Prithviraj Raso

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Prithviraj Raso 
by Chand Bardai
Prithviraj Raso.jpg
The cover of a Prithviraj Raso version published by the Nagari Pracharini Sabha
Language Brajbhasha
Genre(s) Epic poem

The Prithviraj Raso (IAST: Pṛthvīrāj Rāso) is a Brajbhasha epic poem about the life of the 12th century Indian king Prithviraj Chauhan (c. 1166-1192 CE). It is attributed to Chand Bardai, who according to the text, was a court poet of the king.

The earliest extant copy of the text dates back to the 16th century, although some scholars date its oldest version to the 13th century. By the 19th century, several interpolations and additions had been made to the original text under the patronage from Rajput rulers. The text now exists in four recensions. It contains a mixture of historical facts and imaginary legends, and is not considered historically reliable.

History[edit]

Authorship[edit]

According to tradition, the Prithviraj Raso was composed by Chand Bardai, Prithviraj's court poet (raj kavi[1]), who accompanied the king in all his battles.[2]

The last canto, which narrates the death of Chand Bardai and Prithviraj, is said to have been composed by Chand Bardai's son Jalhan.[3]

Recensions[edit]

The oldest extant recension of Prithviraj Raso is from 16th century.[4] It exists in form a manuscript copied in 1610, for a grandson of Kalyanmal, the Rathore ruler of Bikaner.[5] Its oldest portions are written in Lata Apabhramsha (also called Latiya Apabhramsha) language and style typical of 12th and 13th centuries.[6] According to R. V. Somani, the original Prithviraj Raso was composed around 1235 CE, within 3-4 decades after Prithviraj's death.[7] Other scholars, such as Cynthia Talbot, Narottamdas Swami and Namwar Singh date the text to the 16th century, during the reign of Akbar.[8]

Since 16th century, the size of the text has expanded greatly because of several interpolations and additions, resulting in multiple recensions.[9] Only a small portion of the existing recensions is likely to have been part of the original version. A small 1300-stanza manuscript in Bikaner is closest to the original text. The longest available version is the Udaipur (Mewar) manuscript, which is an epic with 16,306 stanzas.[2]

Today, four different recensions of the text are known:[2][10]

  • Edited by Rajmal Bora: the shortest recension, titled Candvardāīkṛt Prithīrājrāsau
  • Edited by Mataprasad Gupta, titled Pṛthvīrāj Rāsau
  • Edited by Kavirav Mohansimha, titled Pṛthvīrāj Rāso
  • Edited by Mohanlal Vishnu Pandya and Shyamsundar Das, titled Pṛthvīrāj Rāso: the longest recesion, developed in late 17th century under the patronage of the Mewar court[11]

American academic Cynthia Talbot compiled a list of nearly 170 manuscripts of the text. The patrons of only 17 of these can be identified: they include kings and princes from the royal families of Bikaner, Amber (Jaipur), Kota, Jodhpur, and Udaipur; and a chief of Mewar.[12]

The Mewar recension[edit]

The present version of Prithviraj Raso is composed in Brajbhasha dialect, with some regional Rajasthani peculiarities.[4] The language of the texts available today largely appears to be post-15th century and to be based upon the 17th-century compilation commissioned by Amar Singh II, the Sisodiya ruler of Mewar.[2] Amar Singh's predecessors had commissioned re-working of Prithviraj Raso, probably beginning in 1630s or 1640s, during the reign of Jagat Singh I. The version commissioned by Amar Singh was compiled by the poet Karuna-udadhi. Its manuscript, generally dated to 1703 CE, states that "stupid poets" had separated Chand Bardai's text into different parts: Karuna-udadhi wrote the current version by "picking through the strands" on the orders of Amar Singh. The resulting text is actually a revised text, which is very different from the earlier versions of the text.[13]

This version appears to have been written as the part of a campaign to revive the Mewar dynasty's prestige, which had declined as a result of their setbacks against and later alliance with the Mughals.[14] The Mewar recension enlarges and embellishes the role of the Mewar family in history, through their association with Prithviraj Chauhan.[15] For example, it mentions Amar Singh's ancestor Samar Singh (Smarasimha) as the closest associate of Prithviraj Chauhan. On the other hand, the shortest recension of Prithviraj Raso does not even mention Samar Singh.[16] The Mewar recension claims that Samar Singh married Prithviraj's sister Pritha, and fought alongside Prithviraj against Jaichand of Kannauj. Such claims are first made in two earlier Brajbhasha texts composed during the reign of Amar Singh's grandfather Raj Singh I: Rajvilas of Man and Rajaprashasti of Ranchhod Bhatt.[17]

Unlike the shortest recension which mentions Samyogita as Prithviraj's only wife, the Mewar version claims that Prithviraj married 12 other princesses, many of them presented to him by his nobles. On the other hand, the Mewar family's Samar Singh is the only one who marries a woman from Prithviraj's family, thus highlighting Samar Singh's high status. The recension devotes an entire chapter to the marriage of Samar Singh and Pritha, describing how Prithviraj's father Someshvar decided to marry his daughter to Samar Singh, because of the Mewar's family's glory.[18]

Plot summary[edit]

This is a summary of the shortest (Rajmal Bora) recension of Prithviraj Raso:[19]

Prithviraj was born to the Chauhan ruler of Ajmer. He married the daughter of Anangpal Tomar, the ruler of Delhi. Anangpal was cursed with not having any male heir, because he had meddled with the iron pillar of Delhi. So, he appointed Prithviraj as the king of Delhi. Some time later, king Jaichand of Kannauj decided to conduct a Rajasuya ceremony to proclaim his supremacy. Prithviraj refused to participate in this ceremony, and thus, refused to acknowledge Jaichand as the supreme king.
Meanwhile, Jaichand's daughter Sanyogita fell in love with Prithviraj after hearing about his heroic exploits, and declared that she would only marry him. Jaichand arranged a swayamvara (husband-selection) ceremony for his daughter, but did not invite Prithviraj. Nevertheless, Prithviraj marched to Kannauj with a hundred warriors and eloped with Samyogita. Two-third of his warriors sacrificed their life in fight against the Kannauj army, allowing him to escape to Delhi with Sanyogita. In Delhi, Prithviraj became infatuated with his new wife, and started spending most of his time with her. He started ignoring the state affairs, particularly the threat from the Muslim invader Shihab al-Din Muhammad Ghuri.
Prithviraj's priest and the poet Chand Bardai brought the king to his senses. Although Prithviraj prepared for the battle against Muhammad Ghuri in a short time, he was ultimately defeated. Shihab al-Din imprisoned Prithviraj, and took him to the invader's capital Ghazni. There, Shihab al-Din had Prithviraj blinded. On hearing this, Chand Bardai traveled to Ghazni and tricked Shihab al-Din into watching an archery performance by the blind Prithviraj. During this performance, Prithviraj shot the arrow in the direction of Shihab al-Din's voice and killed him. Both Prithviraj and Chand Bardai died shortly after.

The long recension contains several additions. For example, it mentions that Anangpal demanded his kingdom back a few years later. After failing to regain it by force, he went on to sought support from Muhammad Ghuri (Shihab al-Din). Prithviraj defeated both of them, and convinced Anangpal to retire.[20] The largest recension also gives accounts of bravery of several noble chiefs like Jaitra Rai, Devrai Baggari, Balibhadra Rai, Kuranbh Ram Rai, Prasang Rai Khichi and Jam Rai Yadav who were war allies or associates of Prithviraj.[21]

Historical reliability[edit]

Prithviraj Raso contains a mixture of imaginary stories and historical facts, which it exaggerates for dramatic effect. The largest version of Prithviraj Raso is especially known to contain several inaccuracies, and is of little historical value.[9][22]

Since the 16th century, the Rajput rulers patronized Prithviraj Raso for its elements of heroic exploits, romance and revenge.[4] Because of this, it became the most popular biography of Prithviraj among the Rajputs. James Tod, who introduced the text to the Western scholarship, characterised it as an authentic historical source[23] but is today considered himself not to be reliable.[24] As a result, Prithviraj Raso overshadowed other legendary texts about Prithviraj Chauhan (such as the Alha Khand and Prithviraja Vijaya). From 1900 onwards, several Hindi-language narratives based on Prithviraj Raso were published.[11]

Doubts about the text's historicity were first raised in 1886 by Kaviraj Shyamaldas.[9][25] These concerns were dismissed by those who saw Prithviraj Raso as an authentic indigenous text (as opposed to the Persian-language histories by Muslim writers).[11] The Mewar State official Mohanlal Vishnu Pandya tried to prove the text as authentic using forged documents. Pandya's arguments were rejected by prominent scholars such as G. H. Ojha and Ram Narayan Dugar.[9] By the late 19th century, the consensus on the historical authenticity of Prithviraj Raso had broken down.[11]

While not strictly history, the Prithviraj Raso is a source of information on the social and clan structure of the Kshattriya communities of northern India.[26]

Examples of historical inaccuracies[edit]

Some examples of historical inaccuracies in Prithviraj Raso include:

  • The text claims that Prithviraj's mother came from the Tomara family of Delhi. This is directly contradicted by the more reliable text Prithviraja Vijaya, which was composed during Prithviraj's reign.[27] According to Prithviraja Vijaya, his mother Karpuradevi was a Kalachuri princess.[28][29]
  • The text claims that Anangpal Tomar gave the kingdom of Delhi to Prithviraj, and was defeated when he wanted it back. This is historically inaccurate, as Delhi was annexed to the Chahamana territory by Prithviraj's uncle Vigraharaja IV.[30] Prithviraj inherited Delhi from his father Someshvara.[31]
  • The long recension of the text claims that the Chaulukya king Bhima II killed Prithviraj's father Someshvara. Later, Prithviraj defeated and killed Bhima. This is known to be historically false, as the reign of Bhima lasted nearly half a century after Prithviraj's death. Also, Bhima was a child at the time of Someshvara's death, and therefore, could not have killed him.[32]
  • The text claims that the Gahadavala ruler Vijayachandra defeated Bhola-Bhima of Pattanapura (Bhima II of Patan). However, Bhima II ascended the Chaulukya throne only in 1178 CE, after Vijayachandra's death.[33]
  • The text states that Prithviraja and princess Shashivrata fell in love after hearing about each other in the songs of a wandering bard. Shashivrata was the daughter of the Devagiri Yadava king Bhanu. She had a brother named Narendra. Bhanu arranged her marriage to Virchand (Virachandra), a nephew of Jaichand (Jayachandra), the Gahadavala king of Kannauj. Prithviraja marched off to Devagiri, and carried away Shashivrata against her father's wishes. The Chahamana army defeated the joint Gahadavala-Yadava forces. This legend is also historically inaccurate, as the Yadava capital at that time was Sinnar, not Devagiri. The contemporary Yadava ruler was Bhillama V, and he is not known to have any children named Shashivrata and Narendra. Moreover, there is no evidence of Chahamana and Gahadavala armies fighting a battle in the Deccan region.[34]
  • The text also claims that Vijayachandra defeated Mukunda-deva, the Somavanshi king of Kataka. Mukunda concluded peace by marrying his daughter to Jayachandra; Samyukta was the issue of this marriage. In reality, the Somavanshi dynasty did not have any king named Mukunda-deva, and they had already been displaced by the Gangas before Vijayachandra's ascension.[33]
  • The text mentions that Prithviraj defeated Nahar Rai of Mandovara and the Mughal chief Mudgala Rai. No historical records suggest existence of these persons.[30]
  • The longest recension claims that Samar Singh of Mewar was Prithviraj's bravest associate and married his sister Pritha. In reality, Samarasimha (Samar Singh) lived nearly a century after Prithviraj's death: his inscriptions date from 1273 CE to 1299 CE.[35]
  • The text claims that Prithviraj was taken to Ghazna as a prisoner, and managed to kill Muhammad of Ghor (Shihab al-Din) there. This is a fictional narrative: Muhammad of Ghor continued to rule for more than a decade after Prithviraj's death. Other historical records indicate that Prithviraj was taken to Ajmer after his defeat, and killed there on Muhammad's orders.[36]

The different recensions of the text also vary with each other. For example, the most popular recension of the text mentions the Agnikula legend, according to which Chahavana or Chahamana, the progenitor of the Chauhan dynasty, was born out of a fire-pit. However, the earliest extant manuscript of the text does not mention the Agnikula legend at all. It states that the first Chauhan ruler was Manikya Rai, who was born from Brahma's sacrifice.[37]

References[edit]

  1. ^ Raj kavi can be translated as "court poet" or "royal sage" and identified a courtier who was expected both to provide advice to the king and to compose "official" histories that glorified the king. Raj kavi were expected to accompany the king while hunting and making war. His role also may have included that of a balladeer who encouraged and exhorted the warriors to bravery in battle by reciting the great deeds of their leaders and illustrious clan forebears. In general see Bloomfield, Morton W. and Dunn, Charles W. (1992) Role of the Poet in Early Societies (2nd edition) D.S. Brewer, Cambridge, England, ISBN 0-85991-347-3
  2. ^ a b c d Gopal, Madan (1996) Origin and Development of Hindi/Urdu Literature Deep & Deep Publications, New Delhi, India, page 8, OCLC 243899911
  3. ^ K. B. Jindal (1955). A history of Hindi literature. Kitab Mahal. p. 12. 
  4. ^ a b c Cynthia Talbot 2015, p. 13.
  5. ^ Cynthia Talbot 2015, p. 100.
  6. ^ Rima Hooja (2006). A history of Rajasthan. Rupa & Co. p. 266. ISBN 978-8129108906. 
  7. ^ R. V. Somani 1976, pp. 31-32.
  8. ^ Cynthia Talbot 2015, p. 64.
  9. ^ a b c d R. V. Somani 1976, p. 30.
  10. ^ Cynthia Talbot 2015, p. x, 13.
  11. ^ a b c d Cynthia Talbot 2015, p. 27.
  12. ^ Cynthia Talbot 2015, p. 142.
  13. ^ Cynthia Talbot 2015, p. 146.
  14. ^ Cynthia Talbot 2015, pp. 156-161.
  15. ^ Cynthia Talbot 2015, pp. 149-150.
  16. ^ Cynthia Talbot 2015, pp. 152.
  17. ^ Cynthia Talbot 2015, pp. 150-151.
  18. ^ Cynthia Talbot 2015, pp. 152-153.
  19. ^ Cynthia Talbot 2015, p. 13-20.
  20. ^ Cynthia Talbot 2015, p. 76.
  21. ^ Baradāī, Canda; Mōhanasiṃha, Kavirāva. Pṛthvīrāja rāsō. Sampādaka: Kavirāva Mōhanasiṃha. [Prathama samskaraṇa] (in Hindi). Sāhitya Saṃstthāna. Retrieved 12 July 2016. 
  22. ^ Vijayendra Snatak (1997). "Medieval Hindi Literature". In K Ayyappap Panikkar. Medieval Indian literature: an anthology (Volume 1). Sahitya Akademi. p. 142. ISBN 978-81-260-0365-5. Retrieved 28 September 2011. 
  23. ^ Cynthia Talbot 2015, p. 7.
  24. ^ Freitag, Jason (2009). Serving empire, serving nation: James Tod and the Rajputs of Rajasthan. BRILL. pp. 3–5. ISBN 978-90-04-17594-5. 
  25. ^ Kaviraj Syamaldas "The Antiquity, Authenticity and Genuineness of the epic called the Prithviraj Rasa and commonly ascribed to Chand Bardai" J Asiatic Soc. of Bengal, V 55, Pt.1, 1886
  26. ^ Luṇiyā, Bhanwarlal Nathuram (1978) Life and Culture in Medieval India Kamal Prakashan, Indore, India, page 293, OCLC 641457716
  27. ^ R. C. Majumdar 1977, p. 339.
  28. ^ R. B. Singh 1964, p. 156.
  29. ^ Dasharatha Sharma 1959, p. 69.
  30. ^ a b R. B. Singh 1964, p. 162.
  31. ^ D. C. Ganguly (1981). R. S. Sharma, ed. A Comprehensive History of India (A. D. 300-985). 3, Part 1. Indian History Congress / Orient Longmans. p. 704. 
  32. ^ Dasharatha Sharma 1959, p. 76.
  33. ^ a b Roma Niyogi 1959, p. 92.
  34. ^ A. S. Altekar 1960, p. 526-527.
  35. ^ Cynthia Talbot 2015, p. 156.
  36. ^ Dasharatha Sharma 1959, p. 87.
  37. ^ Hiltebeitel, Alf (1999). Rethinking India's Oral and Classical Epics: Draupadi among Rajputs, Muslims, and Dalits. University of Chicago Press. p. 447. ISBN 978-0-226-34055-5. 

Bibliography[edit]