Princess Iron Fan (1941 film)
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|Princess Iron Fan|
|Distributed by||Cinema Epoch|
Princess Iron Fan (simplified Chinese: 铁扇公主; traditional Chinese: 鐵扇公主; pinyin: Tiě shàn gōngzhǔ), is the first Chinese animated feature film. It is also considered the first Asian animated feature film. The film is based on an episode of the 16th-century novel Journey to the West. It was directed in Shanghai under difficult conditions in the thick of World War II by Wan Guchan and Wan Laiming (the Wan brothers) and was released on November 19, 1941. The film later became influential in the development of East Asian animation, including Japanese anime and Chinese animation.
Specifically, the film focused on the duel between the Monkey King and a vengeful princess, whose fan is desperately needed to quench the flames that surround a peasant village.
|English Production||Original Version||Crew||Romanized|
|Produced by||監製||S.K Chang (Zhang Shankun)||張善琨|
|Screenplay by||編劇||Wang Qianbai||王乾白|
|Screenwriting Consultant||顧問||Chen Yiqing||陳翼青|
|Sound Recorded by||錄音||Liu Enze
Using Chinatone Technology
|Musical Director||音樂指揮||Huang Yijun||黃貽鈞|
|Musical Consultant||音樂顧問||Zhang Zhengfan||章正凡|
|Sound Effects||效果||Chen Zhong||陳中|
|Line Drawings||繪線||Chen Min
|Color Artists||者色||Yuan Huimin
|Lead Artists||主繪||Wan Laiming
The Wan family twins Wan Laiming and Wan Guchan with their brothers Wan Chaochen and Wan Dihuan were the first animators in China. After the release of their first "real" cartoon, Uproar in the Studio (1926), they continued to dominate China's animation industry for the next several decades. In the late 1930s, with Shanghai under Japanese occupation, they began work on China's first feature-length animated film. In 1939, the Wan brothers saw Snow White and the Seven Dwarfs and set the standard in attempting to create a film of equal quality for the nation's honor.
The film took three years, 237 artists and 350,000 yuan to make. Rotoscoping was used extensively to save money, and the eyes of the live actors are often visible in the faces of the animated characters.
By 1940, the film would render past 20,000 frames, using up more than 200 thousand pieces of paper (400ream＝500×400). They shot over 18,000 ft (5,500 m) of footage. And the final piece would contain 7,600 ft (2,300 m) of footage which can be shown in 80 minutes. The Wan brothers also invited the following actors and actresses for sound dubbing (白虹),(严月玲),(姜明),(韩兰根),(殷秀岑). At the time, they were at the Xinhua Film Company animation department since it was the only remaining production company left during the period of the Japanese occupation. The manager of the company who help financed the film was Zhang Shankun.
Princess Iron Fan became the first animated feature film to be made in China. Upon completion the film was screened by the Chinese union film company.
Princess Iron Fan's influences were far-reaching; it was swiftly exported to wartime Japan, inspiring the 16-year-old Osamu Tezuka to become a comics artist and prompting the Japanese Navy to commission Japan's own first feature-length animated film, 1945's Momotaro's Divine Sea Warriors (the earlier film Momotaro's Sea Eagles is three minutes shy of being feature-length).
- History of Animation
- History of Chinese Animation
- Chinese Animation
- List of animated feature films
- List of films in the public domain in the United States
- "An Animated Wartime Encounter: Princess Iron Fan and the Chinese Connection in Early Japanese Animation". Reischauer Institute of Japanese Studies, Harvard University. Archived from the original on 2019-03-01.
Specifically, it focuses Princess Iron Fan (1941), the first animated feature film made in China and Asia, and how its wartime travel to Japan gave rise to the birth of animated feature films in wartime Japan. It also impacted Tezuka Osamu (1928-1989), the so-called god of modern Japanese manga and anime whose works were shadowed by Princess Iron Fan from the beginning to the end of his career. Princess Iron Fan transformed the early history of Japanese animation, yet its national identity was changed by the journey.
- "Princess Iron Fan". Far East Film Festival.
China's first feature-length cartoon, the third in the world, exerted an incredible influence on the Asian animation market.... It also inspired the Japanese to make their own animated feature, indirectly pollinating the early anime industry. PRINCESS IRON FAN was cited as a major influence on Japan's greatest manga artist Osamu Tezuka, who entered the field after seeing it as a boy in 1943.
- Jonathan Clements. (2002). "Chinese Animation". Nickelodeon Magazine.
- Travel Channel China. (2004). "Extensive Info on Wan Brothers". Tieshangongzhu first-length cartoon.