Producing Great Sound for Film and Video

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Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix
Cover for Producing Great Sound for Film and Video by Jay Rose.jpg
4th Edition
Author Jay Rose
Country United States
Language English
Release number
4th Edition
Subject Filmmaking, Audio Production, Audio Mixing
Published July 17, 2014
Publisher Focal Press
ISBN 978-0415722070
Website https://www.routledge.com/products/9780415722070

Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix is a non-fiction book and filmmaking handbook. The book is also used as a university textbook. It covers the process of acquiring professional quality sound for motion picture productions.

Author Jay Rose is an Emmy-award winning sound professional.[1] He has won over 150 major awards including 12 Clios, and he has contributed to nearly 15,000 commercials.[2] His work includes the MGM release Two Weeks.[3]

The book is published by Focal Press, a media and technology publishing company.[4] Focal Press is an imprint of the academic press Taylor & Francis.[5][6]

The book was first published in 1999 under the title Producing Great Sound for Digital Video by Miller Freeman Books and was 375 pages.[7][8] Seventeen years later, as of 2016, the book is in its fourth edition, and stands at 520 pages.[9]

It has been required reading at many film schools, including the University of Southern California (USC).[10]

The book was also awarded five out of five stars by Videomaker Magazine.[11]

When released, Millimeter Magazine noted that the book was one of very few publications extensively covering the art of capturing motion picture sound.[12]

Producing Great Sound for Film and Video has been called, "...the book on the subject."[13]

Overview[edit]

In the opening of the book, Rose states:

The heart of this book is the tricks, shortcuts and industry practices developed over nearly a century, since the beginning of radio and talking pictures. In the 40-some years I've been at this, I've worked on tracks ranging from sales videos to theatrical features...and seen my projects win Clios, an Emmy, and hundreds of other awards...This book is an attempt to share as much as I can.

Producing Great Sound for Film and Video is broken into four main sections, ordered to reflect real-world filming situations:

  • Audio Basics
  • Planning and Pre-Production
  • Production Sound
  • Post Production

Subjects covered include analog versus digital audio, recording and using sound effects, microphone techniques, ADR, mixing, and mastering.

One section highlighted as unique by Videomaker Magazine was that on "editing voices."[11] Rose breaks down how human speech works, and how that translates to film and video productions. Tips include stealing unvoiced sounds from other characters or people speaking in a scene, and using them to replace problematic recordings of others. The "editing voices" section also discusses sounds with "hard attacks" and training the ear to hear phonemes, which helps in isolating and correcting speech recording issues.

Numerous "recipes" for dealing with common sound issues, such as reducing or eliminating echo on sets, and removing line hum and buzz from recorded audio, are also provided.

Eliva Silva writing for San Antonio Express-News said of the book:

[It is] the whole theory -- and beautiful theory -- on the science of audio and the way that audio is recorded through voltage, converted into digital information, back to voltage into sound.[14]

Style[edit]

Author Rose states in the book that he wishes to appeal to technical and non-technical people alike, adding he hopes to keep the book approachable and conversational in tone, dispelling the idea that audio needs to be difficult to understand. He states that audio is not "rocket science." While the book does contain math and science, Rose points out the math is elementary school level and the physics is "common sense."

The current version of the book provides downloadable files including sample sounds and music, diagnostic tools and additional tutorials allowing the reader to practice with the principles explained. Earlier versions of the book included a CD-ROM of similar assets.

In 2003, Millimeter Magazine felt the style was right for the time:

Digital artists are very much hands-on, and Rose is the right man to write audio books for this new generation of filmmakers. Rose operates his own boutique sound studio and bridges the analog and digital eras - he's made the discoveries and mistakes that no one should have to learn on the job. This direct experience with DV equipment and projects is apparent throughout the book.[12]

Classroom use[edit]

Major universities and film schools that have used the book as a textbook include:

A 33-page instructor guide is also provided by the publisher.[20]

Reception[edit]

Critical reviews[edit]

Covering the first edition of the book, Videomaker Magazine noted the high price tag of the book, but said:

With PBS and Turner Network Television production experience under his belt, author Jay Rose brings a wealth of experience to Producing Great Sound for Digital Video...the book is replete with facts and useful information.[7]

Of the second edition, Millimeter Magazine said:

Shortchanging film sound is typical of new filmmakers, and the emphasis on picture over sound is a bias running through film schools and film publications - articles, books, and courses on visual subjects far outnumber those on film sound. Author Jay Rose is single-handedly addressing the problem.[12]

John Hartney writing for Creative COW said of the second edition,

...it offers such a wide range of usable information about hands-on digital audio production, that by reading it, the reader is empowered with production skills and enlightened by an appreciation of how the experience of audio enriches video.[21]

In 2008, covering the third edition of the book, Videomaker Magazine awarded it "five out of five stars" and said:

I have been looking for this book for 20 years - no exaggeration...The chapter on Editing Voices alone is worth the price tag.[11]

Entertainment industry reviews[edit]

Academy Award winner Randy Thom (director of Sound Design at Skywalker Sound,[22] Oscar winner for The Right Stuff and The Incredibles[23]) wrote praise of the author and book:

Jay Rose is one of the leaders in spreading the gospel of using sound creatively. He presents cutting-edge ideas about the collaboration of sound and image, and also covers the basics… all in an easy to read, easy to understand style.[9]

Academy Award nominated sound mixer Jeff Wexler[24] (Independence Day, The Last Samurai, Fight Club) wrote a blurb for the book stating:

"This is the definitive book. It should be mandatory reading for anyone who is seriously considering a career making movies."[9]

References[edit]

  1. ^ Fortt, Jon (September 20, 2001). "Video 101: Get the Right Data to Make a Smart Buy". San Jose Mercury News. Archived from the original on February 15, 2016. Retrieved February 15, 2016. 
  2. ^ "Jay Rose Professional Experience". JayRose.com. Retrieved January 31, 2016. 
  3. ^ Koehler, Robert. "Two Weeks". Variety (December 4, 2006 - December 10, 2006). Retrieved February 3, 2016. 
  4. ^ "Focal Press". Routledge. Retrieved February 3, 2016. 
  5. ^ "AES Sustaining Member". Audio Engineering Society. Retrieved February 3, 2016. 
  6. ^ "Homepage: Taylor and Francis". Taylor and Francis. Retrieved February 3, 2016. 
  7. ^ a b "Producing Great Sound for Digital Video". Videomaker Magazine (March, 2000). Retrieved January 30, 2016. 
  8. ^ Rose, Jay. "Producing Great Sound for Digital Video". JayRose.com. Retrieved January 20, 2016. 
  9. ^ a b c "Producing Great Sound for Film and Video". Routledge.com. Routledge, Taylor and Francis Group. Retrieved January 30, 2016. 
  10. ^ a b "SYLLABUS: MuIN 499, The Recording Console" (PDF). University of Southern California (USC). Retrieved February 3, 2016. 
  11. ^ a b c Parr, Morgan. "New Titles Reviews". Videomaker Magazine (September, 2008). 
  12. ^ a b c Katz, S.D. (February 2003). "Essential Reading for DV Filmmakers". Millimeter Magazine. 
  13. ^ Steve Stockman (2011). How to Shoot Video That Doesn't Suck. Workman Publishing Company. p. 247. ISBN 978-0-7611-6323-7. 
  14. ^ Silva, Eliva (August 6, 2006). "So Whatcha Doin'? Pablo Véliz". San Antonio Express-News. Archived from the original on February 15, 2016. Retrieved February 15, 2016. 
  15. ^ "COURSE SYLLABUS Course #: Course Title: Principles of Production Sound for Film and Video" (PDF). UCLA Extension. Retrieved February 4, 2016. 
  16. ^ "MA571 Syllabus". Long Island University. 
  17. ^ "COMM 662R - Sound for Picture" (PDF). Wichita State University. Retrieved February 3, 2016. 
  18. ^ "COMM 462 Documentaries II Documentary Genres and Modes, Spring 2015" (PDF). Fredonia State University of New York. Retrieved February 3, 2016. 
  19. ^ "COURSE SYLLABUS for CTVA 230 Fundamentals of Audio" (PDF). Film TV Sound. Retrieved February 3, 2016. 
  20. ^ "Instructor Resources - Producing Great Sound for Film and Video". Routledge Text Books. Retrieved February 3, 2016. 
  21. ^ Hartney, John. "John Hartney reviews: Producing Great Sound for Digital Video, Second edition". Creative COW. Retrieved January 30, 2016. 
  22. ^ "Randy Thom". Skywalker Sound. Retrieved January 31, 2016. 
  23. ^ "Randy Thom - Awards". Internet Movie Database. Retrieved January 31, 2016. 
  24. ^ "Jeff Wexler Awards". Internet Movie Database. Retrieved January 30, 2016.