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Rambo Amadeus in Belgrade, March 2013.
|Birth name||Antonije Pušić|
|Also known as||Rambo Amadeus|
June 14, 1963 |
Kotor, SR Montenegro, SFR Yugoslavia
|Origin||Serbia, Montenegro, Yugoslavia|
|Genres||Jazz, disco, rock, electronic music|
|Instruments||Electric guitar, fretless guitar|
Rambo Amadeus (Serbian Cyrillic: Рамбо Амадеус, born Antonije Pušić, June 14, 1963) is a Montenegrin-born Balkan musician, author and performer. A self-titled "musician, poet, and media manipulator", he is a popular phenomenon on the music scenes of the former Yugoslavia.
His songs combine satirical lyrics on human nature and silliness of local politics with a mixture of musical styles including jazz, rock, hip-hop and lately drum and bass, and self-conscious ironic wit; for example, his most popular alias is "Rambo Amadeus Svjetski Kilo Car"— "Rambo Amadeus the World Kilo Tzar", formerly "Rambo Amadeus Svjetski Mega Car"— "Rambo Amadeus the World Mega Tzar" (RASMC) (changed in 2012 because of his belief in the importance of modesty in an environmentally conscious society). His stage name itself is made from John Rambo and Wolfgang Amadeus Mozart.
His concerts are never mere repetitions of recorded songs, but a mixture of musical improvisation and humor exploiting all aspects of human nature in a crude manner. Some fans compare his style and career path with Frank Zappa.
Antonije Pušić was born in Kotor, SR Montenegro, SFR Yugoslavia. His mother, Bosiljka, was born in Jagodina, Serbia, and is a writer and painter. His father was born in Kumbor, near Herceg Novi. He graduated in tourism studies from the University of Belgrade's Faculty of Mathematics and Natural Sciences. He also completed six grades of elementary music school for piano before dropping out.
Before embarking on his musical career, Rambo was an accomplished competitive sailor. Between 1972 and 1984, he represented Yugoslavia in numerous international regattas. During this period he was champion of Montenegro several times, an 8-time South-Adriatic champion, national title winner in the junior category, as well as International Đerdap Cup winner in 1980. He still occasionally attends and participates in some recreational sailing regattas in the Gulf of Kotor.
He began to sing and compose during first year of high school (gymnasium) which soon led to involvement with various local bands in Herceg Novi and Titograd. One of his first performances saw him play the mandolin in an orchestra that entertained guests of Herceg Novi's Plaza hotel.
In 1985, he moved to Belgrade in pursuit of higher education. Parallel to his university studies, he also played with various amateur bands and musicians.
In 1988 he dropped onto the music scene right out of nowhere with a debut album O tugo jesenja. His sound was a seemingly coarse blend of folkish ululations and even opera, further mixed in with humorous lyrics and classic guitar riffs. Since very few people had any prior knowledge of him, Rambo delighted in creating confusion by introducing himself as Nagib Fazlić Nagon, mine shaft operator who saved up enough money to record an album. He referred to his own musical style as turbo folk, long before the term would obtain grave social connotations and come to symbolize moral and cultural decline throughout the Balkans during the wars of the 1990s.
In reality, it was actually thanks to producer Saša Habić that Rambo got the opportunity to sign for the state television's record company PGP RTB (Rambo later wrote an anecdotal tribute to that event, in the hit song "Balkan boy"). Habić also played the synthesizer on this album, from which a track named "Vanzemaljac" (Extraterrestrial) continues to be very popular to this day. The record's sales weren't particularly high, but Rambo certainly created enough of a buzz to be able to remain active on the scene.
Next album Hoćemo gusle came out in 1989 and gave a small taste of much of Rambo's future musical direction – overt political activism. The track "Amerika i Engleska (biće zemlja proleterska)" was originally supposed to be named "Kataklizma komunizma" (Cataclysm of Communism) but powers that be wouldn't allow it. The album title pokes fun at a bizarre event from the 1989 protests in Montenegro that eventually grew into the anti-bureaucratic revolution that swept Milo Đukanović, Momir Bulatović, and Svetozar Marović into power. Protesters were heard chanting "Hoćemo Ruse" ("We want the Russians"), but when the authorities and state-controlled media criticized them for it, many quickly began backpedaling by claiming they actually chanted "Hoćemo gusle" ("We want gusle").
Other songs like "Glupi hit" and afore mentioned "Balkan boy" would also become considerable hits and Rambo even received solid critical acclaim for chances he took in "Samit u buregdžinici Laibach". On that track, he created a catchy hybrid by mixing pretentiously heavy sound of Laibach with poetry of Laza Kostić and Desanka Maksimović, as well as with folk kafana standard "Čaše lomim" and his own turbo-poetry. Album sleeve lists the lyrics of a song that wasn't actually recorded and explains that "it was dropped at the last moment because there was no room for it" but gives assurances it would appear on the next album. Since the song in question, named "Pegepe ertebe", was all about taking shots at Rambo's label PGP RTB it isn't surprising that it didn't appear on the next, or any subsequent album for that matter.
As the 1990s were beginning, Rambo was growing into an established performer. His third album M-91 came out towards the end of 1991 at a time when the conflict across former Yugoslavia was already in full swing. For obvious reasons, the least of which was the album's subtitle – Psychological Propaganda Set, many songs contained heavy lyrics and a dark, militaristic atmosphere. In your face profanity and descriptive cursing was also par for the course, making this the first major music release in former Yugoslavia to take such narrative liberties. Tracks like "Smrt popa Mila Jovovića" (30-year-old poem by Božo Đuranović), "Jemo voli jem" (incorporating samples from Yugoslav aviators' anthem "Hej vojnici vazduhoplovci" as well as Šemsa Suljaković's "Izgubila sve sam bitke"), "Inspektor Nagib" and "Zdravo damo" became instant hits.
The discrepancy between what's listed on the cover and what is actually recorded is there again as sleeve announces the track called "KPGS" which would, this time for real, appear on the next live album, but does not list "Halid invalid Hari" and "Prijatelju, prijatelju" which were included and became big hits. Many consider the two tracks to be classic Rambo: observant, opinionated, direct and profane. The latter of the two originally included excerpts from Slobodan Milošević and Franjo Tuđman speeches, but the record company censors took them out.
This album further solidified Rambo's presence on the scene as he started playing bigger arenas like Sava centar. Due to outspoken and entertaining nature he would often get invited on various TV and radio outlets across the country.
Trying to take the new situation in stride, he hit the road, becoming one of the first performers from FR Yugoslavia to regularly start touring Macedonia and Slovenia in the years following those states' declarations of independence.
After live album KPGS (taped on December 29, 1992 in Skopje) that included new studio track "Karamba karambita" followed by a greatest hits compilation Izabrana dela 1989–1994, Rambo recorded peculiar new material during July 1995 in Paris with Goran Vejvoda. Released the following year as Mikroorganizmi, it featured inaccessible, moody sound garnered with terse, experimental lyrics marking a sizable departure from his usual antics.
Old-school Rambo fans did not have to wait long for a return to earlier style. Towards the end of 1996, on Titanik he delivered a new batch of traditional fare like "Šakom u glavu", "Sado-mazo", "Zreo za penziju" and "Otiš'o je svak ko valja" (dedicated to Toma Zdravković and members of Šarlo Akrobata). Seasoned musicians like Ognjan Radivojević (later to perform with Goran Bregović and Zdravko Čolić), Goran Ljuboja, Dragan Markovski and Marija Mihajlović took part in recording sessions for this album.
Extensive tour followed and it again included Slovenia (live album was recorded over two Ljubljana concerts in April 1997 and later released as R.A. u KUD France Prešern), as well as Bosnia where Rambo appeared as a guest at Sejo Sexon's Zabranjeno pušenje gig in Sarajevo. That appearance in December 1997 was the first post-war visit by a Serbian-Montenegrin performer to the Muslim part of Bosnia.
On June 9, 1998, Rambo played Belgrade's Dom sindikata hall in what he announced to be the farewell performance before retirement. Even if many doubted his sincerity, the concert was a memorable one. Soon, Rambo packed his bags and left for the Netherlands, though not before squeezing in two more shows in Bosnia. In the Netherlands, he worked a series of menial jobs including construction, before deciding to return to Belgrade after only 4 months abroad. Back home, not surprisingly, he also returned to music and continued to break down inter-ethnic barriers: on December 10, 1998, he and Margita Stefanović played a show in Pula at the local cinema with KUD Idijoti, which was a first opportunity since the war for a Croatian audience to see performers from Serbia and Montenegro.
Throughout the year 2000, Rambo worked on what would eventually become the Don't Happy, Be Worry album. This album included the song Laganese in which sampled the Norwegian journalist Åsne Seierstad singing the Norwegian Folk song Eg rodde meg ut på seiegrunnen and swearing. By this time, sampling and local pop-cultural references became two more staples of his sound, and this material, too, was heavy on both. Produced by Iztok Turk, it featured tracks like "Čoban je upravo napustio zgradu" (loose cover of Neda Ukraden's "Zora je svanula"), "Moj skutere" that borrows from Oliver Dragojević's "Moj galebe", and "Izađite molim" with sprinkled in dialogues from Goran Marković's 1975 movie Variola vera.
He made a song "Dikh tu kava" in collaboration with ethno-jazz fusion band Kal, and in 2007 he appeared on their album as a featured artist in the song "Komedija" ("Comedy").
He gave us another extraordinary performance called "Mixing of alternative rocks" in autumn 2007, when he "played" on 12 concrete mixers in front of the audience, during The Alternative Rock Festival in SKC, Belgrade.
For the purpose of the New Year's show on RTV, he appeared in the song "Rakija" followed by Zorule, the traditional folk orchestra. This song was used later as one of the tracks for "Vratiće se rode" TV serial. In February 2008, Rambo Amadeus performed as a guest star of The RTS Big Band jazz orchestra, for their 60th Anniversary.
Rambo Amadeus was internally selected by the Montenegrin national broadcaster RTCG to represent Montenegro in the Eurovision Song Contest 2012 in Baku, Azerbaijan. His winning song Euro Neuro gained controversy for its video. He ultimately failed to make the Eurovision final.
In 2013 he released a video for the new single O'Ruk on the Road Again with Three Winnettous.
In 2015 he released the album "Vrh Dna", which featured previously unreleased track "Rano Za Početak" from 2011, and he retitled it "Samo Balade" for the album's release.
In addition to a prolific solo recording career, Rambo frequently engaged in different, often bizarre side projects.
- In 1989 in Sarajevo, for a short while, he hosted an erotic quiz show with actress Jasna Beri named Turbo-lilihip, which aired on a local TV station SA3.
- He wrote music for different theatre plays such as Đetić u parlament, Oksimoron, as well as Lažni car Šćepan Mali for which he was awarded Sterija prize in 1994.
- Rambo also wrote lyrics for commercial folk stars like Lepa Brena and Vesna Zmijanac, as well as the entire score for 1994 film Slatko od snova, which was a star vehicle for another folk performer Dragana Mirković.
- In 1994 he also wrote a musical score for the 1927 silent movie Metropolis by Fritz Lang. At a movie screening at Sava Center, Rambo's music was played by Belgrade Philharmonic. The material was later recorded by Rambo himself along with Miroslav Savić and Heavily Manipulated Orchestra, and released as Metropolis B (Tour-de-Force)
- A year later, he arranged a cadenza within "A concerto for piano and orchestra in C-minor" by W.A. Mozart. In 1995, cadenza was performed by Ivan Tasovac, while the entire concert was conducted by Oskar Danon at Belgrade's Kolarac concert hall.
- Since early 2005 Rambo has been writing a column Megacarska razmišljanja (Mega-Imperial Thoughts) for the daily tabloid Blic.
- In December 2010 he was a guest on Studio B's Agape program together with Serbian Orthodox bishop Porfirije where they talked about the meaning of life, finding ones's self way in life, slowing down, drug abuse and rehabilitation (Rambo confessed using marijuana for 20 years). http://www.youtube.com/watch?v=BhnIb5BOKnk&feature=endscreen&NR=1
- 1988 – O tugo jesenja
- 1989 – Hoćemo gusle
- 1991 – Psihološko propagandni komplet M-91
- 1995 – Muzika za decu
- 1996 – Mikroorganizmi
- 1997 – Titanik
- 1998 – Metropolis B (tour-de-force)
- 2000 – Don't happy, be worry (Released as Čobane vrati se in Slovenia and Croatia)
- 2005 – Oprem Dobro
- 2008 – Hipishizik Metafizik
- 2015 – Vrh Dna
- 2008 – Yes No
- 1993 – Kurac, Pička, Govno, Sisa
- 1998 – R.A. u KUD France Prešern
- 2004 – Bolje jedno vruće pivo nego četri ladna
- 2011 – Rambo Amadeus & Mutant Dance Sextet u Domu Sindikata
Backing band members
- Rambo Amadeus (World Kilo Tzar) – guitar, fretless guitar, vocals, arr.
- Miroslav Tovirac – bass (2012–)
- Igor Malešević – drums, percussion (2012)
- Aleksandra Kovač – vocals
- Kristina Kovač – vocals
- Nenad Knežević-Knez – vocals
- Goran Ljuboja "Trut" – drums
- Mihajlo Krstić – bass
- Vladimir Čukić – bass
- Vojo Dizdar – keyboards
- Digital Mandrak
- Goran Vejvoda
- Christopher Deliso (2009). Culture and Customs of Serbia and Montenegro. Greenwood Press. ISBN 978-0-313-34436-7.
Serbia's most over-the-top musicians, and an outstanding if irreverent performer, is Rambo Amadeus
- Asne Seierstad (February 5, 2015). With Their Backs to the World: Portraits from Serbia. Little, Brown Book Group. p. 194. ISBN 978-0-349-00694-9.
Rambo Amadeus, one of Serbia's most innovative artists
- Birgit Bock-Luna (2007). The Past in Exile: Serbian Long-distance Nationalism and Identity in the Wake of the Third Balkan War. LIT Verlag Münster. p. 58. ISBN 978-3-8258-9752-9.
Rambo Amadeus, a famous Rock'n Roll singer in Serbia
- "Ne volim dane "pod indigom"". Glas javnosti.
- Jiandani, Sanjay (December 12, 2011). "Montenegro: RTCG selects Rambo Amadeus for Baku!". ESCToday. Retrieved December 12, 2011.
||This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (October 2009) (Learn how and when to remove this template message)|
- Janjatovic, Petar. Ilustrovana ex-Yu rock enciklopedija 1960–2000 (dopunjeno izdanje). Novi Sad: Prometej, 2001.
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|Awards and achievements|
with Just Get Out of My Life
|Montenegro in the Eurovision Song Contest