Rachel Félix

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Rachel Félix
Portrait of Mlle Rachel by William Etty YORAG 988.jpg
Elisabeth Félix

(1821-02-21)21 February 1821
Died3 January 1858(1858-01-03) (aged 36)

Elisabeth Félix, better known only as Mademoiselle Rachel (21 February 1821 – 3 January 1858), was a French actress.

She became a prominent figure in French society, and was the mistress of, among others, Napoleon III, Napoléon Joseph Charles Paul Bonaparte and Alexandre Colonna-Walewski, the illegitimate son of Napoleon I. Efforts by newspapers to publish pictures of her on her deathbed led to the introduction of privacy rights into French law.[1]


Rachel Félix was born as Elisabeth Félix on 28 February 1821, in Mumpf, Rheinfelden, Aargau, to a family of Jewish background. Her father, Jacob Félix, was a peddler and her mother, Esther Hayer, was a Bohemian dealer in second-hand clothes. She had four sisters (Sarah, Rebecca, Dinah, and Leah) and one brother, Raphael.[citation needed]

As a child, Félix earned money singing and reciting in the streets. She arrived in Paris in 1830 intending to become an actress. She took elocution and singing lessons, eventually studying under the instruction of the musician Alexandre-Étienne Choron and Saint-Aulaire. She took dramatic arts classes and debuted in La Vendéenne in January 1837, at the Théâtre du Gymnase. Delestre-Poirson, the director, gave her the stage name Rachel, which she chose to retain in her private life as well.[citation needed]

Rachel was described as a very serious and committed student. She was admired for her intelligence, work ethic, diction, and ability to act. Auditioning in March 1838, she starred in Pierre Corneille's Horace at the Théâtre-Français at the age of 17.[citation needed]

During this time she began a liaison with Louis Véron, the former director of the Paris Opera, which became the subject of much gossip.[2] During this time, from 1838–42, she lived in a third-floor apartment in Paris's Galerie Véro-Dodat.[3]

Her fame spread throughout Europe after success in London in 1841, and she was often associated with the works of Racine, Voltaire, and Corneille.[4] She toured Brussels, Berlin, and St. Petersburg.

Although French classical tragedy was no longer popular at the time Rachel entered the stage of Comédie-Française, she remained true to her classical roots, arousing audiences with a craving for the tragic style of writers like Corneille, Racine and Molière.[citation needed]

She created the title role in Eugène Scribe's Adrienne Lecouvreur. Her acting style was characterized by clear diction and economy of gesture; she evoked a high demand for classical tragedy to remain on the stage. This represented a major change from the exaggerated style of those days, as society was beginning to demand the highly emotional, realistic, instinctual acting styles of the Romantics. Félix completely rejected the Romantic Drama movement happening in nineteenth-century France. She was best known for her portrayal of the title role in Phèdre.[citation needed]

Portrait by Joseph Kriehuber


Félix's health declined after a long tour of Russia. She died early in 1858, aged 36, from tuberculosis in Le Cannet, Alpes-Maritimes, France.


Upon her deathbed, she wrote many farewell letters to her sons, family members, lovers, colleagues and theatre connections at Comédie-Française. She is buried in a mausoleum in the Jewish part of Père Lachaise Cemetery and fr:Avenue Rachel in Paris was named after her.[5][6][7]

The English theatre critic James Agate published a biography of her in 1928, which echoes the anti-Semitism of his day.[2]

A modern account of her life and legacy by Rachel Brownstein was published in 1995.[8]

The character "Vashti" in Charlotte Brontë's novel Villette was reportedly based on Félix, whom Brontë had seen perform in London.[9]

Rachel, a light tannish colour, primarily for face-powder used in artificial light, is named after her.[10] The raschel knitting-machine is according to the OED also named after her.[11]

Chronological repertoire[edit]

Rachel in Lady Macbeth (1849), Charles Louis Müller - Musée d'Art et d'Histoire du Judaïsme
  • 1837:
    • La Vendéenne by Paul Duport (Théâtre du Gymnase, 24 April)
    • Le Mariage de raison by Scribe et Varner (Théâtre du Gymnase, 12 June)

At the Théâtre Français:

  • 1838:
  • 1839:
    • Esther in Esther by Racine (29 February)
    • Laodice in Nicomède by Corneille (9 April)
    • Dorine in Tartuffe by Molière (30 April)
Rachel as Chimène in Le Cid by Corneille
  • 1840:
    • Pauline in Polyeucte Martyr by Corneille (15 May)
    • First tour in France during the summer (Rouen, Le Havre, Lyon)
    • The title role of Marie Stuart by Lebrun (22 December)
  • 1841:
  • 1842:
    • Chimène in Le Cid by Corneille (19 January)
    • The title role of Ariane by Thomas Corneille (7 May)
    • Toured in England and Belgium (summer)
    • Frédégonde in Frédégonde et Brunehaut by Lemercier (5 November)
  • 1843:
    • The title role of Phèdre by Racine (21 January)
    • The title role of Judith by Girardin (24 January)
    • Toured in Rouen, Marseille and Lyon (summer)
  • 1844:
    • The title role of Bérénice by Racine (6 January)
    • Isabelle in Don Sanche d'Aragon by Corneille (17 January)
    • The title role of Catherine II by Romand (25 May)
    • Marinette in Le Dépit amoureux by Molière (1 July)
    • Toured in Belgium (summer)
    • Birth of her son Alexandre in Marly-le-Roi (3 November)
Rachel as Racine's Phèdre
  • 1845:
    • Virginie in Brest (3 July)
    • Polyeucte in Nancy (25 August)
  • 1846:
  • 1847:
    • La Muse sérieuse in L'Ombre by Molière (15 January)
    • Fatine in Le Vieux by La Montagne (6 February)
    • The title role of Athalie by Racine (5 March)
    • Toured in London, in the Netherlands, and at Liège (May–June)
  • 1848:
    • Birth of her second son, Gabriel, at Neuilly-sur-Seine (26 January)
    • Horace (13 March)
    • Toured in Amsterdam (June–October)
    • Britannicus by Racine (October)
  • 1849:
    • Andromaque (January)
    • The title role of Le Moineau de Lesbie by Armand Barthet (22 March)
    • The title role of Adrienne Lecouvreur (14 April)
    • Toured in west and southwest France (29 May - 31 August)
  • 1850:
  • 1851: Toured
  • 1853: Toured
  • 1854: Toured in Warsaw, Saint Petersburg and Moscow (January–April)
  • 1855: Toured in New York and in the United States (September–December)
    • The troupe separated in Cuba in December.
  • 1858: Rachel died on 3 January


  1. ^ Smartt, Ursula (2011). Media and Entertainment Law. Abingdon: Taylor & Francis. p. 26. ISBN 9781136736414.
  2. ^ a b Agate, James, Rachel. Gerald Howe, London; Viking Press, NY; 1928.
  3. ^ Arnold, Beth (February 2010). "On Location, Galerie Vero-Dodat". Letter From Paris.
  4. ^ George William Curtis (1894). "Rachel". Literary and Social Essays. New York: Harper & Brothers. pp. 97–125.
  5. ^ "Elisa Rachel Félix, dite RACHEL". Judaïsme SDV.
  6. ^ M-P. Hamache et C. Lévy, « Elisa Rachel Félix, dite Rachel » in Archives Juives, Revue d'histoire des Juifs de France, N° 32/2, 2ème semestre 1999.
  7. ^ "Juliette Récamier - Une éclatante maturité". Les Conférences de Mathilde.
  8. ^ Brownstein, Rachel M., Tragic Muse: Rachel of the Comédie-Française. Duke University Press, Durham and London; 1995.
  9. ^ http://www.blackwellreference.com/public/tocnode?id=g9781405151191_chunk_g978140515119123_ss13
  10. ^ http://www.cosmeticsandskin.com/aba/rachel.php
  11. ^ Oxford English Dictionary, OED2 on CD-ROM v 1.02. Oxford University Press, 1992.<-- ISSN/ISBN, page(s) needed.


This article relies heavily on the French Wiki article of the same name, from which this was partially translated in May 2006.

Sculpture of Rachel in Berlin's Pfaueninsel
  • Agate, James. Rachel. London: Gerald Howe 1928; NY: Viking Press 1928; reprint Bronx: Benjamin Bloom, Inc., 1969.
  • Brownstein, Rachel M. Tragic Muse. New York: Alfred A. Knopf, 1993.
  • Forman, Edward. Historical Dictionary of French Theatre. Lanham: The Scarecrow Press, Inc. 2010.
  • Gribble, Francis. Rachel. New York: Benjamin Bloom Inc., 1972.
  • Richardson, Joanna. Rachel. London, Max Reinhardt, 1956.

External links[edit]