Queen Mab is a fairy referred to in Shakespeare's play Romeo and Juliet. She later appears in other poetry and literature, and in various guises in drama and cinema. In the play her activity is described in a famous speech by Mercutio written originally in prose and often adapted into iambic pentameter, in which she is described as a miniature creature who drives her chariot into the noses and into the brains of sleeping people to compel them to experience dreams of wish-fulfillment. She would also "plague" "ladies' lips" "with blisters", which is thought a reference to the plague or to herpes simplex. She is also described as a midwife to help sleepers 'give birth' to their dreams. She may be a figure borrowed from folklore, and though she is often associated with the Irish Medb in popular culture and has been suggested by historian Thomas Keightley to be from Habundia, a more likely origin for her name would be from Mabel and the Middle English derivative "Mabily" (as used by Chaucer) all from the Latin amabilis ("lovable").
Mercutio's speech (in the adapted prose version)
"O, then, I see Queen mab hath been with you.
She is the fairies’ midwife, and she comes
In shape no bigger than an agate-stone
On the fore-finger of an alderman,
Drawn with a team of little atomies
Athwart men's noses as they lies asleep;
Her wagon-spokes made of long spinners’ legs,
The cover of the wings of grasshoppers,
The traces of the smallest spider's web,
The collars of the moonshine's wat'ry beams,
Her whip of cricket's bone; the lash of film;
Her waggoner a small grey-coated gnat,
Not half so big as a round little worm
Pricked from the lazy finger of a maid:
Her chariot is an empty hazelnut
Made by the joiner squirrel or old grub,
Time out o’ mind the fairies’ coachmakers.
And in this state she gallops night by night
Through lovers’ brains, and then they dream of love;
O’er courtiers’ knees, that dream on court'sies straight,
O’er lawyers’ fingers, who straight dream on fees,
O’er ladies' lips, who straight on kisses dream,
Which oft the angry Mab with blisters plagues,
Because their breaths with sweetmeats tainted are:
Sometime she gallops o’er a courtier's nose,
And then dreams he of smelling out a suit;
And sometime comes she with a tithe-pig's tail
Tickling a parson's nose as a’ lies asleep,
Then dreams, he of another benefice:
Sometime she driveth o’er a soldier's neck,
And then dreams he of cutting foreign throats,
Of breaches, ambuscadoes, Spanish blades,
Of healths five-fathom deep; and then anon
Drums in his ear, at which he starts and wakes,
And being thus frighted swears a prayer or two
And sleeps again. This is that very Mab
That plaits the manes of horses in the night,
And bakes the elflocks in foul sluttish hairs,
Which once untangled, much misfortune bodes:
This is the hag, when maids lie on their backs,
That presses them and learns them first to bear,
Making them women of good carriage:
This is she—"
— Mercutio in Romeo and Juliet, Act I, scene IV
In other literature
After her literary debut in Romeo and Juliet, she appears in works of seventeenth-century poetry, notably Ben Jonson's "The Entertainment at Althorp" and Michael Drayton's "Nymphidia". In Poole's work Parnassus, Mab is described as the Queen of the Fairies and consort to Oberon, Emperor of the Fairies.
Herman Melville's epic American novel Moby Dick includes a chapter called "Queen Mab". The 31st chapter of Melville's work is entitled such because it describes a dream by Captain Ahab's second mate, Stubb.
American philosopher George Santayana wrote a short piece entitled "Queen Mab" which appeared in his 1922 book Soliloquies in England and Later Soliloquies. This particular soliloquy considers English literature as an indirect form of self-expression in which the English writer "will dream of what Queen Mab makes other people dream" rather than revealing him or herself.
Is referred as the Queen of the Unseelie Court in Julie Kagawa's 'The Iron Fey' series.
Film and television
In the first episode of season four of HBO's original series "True Blood", Queen Mab (portrayed by Rebecca Wisocky) is the Queen of Faerie who centuries ago ordered the fae to retreat to the Plane of Faerie in the wake of vampire aggression. Under her orders, humans with fae blood (including Sookie Stackhouse) are being drawn into Faerie as well. When Sookie rebels against her and escapes back to the mortal realm, Queen Mab seals the Faerie portals for good, trapping the half-fae with her and a handful of true fae in Bon Temps.
Though the Disney cartoon Gargoyles was canceled before Queen Mab could appear, creator Greg Weisman says that she is the mother of the series' version of Oberon and would eventually have been an antagonist had the show continued.
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- Words And Names, Ernest Weekley, Ayer Publishing, 1932, ISBN 0-8369-5918-3, ISBN 978-0-8369-5918-5. p. 87
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- A General Biographical Dictionary by John Gorton (London; Whittaker and Co.; 1847) vol. III page 507, retrieved from Google Books 5 February 2014
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- "Complete text of poem". Bartleby.com. Retrieved 2011-08-29.
- Peter Pan in Kensington Gardens at Neverpedia
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- Book 4 of The Dresden Files, "Summer Knight", Chapter 3 Butcher, Jim
- Woman, The (2010-12-15). "Dane DeHaan and Rebecca Wisocky Joining True Blood's Season Four | Horror Movie, DVD, & Book Reviews, News, Interviews at Dread Central". Dreadcentral.com. Retrieved 2011-08-29.
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- Adrian C. Lashmore-Davies, ed. "The Correspondence of Henry St. John and Sir William Trumbull, 1698-1710." Special edition, Eighteenth-Century Life 32, no. 3 (2008), 99.