Pucci family

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For people with the surname Pucci, see Pucci.
The Pucci family's emblem, with the moor's head
The Pucci family's coat of arms at the Palazzo Pucci in Florence

The Pucci family has been a prominent noble family in Florence over the course of many centuries. A recent notable member of this family was Emilio Pucci, an Italian fashion designer who founded a clothing company after World War II.


The family surname derives from an ancestor named Jacopo, informally Jacopuccio, abbreviated to Puccio, who was considered wise and frequently called upon to settle disputes - there are records of two such interventions in 1264 and 1287. Their former surname seems to have been Saracini, which explains the presence of a "maure" (moor's head) on the Pucci family's coat of arms.

The first Pucci family members to be mentioned date from the 13th century, with their subscribing to the Arte dei Legnaioli. These early members included Antonio Pucci, who worked as an architect on the construction of the Loggia della Signoria. His son, Puccio Pucci, was a merchant who became rich thanks to trade and financial activities in medieval Florence. The first Pucci residences were in the Santa Croce district of Florence, before they moved to that of the church of San Michele Visdomini.

They were supporters of the Guelphs, thus they were expelled and their houses demolished after the battle of Montaperti in 1260. However, they were soon able to return upon the Ghibellines' expulsion from the city. With wealth came political offices such as magistracies, priories and gonfalonieres - the Pucci family produced a total of 23 priors and 8 holders of the post of confaloniere di giustizia.

Constant allies of the Medici during the Renaissance, the Pucci were among the families that Cosimo de' Medici called upon as a means of indirectly pursuing his own political interests. Trusted Medici allies from the Pucci family included Puccio Pucci, who provided Cosimo with money to improve his living conditions in prison whilst Cosimo was imprisoned prior to being exiled. In the early 16th century, the Pucci family's prestige rose yet higher, with it producing three cardinals (Roberto, Lorenzo and Antonio Pucci) within a few decades of each other and continuing to be trusted figures in the Medici's ducal and then grand-ducal courts.

However, a momentary bitter break with the Medici family came in 1559, when Pandolfo Pucci was ousted from the court of Cosimo I for various slanderous accusations of immorality or (according to other sources) for dreaming of restoring the ancient Republic of Florence. Thus, for revenge or ideological reasons, he conspired against Cosimo with the support of other noble Florentine families, intending to fire an arquebus at Cosimo as he and his retinue walked along the corner of Palazzo Pucci and Via de' Servi to get to Santissima Annunziata. The plan had already been shelved, but after the Medici intelligence network got wind of it, Pandolfo was hung from a window of the Bargello and the Pucci properties were seized. As a memorial to the quashing of the plot, or perhaps out of prudence or superstition, it was decided to brick up the window at the corner where the attack was to have occurred, as can still be seen.

The Pucci family later made peace with the Medici, and Niccolò Pucci regained the Palazzo Pucci and its furnishings. In 1662, Orazio Roberto Pucci acquired the fiefdom of Barsento (Bari) for 4,000 scudi and obtained the title of Marchese di Barsento, a noble title which has since been handed down through the family.

The most recent notable family member was Emilio Pucci, founder of the namesake post-war fashion house, who became famous (above all in the 1960s and 70s) for more and more fancy but still refined clothing designs. He designed the traditional uniform of the Italian Vigili Urbani, with large white gloves and oval beret. His brother, Puccio Pucci, was also notable as a sports official for CONI and other organisations. In the 1960s, the two brothers split the Palazzo Pucci between them, with Emilio taking the left half as the main base for his fashion house and Puccio rebuilding the interior of the central part as a commercial gallery with small craft shops, as it still is today.


Nastagio degli Onesti, fourth panel, Sandro Botticelli

Puccio Pucci in 1445 showed interest acquiring the main chapel of the still-to-be constructed tribune of the SS. Annunziata (the later site of the Cappella della Madonna del Soccorso). From 1452, his son, Antonio Pucci began to contribute funds to the construction of the Oratory of San Sebastiano of the church of Santissima Annunziata, for which he commissioned Piero del Pollaiolo's painting of the Martyrdom of Saint Sebastian (now in the National Gallery, London).

The family's palazzo still contains one of the four paintings commissioned by Lorenzo the Magnificent from Sandro Botticelli as a gift to Giannozzo Pucci on Giannozzo's marriage to Lucrezia Bini in 1483. These paintings tell the story of Nastalgio degli Onesti and the first three in the narrative are now in the Prado in Madrid. The painting still in Florence shows the use of forks, which were traditionally adopted for the first time in Florence by the Pucci and whose use Catherine de'Medici then spread across Europe. It also depicts the actual tableware and silver vessels used by the family, which were allegedly from the workshops of Verrocchio and Pollaiolo.

The Pucci commissioned several works for the churches neighbouring their palazzo. For the church of San Michele Visdomini, in 1518 Francesco Pucci commissioned Pontormo to paint the Holy family with saints, which was described by Vasari as one of the best paintings by an Empolese painter. Whilst he was archbishop of Bologna, cardinal Antonio Pucci commissioned Raphael to paint a scene of The Ecstasy of Saint Cecilia - now moved to the city's Pinacoteca. At the end of the 16th century Lorenzo Pucci commissioned Alessandro Allori to paint a Marriage at Cana as an altarpiece for the church of Sant'Agata (completed 1600).

The family's palazzo was rebuilt by the grand-ducal architect Bernardo Buontalenti in the second half of the 16th century. Between 1585 and 1595 abbot Alessandro Pucci built the Villa di Bellosguardo, to designs by Giovanni Antonio Dosio - it remained a family property until 1858. The Pucci completed the portico of the church of Santissima Annunziata, in a stylistic unity with the piazza outside (the Pucci device is to be seen on the pavement in front of the entrance and on both sides of the portico) - an inscription on the frieze and a plaque on Via Gino Capponi gives its completion date as 1601.

Works linked to the Pucci family[edit]

The Pucci emblem on the floor of Santissima Annunziata - the headband originally bore three hammers (symbol of the family's ancestral profession), later replaced by three Ts to represent the acronym of the family motto Tempore tempora tempera ("time is a great healer")[1]

Notable members[edit]

Its members included:



  • (in Italian) Marcello Vannucci, Le grandi famiglie di Firenze, Newton Compton Editori, 2006 ISBN 88-8289-531-9

External links[edit]