Raising Cain

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Raising Cain
Raising cain.jpg
Theatrical release poster
Directed by Brian De Palma
Produced by Gale Anne Hurd
Written by Brian De Palma
Music by Pino Donaggio
Cinematography Stephen H. Burum
Edited by Robert Dalva
Paul Hirsch
Bonnie Koehler
Distributed by Universal Pictures
Release date
  • August 7, 1992 (1992-08-07)
Running time
91 minutes
Country United States
Language English
Budget $12 million
Box office $37,170,057

Raising Cain is a 1992 psychological horror-thriller film written and directed by Brian De Palma, and starring John Lithgow, Lolita Davidovich and Steven Bauer.


Dr. Carter Nix (John Lithgow) is a respected child psychologist. His wife, Jenny (Lolita Davidovich), becomes concerned that Carter is obsessively studying their daughter, Amy; he regards her like a scientist tracking the development of his creation. But Carter himself suffers from multiple personality disorder consisting of Cain, a street hustler, Josh, a shy 7-year-old boy, and Margo, a middle-aged nanny. Carter and Cain are killing young mothers to procure their children for his experiments.

Jenny is having an affair with Jack Dante (Steven Bauer), the widower of a former patient. She had a relationship with him years ago, but he left her. Now she plans to leave Carter and elope with him. When Carter accidentally discovers their tryst, he descends completely into his madness and begins leaving subtle clues for the police that Jack is the real killer. Next, he attempts to kill Jenny by submerging her car in a lake. She escapes and confronts Carter at home. Unable to find Amy, Jenny demands Carter tell her where she is. Carter replies that she is with his father, whom Jenny knows has been dead for years.

The police contact Dr. Lynn Waldheim (Frances Sternhagen) who co-wrote a book with Nix Sr. called Raising Cain, about a boy with multiple personality disorder. Nix Sr. had extensive detailed knowledge of Cain's tortured childhood, including taped recordings of their sessions. However, Waldheim was never allowed to meet Cain. She pieced the situation together: Nix Sr. dispassionately put his own son through years of severe child abuse to gain firsthand accounts of his traumatic psychological development and study the emerging personalities. Horrified, Waldheim quit the project. After making the connection, Carter is apprehended for attempted murder. Waldheim is sent in alone to interrogate him.

During interrogation, Margo and Josh act and speak for Carter. Josh recites a rhyme and vanishes, and Margo assumes control. She stonewalls Waldheim from any further questioning. Eventually, Carter and Cain break from their confines. They pounce upon Dr. Waldheim, knocking her unconscious and leaving the building disguised as her. The police soon find Waldheim begging them to arrest Carter before any children are harmed.

Nix Sr. (Lithgow) is in fact alive, having faked his own death to elude prosecution for attempting to buy babies. He has established a new identity and a clandestine research facility in Norway. He has been using Carter and his multiples to procure the children so he will have an adequate control group to study the development of MPD. Jenny follows who she thinks is Waldheim to a motel, but it is actually Carter/Cain. She follows Carter/Cain, who is now Margo, into an elevator. When it opens, she sees Nix Sr. with her daughter Amy. While Jenny begs for Nix Sr. to give back her daughter, Carter, Cain and Margo stabs "their" father from behind. Jack arrives with the police, and Carter and his personalities disappear.

The movie ends with Jenny and Amy in a park. Amy runs off into the woods calling "Daddy, Daddy". Jenny follows her and finds Amy, who says her father has gone away. When Jenny bends down to pick Amy up, Carter appears behind her in a wig and a dress; Margo is now in control. Jenny holds Amy in her arms, oblivious to who is behind her.



During production on The Bonfire of the Vanities, Brian De Palma toyed around with the idea of a suspense movie set on a playground. He was concerned however, that returning to the suspense genre was dangerous for him as it could be regarded as a step backward in his career.[1]

This film was the director's first suspense/thriller genre in almost a decade; the prior was 1984's Body Double. The role of the five characters, or personalities (Carter, Cain, Dr. Nix, Josh, and Margo) went to John Lithgow, who had previous worked with De Palma in Obsession and Blow Out. This was their third and final film together as actor and director.[citation needed]

Principal photography began on October 24, 1991. Production took place in Mountain View, California, with the park scenes filmed at Menlo Park, where most the film is set. Other locations include Los Altos, Palo Alto, and San Francisco. Production was completed on December 16, 1991.[citation needed]


The movie gained a mixed reception.[2][3] Owen Gleiberman of Entertainment Weekly wrote: "Is Raising Cain a good movie? No way. You could almost say it's intentionally bad — a gleeful piece of jerry-built schlock. Yet De Palma's naughty-boy gamesmanship has a perverse fascination, even when it doesn't work (which is most of the time)."[4] Raising Cain holds a 58% rating on Rotten Tomatoes based on 26 reviews.

Box office[edit]

The film was a modest box office success, grossing $37.1 million worldwide.[5][6]


Award Category Subject Result
Saturn Awards Best Actor John Lithgow Nominated
Best Supporting Actress Frances Sternhagen Nominated
Venice Film Festival Golden Lion Brian De Palma Nominated

Director's cut[edit]

A Collector's Edition Blu-ray of the film featuring the director's cut as well as the theatrical cut was released on September 13, 2016. The director's cut features scenes that are reorganized as originally intended. The cut was originally edited by Peet Gelderblom, a director from The Netherlands and a long-time De Palma fan, who found out De Palma had regrets about the theatrical cut, re-edited the film to more closely resemble the original script and posted the result on IndieWire in January 2012. De Palma came across Gelderblom's edit and was impressed by it, and successfully arranged to have the cut added to the Blu-ray release.[7]


  1. ^ Salamon, Julie (1991) The Devil's Candy (Hardcover ed.). Houghton Mifflin: Boston, Massachusetts. p. 388. ISBN 0-395-56996-6.
  2. ^ "Reviews/Film; Many Moods, and Outfits to Match". The New York Times. Retrieved 2012-06-05. 
  3. ^ "MOVIE REVIEW : 'Cain': De Palma's Return to His Bloodthirsty Roots". Los Angeles Times. Retrieved 2012-06-05. 
  4. ^ Gleiberman, Owen (August 7, 1992). "Raising Cain". Entertainment Weekly. Retrieved 2012-06-05. 
  5. ^ "Weekend Box Office: Eastwood Still Tall in the Saddle". Los Angeles Times. August 18, 1992. Retrieved 2012-06-05. 
  6. ^ "How Hot Was Hollywood's Summer? : Movies: With ticket sales approaching $1.8 billion, this looks to be the third biggest season on record". Los Angeles Times. September 1, 1992. Retrieved 2012-06-05. 
  7. ^ "Fanedit Impresses Director and Becomes Official Cut – Fanedit.org". www.fanedit.org. Retrieved 2016-10-28. 

Further reading[edit]

  • Martin, Mick & Porter, Marsha. DVD & Video Guide 2006. pg. 922.
  • Frank N. Magill (1993). Magill's Cinema Annual 1993, A Survey of the Films of 1992. Pasadena, California.

External links[edit]