Rawjaw (IPA: /ɾɔd͡ʒɔ/ Odia: ରଜ) or rawjaw Parba (IPA: /ɾɔd͡ʒɔ pɔrbɔ/ Odia: ରଜ ପର୍ବ) or Mithuna Sankranti is a three-day-long festival and the second day signifies beginning of the solar month of Mithuna from, which the season of rains starts.
It is believed that the mother goddess Earth or the divine wife of Lord Vishnu undergoes menstruation during the first three days. The fourth day is called Vasumati gadhua, or ceremonial bath of Bhudevi. The term Raja came from Rajaswala (meaning a menstruating woman), and in medieval times the festival became more popular as an agricultural holiday marking the worship of Bhudevi, who is the wife of lord Jagannath. A silver idol of Bhudevi is still to be found in the Puri Temple beside Lord Jagannatha.
Rituals and customs
During the three days women are given a break from household work and time to play indoor games. Girls decorate themselves with new fashion or traditional Saree and Alatha in feet. All people abstain from walking barefoot on earth. Generally various Pithas are made of which Podapitha, and Chakuli Pitha are main. People play a lot of indoor and outdoor games. Girls play swings tied on tree branches whereas aged ladies play Cards and Ludo.Many villages organise Kabbadi matches among young men. The Raja gita (a folk song sung by the people is:
|“||ବନସ୍ତେ ଡାକିଲା ଗଜ,
ବରଷକେ ଥରେ ଆସିଛି ରଜ,
ଆସିଛି ରଜ ଲୋ
ଘେନି ନୂଆ ସଜବାଜ ॥
ରଜ ଦୋଳି କଟ କଟ,
ମୋ ଭାଇ ମଥାରେ ସୁନା-ମୁକୁଟ,
ସୁନା ମୁକୁଟ ଲୋ
ଦୂରୁ ଦିଶେ ଝଟଝଟ ॥
(Banaste dakila Gaja, barasake thare aasichhi Raja, asichi raja lo gheni nua sajabaja' (meaning the Raja carnival has come with the pomp and pleasure of newness)
|“||ପାନ ଖିଆ ରସିକ ପାଟି,
ଖୋଜି ବୁଲୁଥିଲା ରାଜାଙ୍କ ହାତୀ,
ଢାଳି ଦେଇଗଲା ଶିରରେ,
ରାଜା ହୋଇଗଲେ ରଜରେ ॥
(Pana khia Rasika Paati, khoji buluthila Rajanka hati, dhali deigala sirare, raja hoigale rajare (Meaning the while the lucky charming man chewing betel was blessed with the wondering elephant with the kingship)
It falls in mid June, the first day is called Pahili Rawjaw, second day is Mithuna Sankranti, third day is Bhu daaha or Basi Rawjaw. The final fourth day is called Vasumati snan, in which the ladies bath the grinding stone as a symbol of Bhumi with turmeric paste and adore with flower, sindoor etc. All type of seasonal fruits are offered to mother Bhumi. The day before first day is called Sajabaja or preparatory day during which the house, kitchen including grinding stones are cleaned, spices are ground for three days. During these three days women and girls take rest from work and wear new Saree, Alata, and ornaments.It is similar to Ambubachi Mela. The most popular among numerous festivals in Orissa, Raja is celebrated for three consecutive days. Just as the earth prepares itself to quench its thirst by the incoming rain the unmarried girls of the family are groomed for impending matrimony through this festival. They pass these three days in joyous festivity and observe customs like eating only uncooked and nourishing food especially Podapitha, do not take bath or take salt, do not walk barefoot and vow to give birth to healthy children in future. The most vivid and enjoyable memories one has of the Raja gaiety is the rope-swings on big banyan trees and the lyrical folk-songs that one listens from the nubile beauty enjoying the atmosphere.
To celebrate the advent of monsoon, the joyous festival is arranged for three days by the villagers. Though celebrated all over the state it is more enthusiastically observed in the districts of Cuttack, Puri and Balasore. The first day is called "Pahili Raja" (First Raja), second is "Raja Sankranti" (Proper Raja) and third is "Basi Raja" (Past Raja).
According to popular belief as women menstruate, which is a sign of fertility, so also Mother Earth menstruates. So all three days of the festival are considered to be the menstruating period of Mother Earth. During the festival all agricultural operations remain suspended. As in Hindu homes menstruating women remain secluded because of impurity and do not even touch anything and are given full rest, so also the Mother Earth is given full rest for three days for which all agricultural operations are stopped. Significantly, it is a festival of the unmarried girls, the potential mothers. They all observe the restrictions prescribed for a menstruating woman. The very first day, they rise before dawn, do their hair, anoint their bodies with turmeric paste and oil and then take the purificatory bath in a river or tank. Peculiarly, bathing for the rest two days is prohibited. They don't walk bare-foot do not scratch the earth, do not grind, do not tear anything apart, do not cut and do not cook. During all the three consecutive days they are seen in the best of dresses and decorations, eating cakes and rich food at the houses of friends and relatives, spending long cheery hours, moving up and down on improvised swings, rending the village sky with their merry impromptu songs.
The swings are of different varieties, such as 'Ram Doli', 'Charki Doli', 'Pata Doli', 'Dandi Doli' etc. Songs specially meant for the festival speak of love, affection, respect, social behaviour and everything of social order that comes to the minds of the singers. Through anonymous and composed extempore, much of these songs, through sheer beauty of diction and sentiment, has earned permanence and has gone to make the very substratum of Orissa's folk-poetry. While girls thus scatter beauty, grace and music all around, moving up and down on the swings during the festival, young men give themselves to strenuous games and good food, on the eve of the onset of the monsoons, which will not give them even a minute's respite for practically four months making them one with mud, slush and relentless showers, their spirits keep high with only the hopes of a good harvest. As all agricultural activities remain suspended and a joyous atmosphere pervades, the young men of the village keep themselves busy in various types of country games, the most favourite being 'Kabadi'. Competitions are also held between different groups of villages. All nights 'Yatra' performances or 'Gotipua' dances are arranged in prosperous villages where they can afford the professional groups. Enthusiastic amateurs also arrange plays and other kinds of entertainment.
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