Radhika Mohan Maitra
Radhika Mohan Maitra
Radhika with mohan veena
|Origin||Calcutta, Bengal Presidency, British India|
|Genres||Hindustani classical music|
|Associated acts||Budddhadev Das Gupta, Kalyan Mukherjea Sanjoy Bandopadhyay, Narendra Nath Dhar, Samarendra Nath Sikdar|
Radhika Mohan Maitra (1917–1981) was an Indian sarod player and the guru of Narendra Nath Dhar, Kalyan Mukherjea, Buddhadev Dasgupta, Sanjoy Bandopadhyay, Abanindra Maitra, Samarendra Nath Sikdar, and many other outstanding musicians of this generation. Maitra was considered an influential figure in 20th century sarod playing and received the title Sangeetacharya. He was among those awarded the Sangeet Natak Akademi Award in 1971.
Radhika Mohan Maitra came from a Bengali zamindar family that had a history of musicianship and of patronising that art. His grandfather, Lalit Mohan Maitra, was a player of the tabla, his father, Brajendra Mohan, played the sarod, and his mother learned the sitar. Among those who were patronised by his grandfather was Mohammed Amir Khan and it was he who acted as the guru and principal teacher of Radhika, although the pupil also learned other instruments and styles of music with his permission. In addition to his musical training, Maitra held an M.A. degree in philosophy, awarded by the University of Calcutta, and also a LL.B. law degree. He taught philosophy for a while and was also a noted musicologist with several books to his name.
Maitra rose to prominence as a musician in the 1950s, when he was in demand for concerts both within India and elsewhere in the world. Aside from radio recitals, he performed in countries such as Afghanistan, Australia, China, New Zealand and the Philippines as part of cultural delegations organised by the Government of India, and he also performed in a non-government tour of the USA in 1975. It was from around that time that he gradually reduced his appearances, preferring instead to concentrate on teaching both the sarod and the sitar. His students were often obtained by a referral method, whereby a potential new pupil was introduced by someone who was already being taught by Maitra. Sometimes he would teach directly, and other times he would delegate the task to a student.
- Chatterjee, Gautam (8 August 2008). "Music on the screen". The Hindu. Retrieved 24 January 2015.
- "Timeout". The Telegraph. 23 January 2006. Retrieved 24 January 2015.
- "Sangeet Natak Akademi Puraskar (Akademi Awards)". Sangeet Natak Akademi. Archived from the original on 30 May 2015. Retrieved 24 January 2015.
- Hamilton, James Sadler (1994). Sitar Music in Calcutta: An Ethnomusicological Study. Motilal Banarsidass Publisher. pp. 3–6, 113–114. ISBN 978-8-12081-210-9.
- Hamilton, James Sadler (1994). Sitar Music in Calcutta: An Ethnomusicological Study. Motilal Banarsidass Publisher. pp. 115–119. ISBN 978-8-12081-210-9.
- Kalyan Mukherjea; Peter Manuel (2010). "Radhika Mohan Maitra: His Life and Times". Asian Music. 41 (2): 188 – via Project MUSE.
- Hamilton, James Sadler (1994). Sitar Music in Calcutta: An Ethnomusicological Study. Motilal Banarsidass Publisher. p. 115. ISBN 978-8-12081-210-9.
- Mukherjea, Kalyan; Manuel, Peter (2010). "Radhika Mohan Maitra: His Life and Times". Asian Music. 41 (2): 180–197. doi:10.1353/amu.0.0065.