Rational Dress Society

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The Rational Dress Society was an organisation founded in 1881 in London. It described its purpose thus:

The Rational Dress Society protests against the introduction of any fashion in dress that either deforms the figure, impedes the movements of the body, or in any way tends to injure the health. It protests against the wearing of tightly-fitting corsets; of high-heeled shoes; of heavily-weighted skirts, as rendering healthy exercise almost impossible; and of all tie down cloaks or other garments impeding on the movements of the arms. It protests against crinolines or crinolettes of any kind as ugly and deforming….[It] requires all to be dressed healthily, comfortably, and beautifully, to seek what conduces to birth, comfort and beauty in our dress as a duty to ourselves and each other.[1]

In the catalogue of its inaugural exhibition, it listed the attributes of "perfect" dress as:

1. Freedom of Movement.
2. Absence of pressure over any part of the body.
3. Not more weight than is necessary for warmth, and both weight and warmth evenly distributed.
4. Grace and beauty combined with comfort and convenience.
5. Not departing too conspicuously from the ordinary dress of the time.[2]

Leading members of the Society were Lady Harberton (who created the divided skirt), Mary Eliza Haweis and Constance Wilde (wife of Oscar Wilde).[3] Woman cyclists, such as members of the Lady Cyclists' Association, were keen advocates of women's right to dress appropriately for the activity, as part of a belief that cycling offered women an opportunity to escape overly restrictive societal norms.[4]

In 1889, a member of the Rational Dress Society, Charlotte Carmichael Stopes, staged a coup at a meeting of the British Association for the Advancement of Science in Newcastle upon Tyne, when she arranged an impromptu addition to the programme on the subject of rational dress. Her speech was reported by newspapers across Britain and the notion of rational dress was the biggest news from the meeting.[5]

References[edit]

  1. ^ Rockliff-Steiin, Consuelo Marie. "Pre-Raphaelite Ideals and Artistic Dress". Gilded Lily Publishing. Archived from the original on 2011-09-30.CS1 maint: BOT: original-url status unknown (link)
  2. ^ Levitt, Sarah. "Pomeroy [née Legge], Florence Wallace, Viscountess Harberton". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/45796. (Subscription or UK public library membership required.)
  3. ^ See The Philosophy of Dress by Oscar Wilde.
  4. ^ Julie Wosk, Women and the Machine: Representations from the Spinning Wheel to the Electronic Age, 2003, Johns Hopkins University Press, pp98-99 ISBN 978-0801873133
  5. ^ Stephanie Green (2013). The Public Lives of Charlotte and Marie Stopes. London: Pickering & Chatto. p. 64. ISBN 9781848932388.