A pseudo-octave, pseudooctave, or paradoxical octave in music is an interval whose frequency ratio is not 2:1 (2.3:1 or 1.9:1, for example), that of the octave, but is perceived or treated as equivalent to this ratio, and whose pitches are considered equivalent to each other as with octave equivalency.
In piano tuning, stretched octaves are commonly encountered, where the inharmonicity caused by string thickness and tension makes it necessary to widen every interval very slightly. See: stretched tuning.
The octaves of Balinese gamelans are never tuned 2:1, but instead are stretched or compressed in a consistent manner throughout the range of each individual gamelan, due to the physical characteristics of their instruments. Another example is the tritave play on clarinets (help·info) of the Bohlen–Pierce scale (3:1).
Octave stretching is less apparent on large pianos which have longer strings and hence less curvature for a given displacement; that is one reason why orchestras go to the expense of using very long concert grand pianos rather than shorter, less expensive baby grand, upright, or spinet pianos. Another reason is that long strings under high tension can store more acoustic energy than can short strings, giving larger instruments more loudness and better sustain than similar, smaller instruments.
- "Interview with Max Mathews", p.21. Author(s): C. Roads and Max Mathews. Source: Computer Music Journal, Vol. 4, No. 4, (Winter, 1980), pp. 15–22. Published by: The MIT Press.
- "The Paradoxes of Octave Identities", p.213. Author(s): Jenő Keuler. Source: Studia Musicologica Academiae Scientiarum Hungaricae, T. 40, Fasc. 1/3, (1999), pp. 211–224. Published by: Akadémiai Kiadó.