Randy Raine-Reusch (born 1952) is a Canadian composer, performer, improviser, and multi-instrumentalist specializing in New and Experimental Music for instruments from around the world, particularly those from East and Southeast Asia.
Raine-Reusch studied at the Creative Music Studio in the 1970s with artists such as Frederic Rzewski, Jack Dejohnette, and Karl Berger, before going overseas to study with master musicians in Australia, Malaysia, China, Indonesia, Thailand, Burma, and the Philippines, as well as with "National Treasures" in South Korea and Japan.
With a collection of approximately 1000 instruments, Raine-Reusch regularly performs on the Chinese guzheng, bawu, hulusi and xun; the Japanese shō and ichigenkin; the Korean kayagum; the Thai khaen and pin pia; the Australian didjeridu; and the Appalachian dulcimer.
Raine-Reusch has recorded with Pauline Oliveros, Deep Listening Band, Aerosmith, The Cranberries, Yes, Raffi, David Amram, Jon Gibson, Jin Hi Kim, and Henry Kaiser as well with as his own intercultural quartet, ASZA. He has performed with a wide range of artists including: Aerosmith, Robert Dick, Mats Gustafsson, Barry Guy, Sainkho Namtchylak, Pauline Oliveros, Trichy Sankaran, Paul Plimley, Miya Masaoka and Issui Minegishi, the Japanese Iemoto, or Hereditary Grand Master, of Seikyodo Ichigenkin. He also performs in a duo with his wife, the Chinese zheng virtuoso and scholar Mei Han.
Other credits include two Juno Award nominations, a performance on the famed American PBS “Prairie Home Companion,” and appearing in five documentary films on music.
He was the co-founder of the Rainforest World Music Festival held in Malaysia. He returned in 1998 as the Artistic Director and Consultant for both the Rainforest World Music Festival held just outside Kuching, Malaysia, and the Miri International Jazz Festival in Miri, Malaysia, re-branded in 2010 as Borneo Jazz. Both festivals are overseen by the Sarawak Tourist Board. He was a music consultant for the Korean Arts Management Service, the Sarawak Tourist Board, and Cirque du Soleil's Quidam.
He was the former Director of Acquisitions for the Musical Instrument Museum, which opened in early 2010 in Phoenix, Arizona. He also has been an instrument consultant for the Stearn's Collection at the University of Michigan, Ann Arbor and the Museum of Making Music in Carlsbad, California.
Raine-Reusch is an affiliate of the Canadian Music Centre, a member of the Canadian League of Composers, Board member of the Museum of World Music, a former Board Member of the Canadian New Music Network, and the Executive Director for the Red Chamber Cultural Society.
2005 - Bamboo, Silk & Stone
- With Mei Han
- 2001 - Distant Wind: New Direction For Chinese Zheng
- With Pauline Oliveros
- 1998 - In the Shadow of the Phoenix
- Play the World - a 101 World Instrument Primer, Mel Bay Productions
- Extensive Randy Raine-Reusch interview at AsiAmerican DreaMusic
- Global Rhythm. World Marketing Incorporated. 2008. p. 16.
- "Randy Raine-Reusch - Personal History". asza.com. Retrieved 16 August 2016.
- Karl Neuenfeldt (1997). The didjeridu: from Arnhem Land to Internet. J. Libbey/Perfect Beat Publications. pp. 96, 156. ISBN 978-1-86462-003-0.
- Martin Huxley (15 February 1995). Aerosmith: The Fall and the Rise of Rock's Greatest Band. St. Martin's Press. pp. 74–. ISBN 978-0-312-11737-5.