Record type is a family of typefaces designed to allow medieval manuscripts (specifically those from England) to be published as near-facsimiles of the originals. The typefaces include a large number of special characters intended to replicate the various scribal abbreviations and other unusual glyphs typically found in such manuscripts. They were used in the publication of archival texts between 1774 and 1900.
Record type was originally developed in the 1770s when plans were under way for the publication of Domesday Book. Early experiments in using special typefaces were not successful, but in 1773 the printer John Nichols designed a record type for an extract from Domesday to be included in John Hutchins' History and Antiquities of the County of Dorset (published in 1774). He was so pleased with the result that he and the co-editor of Domesday, Abraham Farley, persuaded the Treasury that the typeface should be adopted for the main project. It was consequently used in Farley’s edition of Domesday Book, published in 1783. Nichols regarded the design as among his greatest achievements, stating that "on the correctness and beauty of this important Work, I am prepared to stake my typographical credit".
The original Domesday type was destroyed in 1808, but a modified form of record type was widely used during the first half of the 19th century in the publications of the Record Commission. It was subsequently used in the publications of the Pipe Roll Society from 1884 until 1900, and also in 1889 in a single volume published by the Selden Society. At a General Meeting held in 1903, however, the Pipe Roll Society decided to abandon record type and in future to publish texts "in extenso" (i.e. with all abbreviations extended).
Record type fell out of favour because its merits (primarily the fact that, given accurate transcription, the reader was presented with exactly what appeared on the manuscript page) were increasingly felt to be outweighed by its disadvantages: the high costs of typesetting and proofreading, and the challenges to the reader presented by a text prepared with minimal editorial intervention. Moreover, technical advances by the late 19th century meant that, in cases where there was a genuine argument for facsimile publication, this could be achieved more satisfactorily, cheaply and accurately by means of photozincography and other photographic printing techniques. Paul Harvey regards record type as falling "badly between two stools, giving less than a facsimile on the one hand, less than an extended text on the other". Nevertheless, L.C. Hector has argued that the modest amount of rationalisation and standardisation required to set a manuscript in record type resulted in a "half-way stage towards the interpretation of the abbreviations" that remains a useful tool to assist the novice in medieval palaeography.
Charles Trice Martin's The Record Interpreter (first edition 1892; second edition 1910), which remains a standard handbook for the interpretation of English medieval manuscript texts, employs a version of record type to present abbreviated words.
- Condon and Hallam 1984, pp. 377–9.
- Condon and Hallam 1984, p. 379n.
- The Great Roll of the Pipe for the Twenty-Second Year of the Reign of King Henry the Second: A.D. 1175–1176. Pipe Roll Society 25. London. 1904. pp. vii–viii.
- Hunnisett 1977, p. 24.
- Harvey 2001, p. 47.
- Hector 1966, p. 36.
- Trice Martin, Charles (1910). The Record Interpreter: a collection of abbreviations, Latin words and names used in English historical manuscripts and records (2nd ed.). London: Stevens and Sons.
- Condon, M.M.; Hallam, E. (1984). "Government Printing of the Public Records in the Eighteenth Century". Journal of the Society of Archivists 7: 348–88. doi:10.1080/00379818409514252.
- Harvey, P.D.A. (2001). Editing Historical Records. London: British Library. pp. 47–50. ISBN 0-7123-4684-8.
- Hector, L.C. (1966). The Handwriting of English Documents (2nd ed.). London: Edward Arnold. pp. 35–6.
- Hunnisett, R.F. (1977). Editing Records for Publication. Archives and the User 4. London: British Records Association. p. 24. ISBN 0-900222-05-0.