5)
- Tower Press (2×3, 4×5) = Busch Pressman, labeled Tower (Sears)
- Super Technika
- Linhof Technika Press, model of both Graflex XL and Mamiya Press
- Linhof Press 70
- Linhof Press (4×5) = Technika III with limited movements
- Graflex, the classic American press camera
- Kalart Press (3×4)
- Koni Omega
- Rapid Omega
- Mamiya Press
- Mamiya Universal
- Plaubel Makina
- Meridan 45 (A, B, maybe C)
- Press King, B&W Manufacturing Co., Ontario, Canada
- Ramlose Model A (4×5)
- Topcon Horseman
- Toyo Super Graphic (4×5)
- Van Neck, derivative of Goertz press camera
- Thornton-Pickard, pre-World War II camera manufacturer in the UK
- Micro Precision Products
- MPP MicroPress—English design focal plane shutter camera from 1950s, based on top rangefinder Speed Graphic
- The Speed Graphic was also available in 5x7 inch format, but usually limited to studio rather than press use due to weight 
- Graflex cameras
- The MPP Users Club - cameras and photographic equipment manufactured by Micro Precision Products Ltd. of London, England.
- Jo Lommen's site about Classic Press Cameras
- The Meridian 45B
- 'Must See: He Kept His Speed Graphic' By Kerri Macdonald' on Louis Mendes, New York Times Lens Blog
- Collection of presscameras