Rave music may either refer to the late 1980s/early 1990s genres of house, acid house and techno, the first genres of music in the world to be played at raves, or any other genre of electronic dance music that may be played at a rave, such as electro house, progressive house, acid techno, trance, psychedelic trance, drum and bass, jungle, dubstep, big beat, breakbeat, breakbeat hardcore, hardcore techno, makina, moombahton, gabber, industrial, jumpstyle, hardstyle and speedcore. Very rarely, the term is used to refer to less electronic related genres such as glam rock, new rave, power pop, psychedelic rock and dub parties.
The genre "rave", also known as 1980s hardcore by ravers, first appeared amongst the UK acid movement during the late 1980s as a reaction to New Beat. While New Beat usually borrowed an aggressive industrial sound, rave tended to borrow New Beat's elements that were harder than acid house, while retaining the neutral mooded sound of acid house. Rave tended to be a happy genre that favoured synthesized melodies over the duller sound of the Roland TB-303 in order to attract a wider audience. The genre was later re-established as oldschool hardcore, which lead onto newer forms of rave music such as drum and bass and jazzstep, as well as other hardcore techno genres, such as gabber, hardstyle and happy hardcore.
In the late 1980s, rave culture began to filter through from English expatriates and disc jockeys who would visit Continental Europe. However, rave culture's major expansion in North America is often credited to Frankie Bones, who after spinning a party in an aircraft hangar in England helped organize some of the earliest known American raves in the 1990s in New York City called "Storm Raves" which maintained a consistent core audience. Coinciding at the same time, were the "NASA" parties in NYC by DJ Scotto which was featured in the 1995 movie Kids and forthcoming was concert producer p.a.w.n. Lasers in Pennsylvania who later became the most well known laser company at raves in the East Coast of the United States by cross-promoting these rave events, state to state as far south as Florida and Louisiana. After this, hundreds of smaller promotional groups sprung up across the East Coast such as Ultraworld (MD,DC), Park Rave Madness (NYC), G.O. Guaranteed Overdose (NYC), Local 13 (NJ), Caffeine (NYC), Liquid Grooove aka Liquified (GA), Columns of Knowledge (CT), Special K aka Circle Management (PA), Zen Festivals (FL), Disco Donnie (LA), Ultra Music Festival (FL), and later the West Coast of the United States, causing a true "scene" to develop.
House music, especially acid house, is the first genre of music to be played at the earliest raves (Second Summer of Love). House is a genre of dance music that originated out of the African American and Latino 1980s disco scene in Chicago, USA. There are many subgenres of house music that may be found on the respective pages of house music subgenres (found below). Since house was originally club music, there are many forms of it, some more appropriate to be played at raves than others. In the UK, subgenres such as UK funky, speed garage and dubstep emerged from garage house. Many "pop house" club music producers brand themselves as house music, however, in rave culture it is often disputed that pop house should be separated as a subgenre of house.
"Rave house" is a subgenre label of house music that originated from the styles of house that were typically played in the rave scene of the 1993-1999 period. It is a term used by the general population who do not follow the house or trance scene specifically, but identify certain house records as "rave music". It is a loose term that generally identifies progressive house, hard house or trance house styles (often instrumental with no words) that one would imagine being played at a large rave.
Trance music in its most popular and modern form is an offshoot of house music that originated from the acid house movement and rave scene in the late 1980s. The history of trance music is complicated to refer to, as multiple generations of listeners and musicians have influenced the genre. The term "trance" was (and still to this day by many) used interchangeably with "progressive house" in the early rave years (1990–1994).
Breakbeat music (or breaks for short) refers to any form of rave music with breakbeats, this may range from breakbeat hardcore and nu skool breaks to drum and bass, some genres such as hardstep and breakcore cross over into the hardcore techno sound. Fusions of house and trance also exist but the drum 'n' bass still remains the most popular form of breakbeat played at rave parties.
Electro music refers to electro and techno, these two genres largely featured psychedelic sounds and are largely considered the earliest forms of electronic dance music genres to utilise the term "rave music" in respect to its modern terminological use. Techno sometimes crosses boundaries with house music, hence the genres trance and acid techno. Miami bass and crunk is sometimes included as "electro".
Hardcore techno refers to any hard dance genre that was influenced by the rave genre, usually these genres have a distorted kick drum, and a 3/4 or 4/4 rhythm. Happy hardcore blended the Dutch hardcore sound with Eurodance and bubblegum pop, the genre (also known as "happycore" for short) featured pitched-up vocals and a less distorted 4/4 beat. Trancecore also exists and is a less vocal fusion of happy hardcore with trance music, however hardstyle is a more purer form of the trance/hardcore genre since it retains the hardcore sound.
Industrial is a goth/rock/punk related genre. While the genre is not usually considered rave music in itself, it is often fused with rave music genres. Industrial is the origin of many sounds found in rave music; it is one of the first genres that took the sounds that are now popular in rave music such as "acid" as its musical backdrop. Industrial music fans are usually considered rivetheads and do not tend to call themselves ravers.
Free party music
This style of electronic music started in the early 1990s and was mostly played in illegal parties hosted by Sound System, such as Spiral Tribe, Desert Storm, Hekate, Heretik, in warehouse, dismissed buildings, or even illegal open air festivals, called "Teknivals". It takes inspiration from various other genres, and mainly focuses on quick beats, 170/200 bpm, acid bassline, mentals sounds, and often samples taken from movies, popular songs or many other different media sources.
List of genres
- Acid house & Acid techno — 808 State, Guru Josh, Brian Dougans, The KLF, Phuture, Luke Vibert & Acidwolf
- Breakbeat — DJ Icey, Mike & Charlie, Brad Smith, Afco-Skynet, Agent K & Deuce, Sharaz, Dave London, Baby Anne, Faline, Rob E, Mondo, Chase and Status & Huda Hudia.
- Breakbeat hardcore — Acen, Altern-8, Keoki, Brainstorm Crew, Bobs and Sounds, The Chemical Brothers, The Prodigy, Shades Of Rhythm, Shut Up and Dance, Crystal Method & uberzone.
- Brostep / Dubstep — Rusko, Skrillex, Flux Pavilion, Datsik, Chase & Status, Doctor P, Borgore, TC, Modestep, Feed Me, Kill the Noise & Excision
- Drum and bass / Jungle — Drumsound & Bassline Smith, 4Hero, Logistics, Andy C, Hyper On Experience, Spor, Goldie, Dieselboy, DJ Fresh, Pendulum, Freq Nasty & Freaky Flow, Shy FX, Rebel MC, Ragga Twins
- Drumstep — Excision, Dirtyphonics, Knife Party, Kill The Noise, Fonik, Phrenik, Au5 & Fractal, Tristam, locknar, Subvibe and DotEXE
- Goa trance / Psychedelic trance — Alien Project, Electric Universe, Hallucinogen, Infected Mushroom, Ominus, Astral Projection
- Hardcore techno styles — Happy hardcore, Acidcore, Hardcore house, Gabber, Frenchcore — Atari Teenage Riot, Punish Yourself, Angerfist, Evil Activities, Dune, Outblast, Scooter, Scot Majestik, Luke Slater, Anthony Acid, Dave Clarke, Darren Styles, Neophyte, Endymion, Tommyknocker, Hellfish & Vagabond, Pastis & Buenri
- Hardstyle & Dubstyle — Technoboy, Showtek, Headhunterz, Wildstylez, Brennan Heart, Frontliner, Code Black, Activator, DHHD, DJ Neo, Southstylers, Pavo, Zany, Donkey Rollers, Luna, DJ Lady Dana, DJ Isaac, Blutonium Boy, Phuture Noise, Endymion, In-Phase & Da Tweekaz
- Moombahton — Dave Nada, Knife Party, Dillon Francis, Munchi, Diplo, Bro Safari, ETC!ETC!, Valentino Khan, Sazon Booya
- Liquid funk — Netsky, High Contrast, Fred V & Grafix, Fox Stevenson, MaxNRG, 2DB, Brookes Brothers, Rudimental & Mediks
- New rave — Klaxons, Hadouken!, Shitdisco, Trash Fashion, New Young Pony Club
- Speed garage & Bassline — Platnum, DJXP, T2 & Double 99
- Free tekno — Crystal Distortion, 69db, Fky, Gotek
Downtempo and less dance oriented styles that might be heard in a rave "chill-out" room or at a rave that plays slower electronic music includes:
- Ambient, Minimalist & Computer music — Brian Eno, Mike Oldfield, Harold Budd, ATB, The Orb, Biosphere
- Dubstep & Breakstep — Magnetic Man, Eskmo, Icicle, Loefah, Phaeleh & Burial
- Electro, glitch, techno, experimental hip hop, industrial hip hop — Flying Lotus, Juan Atkins, MARRS, Dopplereffekt, Egyptian Lover, Afrika Bambaataa, Techno Animal, Coldcut, The Glitch Mob & Kraftwerk
- IDM — Aphex Twin, Autechre & Boards of Canada
- UK garage & Grime — Todd Edwards, So Solid Crew, Roll Deep, Dizzee Rascal, Wiley, Plastician, Mis-teeq
- Matos, Michaelangelo: "The Underground Is Massive" New York: HarperCollins Publishing, 2015
- Bennett Andy, Peterson Richard A.: "Music Scenes: Local, Translocal and Virtual." Nashville: Vanderbilt University Press, 2004
- Reynolds, Simon: Generation Ecstasy: into the world of techno and rave culture Routledge, New York 1999.
- Lang, Morgan: "Futuresound: Techno Music and Mediation" University of Washington, Seattle, 1996.
- Dominic Buttitta, electro_DUB-scratch= champaign IL, 2010