Radio Flyer (film)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Radio Flyer
Radio flyer dvd cover.jpg
Theatrical release poster
Directed byRichard Donner
Written byDavid Mickey Evans
Produced byLauren Shuler Donner
CinematographyLászló Kovács
Edited byStuart Baird
Music byHans Zimmer
Distributed byColumbia Pictures
Release date
February 21, 1992
Running time
114 minutes
CountryUnited States
Budget$35 million
Box office$4,651,977

Radio Flyer is a 1992 American drama-fantasy film directed by Richard Donner and written by David Mickey Evans. It stars Lorraine Bracco, John Heard, Elijah Wood, Joseph Mazzello, Adam Baldwin, Ben Johnson and narrated by Tom Hanks.[1] Evans was to make his directorial debut on the film but was replaced by Donner. Michael Douglas and Evans were executive producers. Filming locations included Novato, California, and Columbia Airport in Columbia, California.


Mike (Tom Hanks) observes his two sons fighting, with one insisting that a promise doesn't mean anything. To help them understand that a promise does mean something, he tells them the story of his youth. In 1969, 11-year-old Mike (Elijah Wood), 8-year-old Bobby, their mother, Mary, and their German Shepherd, Shane, relocate from New Jersey to Novato, California after their father/husband leaves them. There, Mary weds a new man named Jack MacKenzie, who the children call "The King". Unbeknownst to Mary, Jack is an alcoholic who often gets drunk and beats Bobby. Jack also repeatedly plays Hank Williams’s "Jambalaya (On the Bayou)" on his record player.

Seeing that Mary has found happiness at last with Jack, Bobby swears Mike to secrecy about the abuse. Instead, the two boys seek adventures to occupy the time that would otherwise be spent with Jack; they recount the "seven great abilities and fascinations" of childhood while exploring their new surroundings and dealing with the neighborhood bullies. However, an unsupervised incident in the kitchen leads to Bobby being hospitalized by Jack, but Shane gets revenge on Jack by violently biting him on the arm. After spending time in jail, Jack is released following the death of his mother and returns to their house promising never to drink or abuse Bobby again; he violates his promise while the boys are at school and nearly kills Shane. As a result, the brothers devise a plan for Bobby to escape Jack once and for all. Mary also starts to catch on to Jack's true nature and finally requests a divorce.

Inspired by the urban legend of a boy named Fisher who attempted to fly away on his bicycle over a cliff nicknamed “The Wishing Spot”, the two convert their eponymous Radio Flyer toy wagon into an airplane in the hopes of sending Bobby and Shane away from harm. They draw up a schematic diagram with wings and an engine and scavenge numerous parts, secretly using Jack's tools to build the aircraft in their shed. The boys also raise money though various means, such as retrieving lost balls on a golf course and selling them back to the golfers. After leaving a farewell letter for their mother, the brothers take the device to the cliff at night, but Jack discovers their plan and attempts to stop them, prompting Shane to furiously attack him. Bobby then speeds down the hill alone (knocking out Jack with the wing of his plane) and triumphantly soars into the air as Mike and Shane look on. Mary arrives with police officer Jim Daugherty and Jack is arrested. Though Mike never sees Bobby again, he continues to receive postcards from him from places all over the world.

Back in the present, Mike reiterates to his sons the importance of keeping a promise, and imparts a lesson about history being in the mind of the teller. He concludes his story by saying, "That’s how I remember it."



David Mickey Evans's script for Radio Flyer was a hot property around Hollywood, and Warner Bros. and Columbia Pictures started a bidding war around it in November 1989. Warners had eyes on it as a vehicle for veteran director Richard Donner, while Columbia was buying it on behalf of Michael Douglas's production outfit Stonebridge Entertainment, which had a major production deal with the latter studio. Just before Thanksgiving, Columbia paid Evans a huge sum for a first-time Hollywood screenwriter: $1.25 million. The deal also gave Evans the opportunity to direct even though he had no prior experience helming a film. Douglas, however, believed Evans had the vision to pull it off. This was the first film Columbia put into production under the ownership of Sony, as well as one of the first films to be greenlit by the studio's new management, led by Peter Guber and Jon Peters.[2][3]

Filming started on June 18, 1990. Under Evans's direction, the film starred Rosanna Arquette as the mother, Tomas Arana as Jack, and Luke Edwards and James Badge Dale as the children.[3] The budget was set at $17–18 million after Evans agreed to cut some expensive effects sequences.[3] However, Stonebridge executives found the dailies disappointing, and after 10 days of filming, Douglas shut down production, at a loss of $5 million. Douglas then recruited Richard Donner as the film's new director. With Evans's blessing, Donner accepted with a $5 million paycheck, while his wife, producer Lauren Shuler Donner came on board. Evans remained on the film as an executive producer. With the major players recast, Radio Flyer resumed production that October. Donner had Evans rewrite the script extensively to find a way to balance escapist fantasy and child abuse without alienating the audience.[2][3]

The film's original ending featured a present-day coda where a now-adult Mike, played by Tom Hanks, takes his children to the National Air and Space Museum, where the Radio Flyer/Plane hybrid is displayed next to the Wright Brothers' flying machine. Test audiences were confused by this ending and re-shoots led to the modern-day prologue and epilogue seen in the final film.[3]

A video game adaption of the film was being developed for the Super Nintendo Entertainment System by Ocean Software.[4]

The film was dedicated to the memory of script supervisor Nancy Benta Hansen and uncredited production assistant Simone Fuentes, "whose professionalism and humor we miss."


On Rotten Tomatoes the film has an approval rating of 35% based on reviews from 40 critics. The site's consensus is: "Overlaying its whimsical concept onto a gritty story of domestic abuse, Radio Flyer is a family film that is too harrowing for children and too saccharine for their parents."[5]

Roger Ebert and Leonard Maltin[6] both criticized the film for presenting fantasy as a way of escaping child abuse. Said Ebert, "I was so appalled, watching this kid hurtling down the hill in his pathetic contraption, that I didn't know which ending would be worse. If he fell to his death, that would be unthinkable, but if he soared up to the moon, it would be unforgivable—because you can't escape from child abuse in little red wagons, and even the people who made this picture should have been ashamed to suggest otherwise."[7]

Because the film in fact ends with Bobby successfully evading his stepfather forever, viewers (including Ebert himself[7]) have taken to speculating on the "true" ending,[8][9][10] assuming that the one presented was a case of an unreliable narrator.


  1. ^ Video Detective
  2. ^ a b Rosenthal, Donna (October 28, 1990). "Rolling Along, Finally." The Los Angeles Times.
  3. ^ a b c d e Kilday, Gregg (February 28, 1992). "Making Radio Flyer." Entertainment Weekly.
  4. ^ "Pak Watch". Nintendo Power. March 1, 1992. Retrieved 2020-07-28.
  5. ^ "Radio Flyer (1992)". Rotten Tomatoes. Retrieved 2021-07-08.
  6. ^ Leonard Maltin's 2013 Movie Guide - Google Books
  7. ^ a b Ebert, Roger. "Radio Flyer Movie Review & Film Summary (1992)". Chicago Sun-Times. Retrieved 2016-09-11.
  8. ^ Canby, Vincent (February 21, 1992). "Review/Film; 2 Young Brothers Hoping for Happiness". The New York Times. Retrieved July 31, 2019.
  9. ^ Sterritt, David (March 2, 1992). "'Radio Flyer' Misses the Boat". Christian Science Monitor. Retrieved July 31, 2019.
  10. ^ Burneko, Albert (July 31, 2019). "Once Upon A Time In Hollywood Is A Fun Movie About Making Shit Up". Deadspin. Retrieved July 31, 2019.

External links[edit]