Primal Fear (film)
| Primal Fear | |
|---|---|
Theatrical release poster | |
| Directed by | Gregory Hoblit |
| Screenplay by | |
| Based on | Primal Fear by William Diehl |
| Produced by | |
| Starring | |
| Cinematography | Michael Chapman |
| Edited by | David Rosenbloom |
| Music by | James Newton Howard |
Production company | |
| Distributed by | Paramount Pictures |
Release date |
|
Running time | 130 minutes |
| Country | United States |
| Language | English |
| Budget | $30 million |
| Box office | $102.6 million[1] |
Primal Fear is a 1996 American legal thriller film directed by Gregory Hoblit, and written by Steve Shagan and Ann Biderman, based on William Diehl's 1993 novel of the same name. The film stars Richard Gere, Laura Linney, John Mahoney, Alfre Woodard, Frances McDormand and Edward Norton in his film debut. It revolves around a Chicago defense attorney who believes that his altar boy client is not guilty of murdering an influential Catholic archbishop.
The film was a box office success and received positive reviews, with Norton's breakthrough performance earning critical praise. Norton was nominated for an Academy Award for Best Supporting Actor and a BAFTA Award for Best Actor in a Supporting Role, and won the Golden Globe Award for Best Supporting Actor – Motion Picture.[2]
Plot[edit]
Martin Vail is a Chicago defense attorney who loves the spotlight and is known for winning acquittals for high-profile clients on legal technicalities. He meets former lover and prosecutor Janet Venable at a charity event, but she rejects his advances.
Archbishop Rushman, a beloved figure and head of Chicago's Catholic diocese, is brutally murdered in his private quarters. The police chase and apprehend 19-year-old Aaron Stampler, who is covered in blood and had fled the crime scene. Vail meets with Aaron in jail and offers to defend him pro bono. Aaron reveals that he is an altar boy from Kentucky who loved and admired the archbishop. Vail comes to believe that Aaron, meek and with a severe stutter, is innocent. Venable is assigned to prosecute Aaron for capital murder.
As the trial begins, Vail discovers that powerful civic leaders, including the corrupt state's attorney, John Shaughnessy, recently lost millions in real-estate investments because of Rushman's decision to not develop church-owned land. Following a tip from Alex, a former altar boy, about a videotape involving Aaron, Vail steals the VHS cassette from the crime scene. The tape shows the archbishop forcing Aaron, his girlfriend Linda and another altar boy to engage in sexual acts. Vail must now decide whether to introduce this evidence that might elicit sympathy from the jury for Aaron but could also provide the motive that Venable has been unable to establish. He asks his investigator to anonymously deliver the videotape to Venable, knowing that she will realize who had sent it, as she is under intense pressure to deliver a guilty verdict and will use the tape as proof of motive.
When Vail confronts Aaron and accuses him of having lied, Aaron breaks down crying and suddenly transforms into a new persona, Roy, a violent sociopath without a stutter. Roy persona confesses to the murder of the archbishop and becomes physically violent with Vail. Roy then reverts to Aaron, once again passive and shy and with no recollection of the personality switch. Molly Arrington, the neuropsychologist examining Aaron, is convinced that he has dissociative identity disorder caused by years of physical and sexual abuse at the hands of his father and Rushman. Vail is troubled by this information because he cannot enter an insanity plea during an ongoing trial.
In the trial, Vail calls Aaron to the witness stand and questions him about the sexual abuse that he suffered at Rushman's hands. He also introduces evidence that Shaughnessy had covered up evidence that Rushman had molested another young man. After Venable questions him harshly during cross-examination, Aaron transforms into Roy and attacks her, threatening to snap her neck before he is subdued and returned to his holding cell. The judge informs Vail and Venable that she intends to dismiss the jury in favor of a bench trial and will declare Aaron not guilty by reason of insanity, remanding him to a psychiatric hospital. Venable is fired for losing the case and for allowing Rushman’s crimes to be publicly exposed, but it is implied that she will resume her relationship with Vail.
Vail visits Aaron in his cell to inform him of the dismissal. Aaron claims to have no recollection of Roy's violent reaction in the courtroom, but as Vail is leaving, Aaron slips by telling Vail to "tell Miss Venable I hope her neck is okay." When Vail confronts him, Aaron reveals that he had faked the personality disorder. No longer stuttering, Aaron brags about having murdered Rushman and Linda. When Vail asks if there ever was a Roy, Aaron replies that there never was even an Aaron. Stunned and disillusioned, Vail walks away and leaves the courthouse as Aaron taunts him from his cell.
Cast[edit]
- Richard Gere as defense attorney Martin Vail
- Edward Norton as defendant Aaron Stampler / Roy
- Laura Linney as prosecutor Janet Venable
- John Mahoney as state's attorney Shaughnessy
- Alfre Woodard as Judge Miriam Shoat
- Frances McDormand as Dr Molly Arrington
- Terry O'Quinn as Yancy
- Andre Braugher as Vail's investigator Tommy Goodman
- Steven Bauer as streetwise neighbor Joe Pinero
- Joe Spano as Stenner
- Tony Plana as Martinez
- Azelea Davila as victim Linda
- Stanley Anderson as Archbishop Rushman
- Maura Tierney as Vail's assistant Naomi
- Jon Seda as former altar boy Alex
Several Chicago television news personalities appear in cameos as themselves as they deliver reports about the case, including WLS's Diann Burns and Linda Yu, WBBM-TV's Mary Ann Childers, Lester Holt and Jon Duncanson and WGN-TV's Bob Jordan and Randy Salerno.
Soundtrack[edit]
The soundtrack includes the Portuguese fado song "Canção do Mar" sung by Dulce Pontes.
Reception[edit]
Review aggregation website Rotten Tomatoes reports an approval rating of 77% based on 47 reviews, with an average rating of 6.8/10. The site's critics consensus reads: "Primal Fear is a straightforward, yet entertaining thriller elevated by a crackerjack performance from Edward Norton."[3] Metacritic, which uses a weighted average, lists the film with a weighted average score of 46/100 based on 18 critics, indicating "mixed or average reviews."[4] Audiences surveyed by CinemaScore awarded the film an average grade of B+ on an A+-to-F scale.[5]
Janet Maslin of The New York Times wrote that the film has a "good deal of surface charm" but "the story relies on an overload of tangential subplots to keep it looking busy."[6] Roger Ebert of the Chicago Sun-Times awarded Primal Fear three and a half stars, writing that "the plot is as good as crime procedurals get, but the movie is really better than its plot because of the three-dimensional characters." Ebert described Gere's performance as one of the best in his career, praised Linney for rising above what might have been a stock character and applauded Norton for offering a "completely convincing" portrayal.[7]
The film spent three weekends at the top of the U.S. box office.[1]
Accolades[edit]
Norton's depiction of Aaron Stampler earned him multiple awards and nominations.
The film is recognized by American Film Institute in these lists:
- 2003: AFI's 100 Years...100 Heroes and Villains:
- Aaron Stampler – Nominated Villain[26]
- 2008: AFI's 10 Top 10:
- Nominated Courtroom Drama Film[27]
See also[edit]
References[edit]
- ^ a b Primal Fear (1996). Box Office Mojo. Retrieved 2011-01-16.
- ^ Golden Globe Awards for 'Primal Fear' Retrieved 2017-05-09.
- ^ "Primal Fear (1996)". Rotten Tomatoes. Retrieved March 31, 2022.
- ^ "Primal Fear Reviews". Metacritic.
- ^ "PRIMAL FEAR (1996) B+". CinemaScore. Archived from the original on 2018-12-20.
- ^ Maslin, Janet (April 3, 1996). "A Murdered Archbishop, Lawyers In Armani". The New York Times. Retrieved 2021-01-04.
- ^ Ebert, Roger (April 5, 1996). "Primal Fear 1996". Chicago Sun-Times. Retrieved November 14, 2018 – via RogerEbert.com.
- ^ a b c "Primal Fear – Awards". IMDb. Retrieved June 3, 2021.
- ^ "The 69th Academy Awards (1997) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on November 9, 2014. Retrieved October 23, 2011.
- ^ "BSFC Winners 1990s". bostonfilmcritics.org. Retrieved June 3, 2021.
- ^ "BAFTA Awards: Film in 1997". BAFTA. 1997. Retrieved 3 June 2021.
- ^ "Nominees/Winners". Casting Society of America. Retrieved July 10, 2019.
- ^ "1996 - 9th Annual Chicago Film Critics Awards". Chicago Film Critics Association. Archived from the original on December 23, 2016. Retrieved 4 May 2018.
- ^ "The BFCA Critics' Choice Awards :: 1996". Broadcast Film Critics Association. Archived from the original on December 12, 2008.
- ^ "1996 FFCC Award Winners". June 3, 2021. Retrieved June 3, 2021.
- ^ "Primal Fear – Golden Globes". HFPA. Retrieved June 3, 2021.
- ^ "KCFCC Award Winners – 1990-99". kcfcc.org. Retrieved June 3, 2021.
- ^ Weinraub, Bernard (16 December 1996). "Los Angeles Critics Honor 'Secrets and Lies'". The New York Times. Retrieved 28 December 2017.
- ^ Richmond, Ray (April 18, 1997). "Bard Tops MTV List". Variety. Retrieved April 8, 2018.
- ^ "New Honors for 'Breaking the Waves'". Los Angeles Times. 6 January 1997. Retrieved 2 January 2018.
- ^ "1st Annual Film Awards (1996)". Online Film & Television Association. Retrieved June 3, 2021.
- ^ "2009 | Categories | International Press Academy". International Press Academy. Retrieved March 15, 2021.
- ^ 23rd Saturn Awards at IMDb. Retrieved February 27, 2014.
- ^ Baumgartner, Marjorie (December 27, 1996). "Fargo, You Betcha; Society of Texas Film Critics Announce Awards". The Austin Chronicle. Retrieved December 16, 2010.
- ^ "SEFCA 1996 Winners". sefca.net. Retrieved June 3, 2021.
- ^ "AFI's 100 Years...100 Heroes & Villains Nominees" (PDF). Retrieved 2016-08-13.
- ^ "AFI's 10 Top 10 Nominees" (PDF). Archived from the original (PDF) on 2011-07-16. Retrieved 2016-08-19.
External links[edit]
- 1996 films
- 1996 crime drama films
- 1996 crime thriller films
- 1996 directorial debut films
- 1996 drama films
- 1990s legal films
- 1990s psychological thriller films
- 1990s thriller drama films
- American crime drama films
- American crime thriller films
- American legal drama films
- American psychological thriller films
- American thriller drama films
- American courtroom films
- Films about dissociative identity disorder
- Films scored by James Newton Howard
- Films about lawyers
- Films about religion
- Films based on American novels
- Films based on crime novels
- Films directed by Gregory Hoblit
- Films featuring a Best Supporting Actor Golden Globe winning performance
- Films set in Chicago
- Films shot in Chicago
- Films shot in West Virginia
- Films produced by Gary Lucchesi
- Legal thriller films
- American neo-noir films
- Paramount Pictures films
- Rysher Entertainment films
- Works about judgement
- Works about law enforcement
- 1990s English-language films
- 1990s American films